The Sphinx Contemplating Napoleon: Global Perspectives on Contemporary Art and Difference
Autor Gilane Tawadrosen Limba Engleză Paperback – 25 feb 2021
Gilane Tawadros experiments with methodology to draw cultural difference to the surface: from traditional criticism to fictional narratives, this critical variety mirrors her embrace of different perspectives and hints to the myriad ways in which contemporary art is created and presented. Using these techniques she explores the work of leading artists such as Adel Abdessemed, Richard Avedon, Sonia Boyce and Frank Bowling, offering expert guidance on the rich cultural and historical contexts of global and contemporary art through intimate engagement with lived experience.
Playing with forms of writing, from critical analyses to fictional narratives, The Sphinx Contemplating Napoleon functions as a practice-based meditation on how to write about contemporary art.
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Specificații
ISBN-13: 9781501363337
ISBN-10: 1501363336
Pagini: 350
Ilustrații: 147 color illus
Dimensiuni: 180 x 254 x 22 mm
Greutate: 0.96 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
ISBN-10: 1501363336
Pagini: 350
Ilustrații: 147 color illus
Dimensiuni: 180 x 254 x 22 mm
Greutate: 0.96 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:New York, United States
Cuprins
List of Illustrations
Acknowledgements
Introduction
Part I: The Leftovers of Translation
1. But What is the Question? Art, Research and the Production of Knowledge
2. Extra-Extra: Interview with Raul Ortega Ayala
3. Dissonant Chorus
4. Shen Yuan: The Leftovers of Translation
5. Voices Off: Interview with Susan Hiller
Part II: The Banality of Difference
6. 'We are the Martians.'
7. Van Leo: Self-Portraits
8. Shirani Shahbazi: The Banality of Difference
9. A Case of Mistaken Identity: Notes from the Scene of the Crime
10. Electrifying Eve
Part III: Re-siting the City
11. The Real Me
12. Vladimir and Estragon are still waiting
13. Alfred's Favourite Tree
14. The Leopard
15. Maps of Desire
Part IV: Studies in a Post-colonial body
16. The Revolution Stripped Bare
17. Studies in a Post-colonial Body
18. Veil: Veiling, Representation and Contemporary Art
Part V: Relocating the Remains: History and Representation
19. Strangers and Barbarians: Representing Ourselves and Others
20. Telling Tales: Keith Piper's Relocating the Remains
21. Sweet Oblivion
22. Godville: Interview with Omer Fast
Part VI: Going Global
23. Going Global: 4th International Istanbul Biennial
24. Detonations: Jonathan Hernández and the Rongwrong series
25. Modern Europeans
26. Slipping Away (or Uncompliant Cartographies)
Part VII: Transmission Interrupted
27. Interruption in Four Acts, or Disappearing Irises, Broken-down Buses and Ceramic Citroens
28. Egypt at the Venice Biennale: 1967 and The Year That Changed
Everything
29. From Zero to Infinity: The Work of Adel Abdessemed
30. Reading (and Curating) from Right to Left
31. Dissonant Divas: Sonia Boyce, Sound and Collaboration
32. A Thousand and One
Index
Acknowledgements
Introduction
Part I: The Leftovers of Translation
1. But What is the Question? Art, Research and the Production of Knowledge
2. Extra-Extra: Interview with Raul Ortega Ayala
3. Dissonant Chorus
4. Shen Yuan: The Leftovers of Translation
5. Voices Off: Interview with Susan Hiller
Part II: The Banality of Difference
6. 'We are the Martians.'
