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Timon of Athens

Autor William Shakespeare Editat de Mybook
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Timon of Athens (The Life of Tymon of Athens) is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605-1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon (and probably influenced by the philosopher Timon of Phlius). The central character is a beloved citizen of Athens who through tremendous generosity spends his entire fortune on corrupt hangers-on only interested in getting the next payout.The earliest-known production of the play was in 1674, when Thomas Shadwell wrote an adaptation under the title The History of Timon of Athens, The Man-hater. Multiple other adaptations followed over the next century, by writers such as Thomas Hull, James Love and Richard Cumberland. The straight Shakespearean text was performed at Smock Alley in Dublin in 1761, but adaptations continued to dominate the stage until well into the 20th century.Timon of Athens was originally grouped with the tragedies, but some scholars name it one of the problem plays.In the beginning, Timon is a wealthy and generous Athenian gentleman. He hosts a large banquet, attended by nearly all the main characters. Timon gives away money wastefully, and everyone wants to please him to get more, except for Apemantus, a churlish philosopher whose cynicism Timon cannot yet appreciate. He accepts art from Poet and Painter, and a jewel from the Jeweller, but by the end of Act 1 he has given that away to another friend. Timon's servant, Lucilius, has been wooing the daughter of an old Athenian. The man is angry, but Timon pays him three talents in exchange for the couple's being allowed to marry, because the happiness of his servant is worth the price. Timon is told that his friend, Ventidius, is in debtors' prison. He sends money to pay Ventidius's debt, and Ventidius is released and joins the banquet. Timon gives a speech on the value of friendship. The guests are entertained by a masque, followed by dancing. As the party winds down, Timon continues to give things away to his friends: his horses, as well as other possessions. The act is divided rather arbitrarily into two scenes, but the experimental and/or unfinished nature of the play is reflected in that it does not naturally break into a five-act structure.Now Timon has given away all his wealth. Flavius, Timon's steward, is upset by the way Timon has spent his wealth, overextending his munificence by showering patronage on the parasitic writers and artists, and delivering his dubious friends from their financial straits this he tells Timon when he returns from a hunt. Timon is upset that he has not been told this before, and begins to vent his anger on Flavius, who tells him that he has tried repeatedly in the past without success, and now he is at the end Timon's land has been sold. Shadowing Timon is another guest at the banquet: the cynical philosopher Apemantus, who terrorises Timon's shallow companions with his caustic raillery. He was the only guest not angling for money or possessions from Timon.


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Specificații

ISBN-13: 9781546716334
ISBN-10: 1546716335
Pagini: 138
Dimensiuni: 152 x 229 x 8 mm
Greutate: 0.2 kg

Descriere

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'The moon's an arrant thief,And her pale fire she snatches from the sun.'How should society treat its bankrupts? What are the ethics of debt collection? What does it mean to be rich, to be poor? And can you ever really buy friendship? In Timon of Athens, Shakespeare and Middleton pose these and other questions as they chart the dramatic downfall of an Athenian nobleman, exposing the corrosive effects of money and status. At once a critique of wealth inequality and a meditation on the fragility of human bonds, the play presents Timon as one of the playwright's most puzzling and enigmatic creations. In her introduction, Sophie Battell connects early modern debates on usury to the continuing reverberations of the recent financial crisis and global recession. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Recenzii

"Timon of Athens is one of the most enigmatic and underappreciated of Shakespeare's plays, yet its urgency for our times is not to be understated. Guided by Douglas Lanier's astute and accessible commentary throughout, this edition positions Timon in a range of historical, theoretical, and performance contexts. The superb Introduction and supplementary resources help the reader navigate key issues—ranging from money, friendship, and cynicism to art, ethics, and collaborative authorship—as well as consider contemporary adaptations on stage and screen. This edition will be a welcome resource for teachers and students at both undergraduate and graduate levels."
—Jay Zysk, Department of English, University of Massachusetts Dartmouth
"Douglas Lanier's Introduction immerses us in the play's daring experiments with genre, its ethical and economic dilemmas, and its emotional and tonal range. He shows how Timon of Athens not only resonates with our troubled cultural moment but also speaks eloquently of its own times. His essay on appreciating the play as a performance script advises us expertly on how to read it as directors do and how to be alert to its radical openness to interpretation."
—Stephen M. Buhler, Department of English, University of Nebraska–Lincoln
"An ideal addition to my syllabus; I regularly teach this play owing to my current students' interest in business and management. Also, in my own work, I follow 19th century readers of Timon, most especially Karl Marx who quotes from it at length in his notes in Capital, Volume 1. I applaud the volume editor, Douglas Lanier, for his care in glossing and also for making connections (below the line) to other works by Shakespeare—which makes a good case for considering Timon as being more central to the overall Shakespeare canon than previously assumed (and notwithstanding Middleton's role in this play as well as in, of course, Macbeth). This is a handy and inexpensive edition that my students will enjoy using."
—William Engel, Sewanee: The University of the South

Notă biografică

SOPHIE BATTELL is the author of On the Threshold: Hospitality in Shakespeare's Drama (2023). She received her PhD from Cardiff University, and has taught at the Universities of Exeter and Zurich. More recently, she has worked at the University of Oxford as research assistant on the Arden Shakespeare Fourth Series. Her current project is on the literary and cultural significance of the Sun in early modern England.GARY TAYLOR is Robert O. Lawton Distinguished Professor at Florida State University. He is a General Editor of The New Oxford Shakespeare and has written, edited, and co-edited numerous other volumes including Reinventing Shakespeare (1989), The Oxford Handbook of Thomas Middleton (2012), and Textual Genealogies and Shakespeare's History Plays (2025). He general-edited the Signs of Race and History of Text Technologies series, founded the interdisciplinary History of Text Technologies program at FSU in 2006, and has written about the practice and theory of editing in various periods and genres. Taylor has also worked to communicate contemporary literary theory and criticism to a mass audience in newspapers, radio, TV, museums and theatres in North America and Europe.Francis X. Connor is Associate Professor of English at Wichita State University, where he teaches courses in Shakespeare, Early Modern Literature, and the history of the book. An associate editor for the New Oxford Shakespeare, he is the author of Literary Folios and Ideas of the Book in Early Modern England (2014), and his work has appeared in Shakespeare Survey, PBSA, Sidney Journal, and elsewhere.

Cuprins

List of illustrations; List of abbreviations and conventions; Introduction: date, the play and its themes, critical approaches, the play on the stage, the 1999 RSC production (A. R. Braunmuller); Narrative and dramatic treatments of the Timon legend from Lucian to The Comedy of Timon' authorship; The Timon legend; List of characters; The play; Supplementary notes; Textual analysis; Reading list.