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Tom Jones

Autor Henry Fielding
Notă:  5.00 · o notă - 1 recenzie 
en Limba Engleză Paperback – 4 feb 2019
The History of Tom Jones, a Foundling, often known simply as Tom Jones, is a comic novel by the English playwright and novelist Henry Fielding. The novel is both a Bildungsroman and a picaresque novel. The central character is an attractively unbridled young man of fierce temper who pursues true love through contemporary Britain in a sequence of scandalous and hilarious adventures. The kindly and wealthy Squire Allworthy and his sister Bridget are introduced in their wealthy estate in Somerset. Allworthy returns from London after an extended business trip and finds an abandoned baby sleeping in his bed. He summons his housekeeper, Mrs Deborah Wilkins, to take care of the child. After searching the nearby village, Mrs Wilkins is told about a young woman called Jenny Jones, servant of a schoolmaster and his wife, as the most likely person to have committed the deed. Jenny is brought before them and admits being the baby's mother but refuses to reveal the father's identity. Mr Allworthy mercifully removes Jenny to a place where her reputation will be unknown. Furthermore, he promises his sister to raise the boy, whom he names Thomas, in his household. The main theme of the novel is the contrast between Tom Jones's good nature, flawed but eventually corrected by his love for virtuous Sophia Western, and his half-brother Blifil's hypocrisy. Secondary themes include several other examples of virtue (especially that of Squire Allworthy), hypocrisy (especially that of Thwackum) and just villainy (for example Mrs. Western, Ensign Northerton), sometimes tempered by repentance (for instance Square, Mrs. Waters, n e Jones). Both introductory chapters to each book and interspersed commentary introduce a long line of further themes. For instance, introductory chapters dwell extensively on bad writers and critics, quite unrelated to the plot but apologetic to the author and the novel itself; and authorial commentary on several characters shows strong opposition to Methodism, calling it fanatical, heretical, and implying association of hypocrites, such as the younger Blifil, with it. The novel takes place against the historical backdrop of the Forty-Five (Jacobite rising of 1745). Characters take different sides in the rebellion, which was an attempt to restore Roman Catholicism as the established religion of England and to undo the Glorious Revolution. At one point Sophia Western is even mistaken for Jenny Cameron, the supposed lover of Bonnie Prince Charlie. Good-natured characters are often modestly loyalist and Anglican, even Hanoverian, while ill-natured characters (Mrs. Western) or only mistaken ones (Partridge) can be Jacobites or (like Squire Western) just anti-Hanoverians.
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Specificații

ISBN-13: 9781420960921
ISBN-10: 142096092X
Pagini: 690
Dimensiuni: 140 x 216 x 41 mm
Greutate: 0.86 kg
Editura: Digireads.com

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O lectură lungă dar recompensatorie, o piesă de teatru deghizată în roman cu un limbaj de o sagacitate exteaordinară.

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Textul de pe ultima copertă

One of the great comic novels in the English language, Tom Jones was an instant success when it was published in 1749: Ten thousand copies were sold in its first year. A foundling, Tom is discovered one evening by the benevolent Squire Allworthy and his sister Bridget and brought up as a son in their household until it is time for him to set out in search of both his fortune and his true identity. Amorous, high-spirited, and filled with what Fielding called "the glorious lust of doing good" but with a tendency toward dissolution, Tom Jones is one of the first characters in fiction to display legitimate sides of human virtue and vice. Now, Tom Jones has been brought to television in a magnificent new co-production from A&E Network and BBC television. Max Beesley stars as Tom, with Samantha Morton (who appeared in A&E's Emma and Jane Eyre) as Sophia. The cast also includes Benjamin Whitrow, Brian Blessed, Frances De La Tour, and John Sessions. Tom Jones is directed by Metin Huseyin, produced by Suzan Harrison, with a screenplay by Simon Burke.

Descriere

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Fielding's comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest work, and one of the first and most influential of English novels. This carefully modernized edition is based on Fielding's emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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with each volume having an introduction by an acknowledged expert, and exhaustive notes, the World's Classics are surely the most desirable series and, all-round, the best value for money
well-produced edition.

Notă biografică

John Bender is Professor of English and Comparative Literature at Stanford University. He is author of Spenser and Literary Pictorialism and Imagining the Penitentiary: Fiction and Architecture of Mind in Eighteenth-Century England, co-editor of The Ends of Rhetoric and Chronotypes: The Construction of Time, and associate editor of The Columbia History of the British Novel. Simon Stern is completing a study of literary property and professional authorship in eighteenth-century England, focusing on Henry and Sarah Fielding.