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Transformatio et Continuatio: Forms of Change and Constancy of Antiquity in the Iberian Peninsula 500-1500 de Horst Bredekamp

Transformatio et Continuatio: Forms of Change and Constancy of Antiquity in the Iberian Peninsula 500-1500: Transformationen Der Antike, cartea 43

Editat de Horst Bredekamp, Stefan Trinks
de Limba Germană Electronic book text – 29 apr 2017
Der Band präsentiert eine neue Sicht von Mediävisten unterschiedlicher Disziplinen auf die Kontinuität der Antike in das sogenannte Mittelalter. Er verfolgt das parallele Nebeneinander von Antike und Christentum im 5. und 6. Jahrhundert, das anschließende Fortführen der Antike durch die Westgoten sowie das Beharren in Iberien auf römisch-romanischer Form und Ambivalenz gegen die außerspanisch längst als moderner Stil etablierte Gotik.
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Specificații

ISBN-13: 9783110472370
ISBN-10: 3110472376
Pagini: 250
Editura: De Gruyter
Colecția De Gruyter
Seria Transformationen Der Antike

Locul publicării:Berlin/Boston

Notă biografică

Horst Bredekamp and Stefan Trinks, Humboldt-Universität zu Berlin, Germany.

Descriere

"Medieval thinkers were convinced that they themselves were still citizens of the empire, which had been founded by Augustus." This book is devoted to substantiate this claim of William Heckscher. It does so by tracing Antiquity’s afterlife in various genres on the Iberian Peninsula. The book is a manifest for a special transformation and, moreover, continuation of antiquity in the so-called Middle Ages in Spain, going against the commonly held view that only the European Renaissance did justice to and came to the rescue of Antiquity. It describes how the Visigoths preserved classical Antiquity in the 6th and 7th century, how Roman influence manifests itself on the Pórtico de la Gloria of Santiago de Compostela, how the Iberian Peninsula was reluctant to adopt the European Gothic Art around 1200 and how the Catholic Kings went back to forms and ideas of late Antiquity around 1500. In doing so this book offers an alternative to the influential and, so far, widely accepted concept of the reception of Antiquity, which is Erwin Panofky’s Principle of disjunction.