Vinyl: The Analogue Record in the Digital Age (Criminal Practice Series)

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en Limba Engleză Paperback – 18 Dec 2014
Recent years have seen not just a revival, but a rebirth of the analogue record. More than merely a nostalgic craze, vinyl has become a cultural icon. As music consumption migrated to digital and online, this seemingly obsolete medium became the fastest-growing format in music sales. Whilst vinyl never ceased to be the favorite amongst many music lovers and DJs, from the late 1980s the recording industry regarded it as an outdated relic, consigned to dusty domestic corners and obscure record shops. So why is vinyl now experiencing a 'rebirth of its cool'?Dominik Bartmanski and Ian Woodward explore this question by combining a cultural sociological approach with insights from material culture studies. Presenting vinyl as a multifaceted cultural object, they investigate the reasons behind its persistence within our technologically accelerated culture. Informed by media analysis, urban ethnography and the authors' interviews with musicians, DJs, sound engineers, record store owners, collectors and cutting-edge label chiefs from a range of metropolitan centres renowned for thriving music scenes including London, New York, Tokyo, Melbourne, and especially Berlin, what emerges is a story of a modern icon.
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ISBN-13: 9780857856616
ISBN-10: 0857856618
Pagini: 240
Ilustrații: 13 bw illus
Dimensiuni: 156 x 234 x 12 mm
Greutate: 0.33 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Criminal Practice Series

Locul publicării: London, United Kingdom


Offers the first complete and interdisciplinary account of vinyl with a wide range of case material, from music press and popular media to interviews with musicians, DJs, record store owners and label chiefs

Notă biografică

Dominik Bartmanski earned his PhD in sociology at Yale University, USA and currently teaches in the Sociology Department of the Technische Universität Berlin, Germany.Ian Woodward is Associate Professor in the Department of Marketing and Management, University of Southern Denmark, Denmark.


AcknowledgementsPreface1. Vinyl as Record: Several Lives of the 'King Format'2. Medium: Handling and Hearing3. Thing: Qualities and Entanglements4. Commodity: Value and Markets5. Totem: Scene-Making in Urban SpacesEpilogue: Modern IconNotesBibliographyIndex


A passionate ode to the analogue record, and testament to how vinyl embodies the content it mediates, with each record's unique journey etched into the material
Bartmanski and Woodward have created a masterpiece that any record lover should have on their shelves
Vinyl is a state-of-the-art treatment of an unforgettable object and medium that raises many of the issues central to contemporary anthropology. Its subject-matter should make it appealing to students and general audiences, while its theoretical sophistication makes it relevant to scholars of music, technology, popular culture, and cultural objects.
Although there have been some attempts in a similar direction . Bartmanski's and Woodward's book stands out by providing a refreshing perspective on contemporary vinyl culture informed by cultural sociology and material culture studies . the book is a stimulating in-depth study of a central part of contemporary vinyl culture which complements extant studies on record collectorship and the history of the analogue record. It will be of interest to students and scholars with an interest in auditory and material culture as well as vinyl fans - or those who want to become such.
Bartmanski and Woodward . provide meticulous detail as to how materiality matters . Bartmanski and Woodward divide their book into chapters that fervently trace various aspects of vinyl: its history, its functionality and use as a medium, its production and physical properties, and its consumption. In each chapter, they attend to the materially mediated cultural meanings within which vinyl is entangled.
[This] book has much to recommend it. The authors have a fine grasp of the complex and overlapping issues that are involved in establishing vinyl's status as a 'special object' ... [A] fascinating analysis of the format's 'meaningful circulation'.
Picking up the story from a cultural and sociological angle, Ian Woodward and Dominik Bartmanski have written what might well be the first modern history of the humble vinyl record since its exponential surge back into the public imagination.
Vinyl is an essential study of a residual technology's new lives and meanings in the digital age. ... The book is written with love for vinyl records, their aesthetics and the forms of social life they foster. ... [A] vital work to spin, mix and play off.
What has been going on in the cities during the last 5 or 6 years to lead 20- to 50-year-old people to purchase vinyl LPs, instead of CDs, in stores and venues for retail, leisure, learning, and entertainment, and what human desires are satisfied by collecting LPs? . Hearing music is not enough, the authors suggest, and many younger people (especially those who can't read notated scores) yearn to hold their music in their hands . Bartmanski and Woodward's Vinyl is a work of sociology. It is to their credit that the epilogue affirms their training and practice as sociologists, and that my last impression of them is as sturdy academics.
This study is a very insightful and informative contribution to the emerging literature on vinyl ... [Bartmanski and Woodward] combine a cultural sociological approach with insights from material cultural studies, supporting and illustrating their theoretical discussion with frequently fascinating material from interviews. ... A fascinating and instructive study.
Bartmanski and Woodward have written an impassioned book that will surely resonate with analogue enthusiasts and that may even inspire new vinyl diggers. For sociologists interested in the materiality of cultural objects, the status of vinyl in Berlin's electronic music scene represents a compelling example.
As a vinyl DJ for over three decades, I found this in-depth analysis on the resurgence of my favourite 'music carrier' fascinating. Bartmanski and Woodward give an intriguing account of the history of the vinyl LP and its role both as cultural emancipator and motivator of civilizational change while placing special emphasis as to why the current vinyl renaissance is taking place, fostered by the digital age.
In the age of the digital, with the ubiquitous smart phone and MP3 technologies providing consumers with instant access to global sounds irrespective of where they are, Vinyl explores the persistence of an old technology within the production and consumption of music. In doing so it demonstrates the complex ways in which material objects form a meaningful part of our everyday lives - not just through the sounds of vinyl but by how it feels and looks. The text is beautifully written, impassioned, yet critical. Welcome to the world of the post-digital.
Vinyl culture is back, and it's even more vibrant than it was in its heyday, before digitalization. Bartmanski and Woodward take us to the epicentres of this revolution, and let those who are behind it tell us about their passions for this iconic medium. This is an exemplary study of the social and sensory life of things.
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