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Uncle Vanya

Autor Anton Chekhov Traducere de Richard Nelson, Richard Pevear, Larissa Volokhonsky
en Limba Engleză Paperback – 23 oct 2018
"Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English." --New Yorker
The sixth play in the TCG Classic Russian Drama Series. Vanya and his niece Sonya manage to care for the family estate, but when his brother-in-law, a distinguished professor, returns with his new wife and announces his plans to sell the estate, Vanya and Sonya are rattled. One of the most celebrated American playwrights, Richard Nelson, continues his collaboration with preeminent translators Richard Pevear and Larissa Volokhonsky to take on one of Chekhov's most revered plays, which explores a family whose differences are far deeper than what lies on the surface.
Richard Nelson's many plays include Rodney's Wife, Goodnight Children Everywhere, Drama Desk-nominated Franny's Way and Some Americans Abroad, Tony Award-nominated Two Shakespearean Actors, James Joyce's The Dead (with Shaun Davey), for which he won a Tony Award for Best Book of a Musical, and the critically acclaimed, searing play cycles The Apple Family and The Gabriels.
Richard Pevear and Larissa Volokhonsky have produced acclaimed translations of Leo Tolstoy, Fyodor Dostoevsky, Nikolai Gogol, Anton Chekhov, and Mikhail Bulgakov. Their translations of The Brothers Karamazov and Anna Karenina won the 1991 and 2002 PEN/Book-of-the-Month Club Translation Prizes. Pevear, a native of Boston, and Volokhonsky, of St. Petersburg, are married to each other and live in Paris.
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Specificații

ISBN-13: 9781559365901
ISBN-10: 1559365900
Pagini: 120
Dimensiuni: 139 x 216 x 17 mm
Greutate: 0.16 kg
Editura: Theatre Communications Group

Descriere

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Uncle Vanya (1898) is a four-act play by Russian short story writer and playwright Anton Chekhov. It was first performed at the Moscow Art Theatre in 1899, directed by acclaimed actor Konstantin Stanislavski--who also played the role of Astrov. Reviews were lukewarm at first, but as the play continued to run, Uncle Vanya gained both popularity and critical prowess, and has since become one of the most influential dramas ever produced. When retired Professor Aleksandr Serebryakov and his young second wife Yelena arrive at their country estate, they disrupt the mundanity and relative boredom of provincial life for its inhabitants. While the elderly Serebryakov enjoys life in the city, Sonya, his daughter, and Vanya, his first wife's brother, remain at the estate to manage its daily upkeep. Vanya, whose only companion is Mikhail Astrov, a doctor dissatisfied with his life and role in the rural community, regrets his failure to become a man of letters, and blames Serebryakov for saddling him with responsibility for the estate. He also loves the beautiful Yelena and wishes he had realized it before she married his brother-in-law. Meanwhile, Sonya secretly loves Astrov, but fears he thinks of her as only a friend. As Serebryakov's decision to sell the estate in order to increase his income is revealed, Vanya--incensed by years of disappointment and disrespect, as well as his by own mother's idolization of the Professor--reaches his breaking point, bringing the play to its startling, powerful conclusion. Uncle Vanya is a masterful drama that illuminates the intersecting obligations of family while dissecting the bitterness and ambition which so often define the relationships of men. With a beautifully designed cover and professionally typeset manuscript, this edition of Anton Chekhov's Uncle Vanya is a classic of Russian literature reimagined for modern readers.


Notă biografică

Christopher Hampton was born in the Azores in 1946. He wrote his first play, When Did You Last See My Mother? at the age of eighteen. Since then, his plays have included The Philanthropist, Savages,Tales from Hollywood, Les Liaisons Dangereuses, White Chameleon and The Talking Cure. He has translated plays by Ibsen, Moliere, von Horvath, Chekhov and Yasmina Reza. His screenplays include The Good Father, Dangerous Liaisons, Mary Reilly, The Quiet American, Carrington, The Secret Agent and Imagining Argentina, the last three of which he also directed, and A Dangerous Method, based on his play The Talking Cure.

Recenzii

It is the element of might-have-been in Chekhov's characters that makes their sense of waste so tragic ... I know of no more moving climax in world drama.
Michael Frayn has left his signature upon our contemporary enjoyment of Chekhov...this Uncle Vanya possesses all the scrupulous, subtly idiomatic life we have come to expect from his hand, allied with - and this is the true mark of Frayn - a fine sense of Chekhovian complexity.