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The Routledge Handbook of Crime Fiction and Ecology de Nathan Ashman

The Routledge Handbook of Crime Fiction and Ecology: Routledge Literature Handbooks

Editat de Nathan Ashman
en Limba Engleză Paperback – 27 oct 2025
Compellingly written and drawing on examples from across the globe, The Routledge Handbook of Crime Fiction and Ecology is an essential introduction to this new and dynamic research field for both students and scholars alike.
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Specificații

ISBN-13: 9780367550868
ISBN-10: 0367550865
Pagini: 460
Dimensiuni: 178 x 254 x 25 mm
Greutate: 0.86 kg
Editura: Routledge
Seria Routledge Literature Handbooks

Cuprins

Placing Crime Fiction and Ecology: An Introduction
Nathan Ashman
Part I: Space and Topography
  1. Affect in Peter May’s Lewis and Harris NovelsTerry Gifford
  2. "The Goshawk Did It": Nature Writing and Detection in Ann Cleeves’The Crow Trap
    Ian Kenny and Irina Souch
  3. The Norfolk Saltmarsh: Elly Griffiths and Place in Contemporary Crime FictionNicola Bishop
  4. The Big Deep: The Ecological Turn in Nordic NoirMichael Hinds and Tomas Buitendijk
  5. Aesthetic Imaginaries of Nature and Nationhood in the Works of Arnaldur Indriðason
    Priscilla Jolly
  6. Unsettlement, Climate and Rural/Urban Place-Making in Australian Crime Fiction
    Rachel Fetherston
    Part II: Bodies and Violence
  7. Pest Control: "Wasp Season" in Agatha Christie’s "The Blue Geranium"Alicia Carroll
  8. Green Machinations: Unknown Poison, Ecology and Female Criminal Agency in L.T. Meade’s The Sorceress of the Strand
    Caitlin Anderson
  9. "Scorched Earth": Transgressive Bodies, Historic Criminality, and Colonial Recursions in Louise Erdrich’s The Round House
    Malinda Hackett
  10. "Animals Taking Revenge": Imagining Murder as an Ecological Encounter in Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead
    Andrew Yallop
  11. Protecting the Rhinos and Our Young Democracy: Nature and the State in Post-Apartheid South African Crime Fiction
    Colette Guldimann
  12. "Look at Mother Nature on the Run": ‘The Troubles’ in Adrian McKinty’s Sean Duffy Novels
    Bill Phillips
  13. Environmental Crime and the Dialectics of Slow and Divine Violence inPoso Wells by Gabriela Alemán
    Rafael Andúgar
    Part III: Epistemologies
  14. "Holmes, that’s some Santa Claus shit": Reading Lydia Millet’s A Children’sBible as Ecological Crime Fiction
    MaKenzie Hope Munson and Kevin Andrew Spicer
  15. John D. MacDonald and the Advent of Ecocrime FictionKristopher Mecholsky
  16. Choking to Death: True Crime and the Great SmogAnita Lam
  17. "Every Crime Has its Peculiar Odor": Detection, Deodorization and IntoxicationHsuan Hsu
  18. In Paolo Bacigalupi’s Environmental Science Fiction, Immoral and Criminal are not Synonymous
    Patrick D. Murphy
  19. From Crime Scene to Anthropocene in 2010s Argentinian NarrativeDavid Conlon
  20. Ecologemes in Contemporary Australian Crime Fiction: The Case of Outback Noir
    Katrin Althans
    Part IV: Criminality and Justice
  21. Revising Crime in Fiction: An Environmental InvitationMarta Puxan-Oliva
  22. Criminal Violences: The Continuum of Settler Colonialism and Climate Crisis in Recent Indigenous Fiction
    Rebecca Tillett
  23. Environmental Racism and Post-Katrina Crime FictionRuth Hawthorn
  24. Seeking Environmental Justice: Muti in South African Crime FictionFelicity Hand
  25. A Form of Wild Justice: Carl Hiaasen’s Deployment of Carnivalesque Environmental Ethics and Moral Technology
    Anna Kirsch
  26. Environmental Concerns in Carl Hiaasen’s Crime FictionDavid Geherin
  27. New Energy, Old Crime: Forms of Individual and Collective Responsibility in Nordic Crimes Series
    Leonardo Nolé
    Part V: Energy, Globality and Circulation
  28. "It Tasted Like Gasoline": The American Roman Noir and the Oil Encounter in Elliott Chaze’s Black Wings Has My Angel (1953)
    Nathan Ashman
  29. Oil and the Hardboiled: Petromobility, Settler Colonialism and the Legacy of the American Century in Thomas King’s Cold Skies
    Alec Follett
  30. "The Whole World…Was a Gigantic Prison": Climate Crisis and Carceral Capitalism in Rachel Kushner’s The Mars Room
    Megan Cole
  31. Reading Donna Leon as Mediterranean NoirValerie McGuire
  32. The Circulation of Global Environmental Concerns: Local and International Perspectives in the Verdenero Collection and Donna Leon’s Crime Fiction
    Aina Vidal-Pérez
  33. Magic Seeds and The Living Dead: Investigating Transnational Eco-Crimes
in Rajat Chaudhuri’s The Butterfly Effect
Damini Ray

Notă biografică

Nathan Ashman is Lecturer in Crime Writing at the University of East Anglia and the author of James Ellroy and Voyeur Fiction (2018). His research spans the fields of crime fiction, contemporary American fiction, and ecocriticism, with a particular specialism in the works of James Ellroy. He has published articles on numerous writers including Ross Macdonald, E.C. Bentley, Don DeLillo,Megan Abbott and Walter Mosley. His second book, James Sallis: A Companion to the Mystery Fiction, is forthcoming.