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The Yellow Wallpaper

Autor Charlotte Perkins Gilman
en Limba Engleză Paperback
The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it." She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage. The narrator devotes many journal entries to describing the wallpaper in the room - its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall. On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last, ...in spite of you and Jane," and her husband faints as she continues to circle the room, stepping over his inert body each time she passes.
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Specificații

ISBN-13: 9781530385218
ISBN-10: 1530385210
Pagini: 28
Dimensiuni: 203 x 254 x 2 mm
Greutate: 0.08 kg
Editura: CreateSpace Independent Publishing Platform

Descriere

Descriere de la o altă ediție sau format:

First appearing in 1892 The Yellow Wallpaper is a searing vision of a distinctively feminine form of madness and commands attention as an arresting tale of horror and a moving look into a woman's mind.

 

The story uncompromisingly thrusts the reader into the mind of the narrator. She is a woman forced, ostensibly for her own good, into a 'rest cure', a psychological straitjacket so constricting that she begins to unravel. Her mental dissolution is described with such fierce immediacy that The Yellow Wallpaper has been read and anthologized as a chilling horror tale. While it can easily be appreciated for its disorienting thrills, the story's true resonance comes from its matter-of-fact portrayal of a woman pushed to the rim of sanity by society's demands and her family's utter inability to conceive of the fact that she cannot fit within their strictures. Shot through with unforgettable images of the yellow wallpaper, its shadowy depths and what seems to lurk there, The Yellow Wallpaper builds to a climax that combines the narrative impact of an Edgar Allan Poe story with a wrenching protest of the treatment of women. Unique and genre-bending, Gilman's story was unrivaled in its era and its power endures undiminished today.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Yellow Wallpaper is both modern and readable.


Notă biografică

Charlotte Perkins Gilman, feminist, author, critic, and theorist, was born on July 3 1860, in Hartford, Connecticut. In 1884 she married Charles Walter Stetson, gave birth to a daughter the following year, and was subsequently overcome by bouts of depression, which nearly caused her complete breakdown. Finally she fled to California and created a scandal by obtaining a divorce and granting custody of her daughter to her husband. In 1892 her story "The Yellow Wallpaper" appeared, and she began her writing and social activism in earnest. She became a contributing editor to The American Fabian and fought for reforms based on her socialist and feminist ideals. Her most famous book, Women and Economics (1898), was translated into seven languages, winning her international recognition. In 1900 she married George Houghton Gilman. For seven years she wrote and edited her own magazine, The Forerunner, and she wrote ten more books, including The Home (1902), Human Works (1904), and The Man-Made World: Our Androcentric Culture (1911). Her famous utopian novel, Herland, appeared in 1915. She committed suicide in 1935 while dying from breast cancer.