Theatrical Heritage
Editat de Bruno Forment, Christel Stalpaerten Limba Engleză Paperback – 6 mai 2015
Theatrical Heritage addresses these and related issues from a broad perspective. In accessible essays written by theater and music scholars, performers, directors, conservators, and administrators from Europe and the United States, new methods are advanced to reactivate the theatrical past.
Contributors: Michael Burden (Oxford University/New College), Margaret Butler (University of Florida), Thomas Crombez (Royal Academy of Fine Arts/Saint Luke's College, Antwerp), Timothy De Paepe (University of Antwerp), Maarten De Pourcq (Radboud University, Nijmegen), Christine Fischer (Kunst Universitat Graz/Swiss ForumMusikDiversitat), Raphaele Fleury (Paris-Sorbonne University), Bruno Forment (Vrije Universiteit Brussel/Ghent University), Nick Hunt (Rose Bruford College of Theatre and Performance), Riemer Knoop (Reinwardt Academy, Amsterdam), Jerome Maeckelbergh (Royal Academy of Fine Arts, Antwerp), Frank Peeters (University of Antwerp), John A. Rice (freelance writer and teacher), Christel Stalpaert (Ghent University), Staf Vos (Het Firmament), Jed Wentz (Leiden University)"
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Specificații
ISBN-13: 9789462700239
ISBN-10: 9462700230
Pagini: 240
Dimensiuni: 170 x 23 x 18 mm
Greutate: 0.48 kg
Editura: Leuven University Press
ISBN-10: 9462700230
Pagini: 240
Dimensiuni: 170 x 23 x 18 mm
Greutate: 0.48 kg
Editura: Leuven University Press
Notă biografică
Bruno Forment is Postdoctoral Fellow (FWO) at Ghent University and Lecturer at the Vrije Universiteit Brussel.
Cuprins
Preface
A Twenty-First-Century Plea for Vintage, Heritage-Friendly Theater
Bruno Forment
Part I In Light of the Theatrical Fact
Theaterfeuer or Sublime Horreur
Operatic Pyrotechnics in the Eighteenth Century
John A. Rice
Mechanical Rules versus Abnormis Gratia
Revaluing Gilbert Austin's Chironomia (1806) as a Source for Historical Acting Techniques
Jed Wentz
Playability
A Reinvention of Contemporary Lighting Practice Drawing on Fred Bentham's 1930s Light Console
Nick Hunt
Part II Reviving the Operatic Past
Divas, Arias, and Acrimony
The Revolving Door of Musical Resources for London's Italian Opera
Michael Burden
The Misadventures of Artaserse (Turin, 1760)
J. C. Bach's First Italian Opera from Production to Performance
Margaret R. Butler
The Mechanics of Magic (or Vice Versa)
Sigrid T'Hooft and the Historically Informed Performance of Opera
Bruno Forment
Affective Education and Performative Space
In Francesca Caccini's La liberazione di Ruggiero dall'isola d'Alcina (1625 and 2012)
Christine Fischer
Part III Theatrical Infrastructure Rebuilt, Endangered, and Lost Visualizing the Theatrical Past
The Virtual Reconstruction of Theatrical Heritage
Timothy De Paepe
The 'Bourla' in Antwerp
Machinery from 1834 on the Brink of Dismantling?
Jerome Maeckelbergh
O Tempora, O Mores
A Discourse of Neglect and Destruction
Frank Peeters
Part IV From Performance to Archive
An Empty Stage
Assessing the Value of Theatrical Collections
Riemer R. Knoop
The Document as Event
Assessing the Value of Digital Collections for Theatrical Heritage
Thomas Crombez
From the Conservation to the Production of Archives
The Portail des Arts de la Marionnette, Reference and Vehicle for New Ambitions in the Cultural Heritage of the Performing Arts
Raphaèle Fleury
Beyond the Archive
Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities
Maarten De Pourcq & Staf Vos
Bibliography
Contributors' biographies
Index
Gallery with color plates
A Twenty-First-Century Plea for Vintage, Heritage-Friendly Theater
Bruno Forment
Part I In Light of the Theatrical Fact
Theaterfeuer or Sublime Horreur
Operatic Pyrotechnics in the Eighteenth Century
John A. Rice
Mechanical Rules versus Abnormis Gratia
Revaluing Gilbert Austin's Chironomia (1806) as a Source for Historical Acting Techniques
Jed Wentz
Playability
A Reinvention of Contemporary Lighting Practice Drawing on Fred Bentham's 1930s Light Console
Nick Hunt
Part II Reviving the Operatic Past
Divas, Arias, and Acrimony
The Revolving Door of Musical Resources for London's Italian Opera
Michael Burden
The Misadventures of Artaserse (Turin, 1760)
J. C. Bach's First Italian Opera from Production to Performance
Margaret R. Butler
The Mechanics of Magic (or Vice Versa)
Sigrid T'Hooft and the Historically Informed Performance of Opera
Bruno Forment
Affective Education and Performative Space
In Francesca Caccini's La liberazione di Ruggiero dall'isola d'Alcina (1625 and 2012)
Christine Fischer
Part III Theatrical Infrastructure Rebuilt, Endangered, and Lost Visualizing the Theatrical Past
The Virtual Reconstruction of Theatrical Heritage
Timothy De Paepe
The 'Bourla' in Antwerp
Machinery from 1834 on the Brink of Dismantling?
Jerome Maeckelbergh
O Tempora, O Mores
A Discourse of Neglect and Destruction
Frank Peeters
Part IV From Performance to Archive
An Empty Stage
Assessing the Value of Theatrical Collections
Riemer R. Knoop
The Document as Event
Assessing the Value of Digital Collections for Theatrical Heritage
Thomas Crombez
From the Conservation to the Production of Archives
The Portail des Arts de la Marionnette, Reference and Vehicle for New Ambitions in the Cultural Heritage of the Performing Arts
Raphaèle Fleury
Beyond the Archive
Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities
Maarten De Pourcq & Staf Vos
Bibliography
Contributors' biographies
Index
Gallery with color plates