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Transit de Anna Seghers

Transit: Virago Modern Classics

Autor Anna Seghers Traducere de Margot Bettauer Dembo Introducere de Stuart Evers
en Limba Engleză Paperback – 2 dec 2021
INTRODUCED BY STUART EVERS: 'A genuine, fully fledged masterpiece of the twentieth century; one that remains just as terrifyingly relevant and truthful in the twenty-first'

An existential, political, literary thriller first published in 1944, Transit explores the plight of the refugee with extraordinary compassion and insight.

Having escaped from a Nazi concentration camp in Germany and a work camp in Rouen, the nameless narrator finds himself in the dusty seaport of Marseille. Along the way he was asked to deliver a letter to Weidel, a writer in Paris whom he discovered had killed himself as the Nazis entered the city. Now he is in search of the dead man's wife. He carries Weidel's suitcase, which contains an unfinished novel - and a letter securing Weidel a visa to escape France.

Assuming the name Seidler - though the authorities think he is in fact Weidel - he goes from cafe to cafe looking for Marie, who is in turn anxiously searching for her husband. As Seidler converses with refugees over pizza and wine, their stories gradually break down his ennui, bringing him a deeper awareness of the transitory world they inhabit as they wait and wait for that most precious of possessions: transit papers.

'This novel, completed in 1942, is in my opinion the most beautiful Seghers has written . . . almost flawless' - Heinrich Boll
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Specificații

ISBN-13: 9780349014708
ISBN-10: 0349014701
Pagini: 288
Dimensiuni: 126 x 196 x 20 mm
Greutate: 0.23 kg
Editura: Little Brown
Colecția Virago
Seria Virago Modern Classics

Locul publicării:London, United Kingdom

Recenzii

In political, cultural and artistic terms, Transit offers a vital reading experience: one that is more than just a keen-eyed depiction of a dark and desperate time, but a radical, constantly evolving narrative that delves to the heart of what it is to be human in an inhuman society . . . a genuine, fully fledged masterpiece
Transit belongs to those books that entered my life, and which I continue to engage with in my writing, so much so that I have to pick it up every couple of years to see what has happened between me and it
This novel, completed in 1942, is in my opinion the most beautiful Seghers has written . . . I doubt that our post-1933 literature can point to many books that have been written with such somnambulistic sureness and are almost flawless
No reader will question the author's sincerity as she strives to anatomize the refugee mind
One the most respected and important German authors of the 20th century . . . an important untold story of the refugee situation in Second World War-era Europe . . . A masterpiece
What makes Seghers's story so convincing is the human authenticity of her characters, and the masterly panorama of Vichy Marseille, that 'tiny spigot through which the world flood of Europe's fleeing thousands sought to pour.' Often as that heart-choking picture has been drawn before, both in factual reports and fiction, Seghers's presentation will stir the reader's imagination to its depth
Transit is an eerily poignant read some eighty years after it was first published . . . It is a thriller, yes, but it is a strange one. It might also be called a tragicomedy. Its brilliance has to with this unpindownable-ness. It has to do with the contrast between the genre elements of the novel and the stark, autobiographical realism grounding the narrative. With the way that Seghers artfully renders her characters - comically, tenderly, at times unsympathetically. In big and small ways, the novel resonates
INTRODUCED BY STUART EVERS

'They kept streaming into the only port over which the French flag still waved. The masses wanting to leave the continent each week would have manned a giant flotilla. Yet not even one sad little ship was sailing on a weekly basis anymore.'

Having escaped from a Nazi concentration camp in Germany and a work camp in Rouen, the nameless narrator finds himself in the dusty seaport of Marseille. Along the way he was asked to deliver a letter to Weidel, a writer in Paris whom he discovered had killed himself as the Nazis entered the city. Now he is in search of the dead man's wife. He carries Weidel's suitcase, which contains an unfinished novel - and a letter securing Weidel a visa to escape France.

Assuming the name Seidler - though the authorities think he is in fact Weidel - he goes from cafe to cafe looking for Marie, who is in turn anxiously searching for her husband. As Seidler converses with refugees over pizza and wine, their stories gradually break down his ennui, bringing him a deeper awareness of the transitory world they inhabit as they wait and wait for that most precious of possessions: transit papers.

An existential, political and literary thriller first published in 1944, Transit is a multi-layered wartime masterpiece that explores the plight of the refugee with extraordinary compassion and insight.


'Transit belongs to those books that entered my life, and which I continue to engage with in my writing, so much that I have to pick it up every couple years to see what has happened between me and it' Christa Wolf

Notă biografică

Anna Seghers (née Netty Reiling; 1900ߝ1983) was born in Mainz, Germany, into an upper-middle-class Jewish family. She was a sickly and introverted child by her own account, but became an intellectually curious student, eventually earning a doctorate in art history at the University of Heidelberg in 1924; her first story, written under the name Antje Seghers, was published in the same year. In 1925 she married a Hungarian immigrant economist and began her writing career in earnest. By 1929 Seghers had joined the Communist Party, given birth to her first child, and received the Kleist Prize for her first novel, The Revolt of the Fisherman. Having settled in France in 1933, Seghers was forced to flee again after the 1940 Nazi invasion. With the aid of Varian Fry, Seghers, her husband, and two children sailed from Marseille to Mexico on a ship that included among its passengers Victor Serge, André Breton, and Claude Lévi-Strauss. After the war she moved to East Berlin, where she became an emblematic figure of East German letters, actively championing the work of younger writers from her position as president of the Writers Union and publishing at a steady pace. Among Seghers’s internationally regarded works are The Seventh Cross (1939; adapted for film in 1944 by MGM), one of the only World War IIߝera depictions of Nazi concentration camps; the novella Excursion of the Dead Girls (1945); The Dead Stay Young (1949); and the story collection Benito’s Blue (1973).

Margot Bettauer Dembo has translated works by Judith Hermann, Robert Gernhardt, Joachim Fest, Ödön von Horváth, Feridun Zaimoglu, and Hermann Kant, among others. She was awarded the Goethe-Institut/Berlin Translator’s Prize in 1994 and the Helen and Kurt Wolff Translator’s Prize in 2003. Dembo also worked as a translator for two feature documentary films, The Restless Conscience, which was nominated for an Academy Award, and The Burning Wall.

Peter Conrad was born in Australia, and since 1973 has taught English literature at Christ Church, Oxford. He has published nineteen books on a variety of subjects; among the best known are Modern Times, Modern Places; A Song of Love and Death; The Everyman History of English Literature; and studies of Alfred Hitchcock and Orson Welles. His most recent book is Creation: Artists, Gods and Origins. He has contributed features and reviews to many magazines and newspapers, including The New York Times, The New Yorker, The Observer, the New Statesman, The Guardian, and The Monthly.

Heinrich Böll (1917ߝ1985) was one of Germany’s foremost postߝWorld War II writers. He wrote short stories, essays, plays, and novels, the most famous of which are Billiards at Half-Past Nine, The Clown, Group Portrait with Lady, and The Lost Honor of Katharina Blum. Böll was awarded the Georg Büchner Prize in 1967 and the Nobel Prize in Literature in 1972.