7. Van Leo: Self-Portraits
8. Shirani Shahbazi: The Banality of Difference
9. A Case of Mistaken Identity: Notes from the Scene of the Crime
10. Electrifying Eve
Part III: Re-siting the City
11. The Real Me
12. Vladimir and Estragon are still waiting
13. Alfred's Favourite Tree
14. The Leopard
15. Maps of Desire
Part IV: Studies in a Post-colonial body
16. The Revolution Stripped Bare
17. Studies in a Post-colonial Body
18. Veil: Veiling, Representation and Contemporary Art
Part V: Relocating the Remains: History and Representation
19. Strangers and Barbarians: Representing Ourselves and Others
20. Telling Tales: Keith Piper's Relocating the Remains
21. Sweet Oblivion
22. Godville: Interview with Omer Fast
Part VI: Going Global
23. Going Global: 4th International Istanbul Biennial
24. Detonations: Jonathan Hernández and the Rongwrong series
25. Modern Europeans
26. Slipping Away (or Uncompliant Cartographies)
Part VII: Transmission Interrupted
27. Interruption in Four Acts, or Disappearing Irises, Broken-down Buses and Ceramic Citroens
28. Egypt at the Venice Biennale: 1967 and The Year That Changed
Everything
29. From Zero to Infinity: The Work of Adel Abdessemed
30. Reading (and Curating) from Right to Left
31. Dissonant Divas: Sonia Boyce, Sound and Collaboration
32. A Thousand and One
Index
Recenzii
Amongst pioneering rethink of the art history-culture status quo, Gilane's writings illuminate the struggle to forge conceptual tackle for today's diverse art world and cultural difference - critical voicing that emerges less from theorising than from "thinking through art practices".
Based on the author's profound knowledge of the global contemporary art scene . this book provides a new art historical narrative, one that is more global, more inclusive and nuanced . A must read for students of contemporary art and visual culture, race, and the postcolonial body.
Richly illustrated, Gilane Tawadros' beautifully observed book is a timely and prescient account of how representation remains a pivotal question for artists and society at large. Peppered with many delightful intercultural and intertextual references, The Sphinx Contemplating Napoleon is a must read in our de-colonising times.
The Sphinx Contemplating Napoleon: Global Perspectives on Contemporary Art and Difference strikes a balance between seeing contemporary art on its own terms and understanding art within the terms set forth for it. When the latter is at odds with the former, Gilane Tawadros makes her greatest observations in a set of clear and evocative essays on a range of artists. All are superbly written, carefully argued down to the details and compelling to the end. Though the stated focus of "post-independence Egypt and post-war Britain" is maintained throughout, larger concerns of the value that art draws internationally is lucidly presented. This book continues Tawadros' decades long project of internationalism in art.
Based on the author's profound knowledge of the global contemporary art scene . this book provides a new art historical narrative, one that is more global, more inclusive and nuanced . A must read for students of contemporary art and visual culture, race, and the postcolonial body.
Richly illustrated, Gilane Tawadros' beautifully observed book is a timely and prescient account of how representation remains a pivotal question for artists and society at large. Peppered with many delightful intercultural and intertextual references, The Sphinx Contemplating Napoleon is a must read in our de-colonising times.
The Sphinx Contemplating Napoleon: Global Perspectives on Contemporary Art and Difference strikes a balance between seeing contemporary art on its own terms and understanding art within the terms set forth for it. When the latter is at odds with the former, Gilane Tawadros makes her greatest observations in a set of clear and evocative essays on a range of artists. All are superbly written, carefully argued down to the details and compelling to the end. Though the stated focus of "post-independence Egypt and post-war Britain" is maintained throughout, larger concerns of the value that art draws internationally is lucidly presented. This book continues Tawadros' decades long project of internationalism in art.
Caracteristici
Establishes new connections between her writings which acknowledge recent developments in art writing, culture, society and the globalised world
Notă biografică
Gilane Tawadros is a writer and curator. She was the founding Director of the Institute of International Visual Arts (Iniva) in London which, over a decade, achieved an international reputation as a ground-breaking cultural agency at the leading edge of artistic and cultural debates nationally and internationally. She has written extensively on contemporary art and curated a number of important exhibitions in the UK and internationally. In 2012, she was the first art historian to be appointed to the prestigious Blanche, Edith and Irving Laurie Chair in Women's Studies, Rutgers, the State University of New Jersey. She is Chair of the Stuart Hall Foundation.