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Titus Andronicus de Professor Curtis Perry

Titus Andronicus: The Arden Shakespeare Fourth Series

Professor Curtis Perry, Professor Ayanna Thompson Autor William Shakespeare
en Limba Engleză Hardback – 14 mai 2026
The bloodiest and brashest of Shakespeare's plays, this revenge tragedy begins with war and ends in mutilation and cannibalism. Acts of war and sexual violence across borders and within families highlight the importance of empire, Blackness and gender, alongside the familial and literal blood which characterise early modern and contemporary performance.

The Arden Shakespeare Fourth Series Titus Andronicus provides:
- A critical introduction to the textual, cultural and performance history
- An edition that is rooted in a Jacobean revival performance of the play
- Detailed on-the-page notes explaining language, character and performance
- A clear page layout with an easy-to-read font and single-column notes
- Images of relevant productions, paintings and texts

The Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker or performer of Shakespeare's works today.
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Specificații

ISBN-13: 9781350078413
ISBN-10: 1350078417
Pagini: 352
Ilustrații: 22 bw illus
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria The Arden Shakespeare Fourth Series

Locul publicării:London, United Kingdom

Cuprins

General Editor's Preface

How to Use This Edition

Introduction
- The Play
- Authorship
- Early Texts
- Early Theatre History and Dating
- Sources and Intertexts
- Reception and Performance History

Titus Andronicus

Abbreviations and References

Index

Recenzii

`sound and often admirable piece of scholarship. It deals judiciously with the problems of text, authorship and sources, and with the business of clearly and concisely annotating the text'Emrys Jones, Literary Review
'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.'The Oxford Times

Notă biografică

Harry R. McCarthy is Lecturer in Early Modern Literature at the University of Exeter (UK). He previously held a Research Fellowship at Jesus College (University of Cambridge, UK), and is the author of author of Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (2022) and Performing Early Modern Drama Beyond Shakespeare: Edward's Boys (2020). His articles on boyhood, theatre history, contemporary performance of early modern plays, and racial justice in early modern studies, have appeared in journals including Early Theatre, English Literary History, Shakespeare, and Shakespeare Survey, on whose Editorial Board he currently sits.Gary Taylor is Robert O. Lawton Distinguished Professor at Florida State University. He is a General Editor of The New Oxford Shakespeare and has written, edited, and co-edited numerous other volumes including The Oxford Handbook of Thomas Middleton (2012), Moment by Moment by Shakespeare (1985), and Reinventing Shakespeare (1989). He general-edited the Signs of Race and History of Text Technologies series, founded the interdisciplinary History of Text Technologies program at FSU, and has written about the practice and theory of editing in various periods and genres. Taylor has also worked to communicate contemporary literary theory and criticism to a mass audience in newspapers, radio, TV, museums and theatres in North America and the UK.Terri Bourus is Professor of Theatre and Professor of English at Florida State University. She is a General Editor of The New Oxford Shakespeare and the author of Young Shakespeare's Young Hamlet (2014). She has written essays on stage directions, the performance of religious conversion, Shakespeare and Fletcher's Cardenio, the role of Alice in Arden of Faversham, and Middleton's female roles. Bourus is an Equity actor, and has directed and acted in, two very different productions of Hamlet, both based on Q1.Rory Loughnane is Reader in Early Modern Studies at the University of Kent. He is the author or editor of ten books and has published widely on Shakespeare. For the New Oxford Shakespeare, he has edited more than ten of Shakespeares plays. He is a Series Editor of Studies in Early Modern Authorship and Shakespeare and Text, and a General Editor of The Revels Plays series and the forthcoming Oxford Marlowe edition.Anna Pruitt is the Managing Editor of Giving USA at the Lilly Family School of Philanthropy at Indiana University. She is an Associate Editor of The New Oxford Shakespeare.Francis X. Connor is Associate Professor of English at Wichita State University, where he teaches courses in Shakespeare, Early Modern Literature, and the history of the book. An associate editor for The New Oxford Shakespeare, he is the author of Literary Folios and Ideas of the Book in Early Modern England (2014), and his work has appeared in Shakespeare Survey, PBSA, Sidney Journal, and elsewhere.