The Odd Women
Autor George Gissing Editat de Arlene Youngen Limba Engleză Paperback – 23 feb 1998
In Gissing’s story, Virginia Madden and her two sisters are confronted upon the death of their father with sudden impoverishment. Without training for employment, and desperate to maintain middle-class respectability, they face a daunting struggle. In Rhoda Nunn, a strong feminist, Gissing also presents a strong character who draws attention overtly to the issues behind the novel. The Odd Women is one of the most important social novels of the late nineteenth century.
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Specificații
ISBN-13: 9781551111117
ISBN-10: 155111111X
Pagini: 416
Dimensiuni: 140 x 216 x 22 mm
Greutate: 0.54 kg
Ediția:Revised
Editura: BROADVIEW PR
Colecția Broadview Press
Locul publicării:Peterborough, Canada
ISBN-10: 155111111X
Pagini: 416
Dimensiuni: 140 x 216 x 22 mm
Greutate: 0.54 kg
Ediția:Revised
Editura: BROADVIEW PR
Colecția Broadview Press
Locul publicării:Peterborough, Canada
Recenzii
George Gissing’s The Odd Women dramatizes key issues relating to class and gender in late-Victorian culture: the changing relationship between the sexes, the social impact of ‘odd’ or ‘redundant’ women, the cultural impact of ‘the new woman,’ and the opportunities for and conditions of employment in the expanding service sector of the economy. At the heart of these issues as many late Victorians saw them was a problem of the imbalance in the ratio of men to women in the population. There were more females than males, which meant that more and more women would be left unmarried; they would be ‘odd’ or ‘redundant,’ and would be forced to be independent and to find work to support themselves. In the Broadview edition, Gissing’s text is carefully annotated and accompanied by a range of documents from the period that help to lay out the context in which the book was written.
In Gissing’s story, Virginia Madden and her two sisters are confronted upon the death of their father with sudden impoverishment. Without training for employment, and desperate to maintain middle-class respectability, they face a daunting struggle. In Rhoda Nunn, a strong feminist, Gissing also presents a strong character who draws attention overtly to the issues behind the novel. The Odd Women is one of the most important social novels of the late nineteenth century.
“When it comes to the complexities of everyday life in late-Victorian London, there is no better guide than Gissing and no better Gissing than The Odd Women. And now, in Arlene Young’s carefully edited and annotated edition, we have the definitive guide to Gissing’s novel. Students will also find the historical documents gathered in this volume an invaluable resource in the study of the “woman question” and the sociology of work in the 1890s.” — Stephen Arata, University of Virginia
“Broadview’s enterprise is especially welcome in the case of The Odd Women, Gissing’s second most commonly studied novel. [This edition] deserves to become the text of choice for teachers—especially given its modest price.” — The Gissing Journal
In Gissing’s story, Virginia Madden and her two sisters are confronted upon the death of their father with sudden impoverishment. Without training for employment, and desperate to maintain middle-class respectability, they face a daunting struggle. In Rhoda Nunn, a strong feminist, Gissing also presents a strong character who draws attention overtly to the issues behind the novel. The Odd Women is one of the most important social novels of the late nineteenth century.
“When it comes to the complexities of everyday life in late-Victorian London, there is no better guide than Gissing and no better Gissing than The Odd Women. And now, in Arlene Young’s carefully edited and annotated edition, we have the definitive guide to Gissing’s novel. Students will also find the historical documents gathered in this volume an invaluable resource in the study of the “woman question” and the sociology of work in the 1890s.” — Stephen Arata, University of Virginia
“Broadview’s enterprise is especially welcome in the case of The Odd Women, Gissing’s second most commonly studied novel. [This edition] deserves to become the text of choice for teachers—especially given its modest price.” — The Gissing Journal
Cuprins
Acknowledgements
Introduction
A Note on the Text
George Gissing: A Brief Chronology
The Odd Women
Appendix A: Contemporary Reviews
Selected Bibliography
Introduction
A Note on the Text
George Gissing: A Brief Chronology
The Odd Women
Appendix A: Contemporary Reviews
- Glasgow Herald 20 April 1893
- Saturday Review 29 April 1893
- Athenaeum 27 May 1893
- Pall Mall Gazette 29 May 1893
- Nation (New York) 13 July 1893
- Illustrated London News (Clementia Black) 5 August 1893
- Sarah Ellis, from The Daughters of England (1842)
- Alfred Lord Tennyson, from The Princess (1847)
- Coventry Patmore, from The Angel in the House: “The Rose of the World” (1854)
- Thomas Henry Huxley, from “Emancipation—Black and White,” Reader (20 May 1865)
- John Ruskin, from “Of Queens’ Gardens,” in Sesame and Lilies (1865)
- John Stuart Mill, from The Subjection of Women (1869)
- Mona Caird, from “Marriage,” Westminster Review (1888)
- Grant Allen, from “Plain Words on the Woman Question,” Fortnightly Review (October 1889)
- Bernard Shaw, from “The Womanly Woman,” The Quintessence of Ibsenism (1891)
- Eliza Lynn Linton, from “The Wild Women: As Politicians,” Nineteenth Century (July 1891)
- Eliza Lynn Linton, from “The Wild Women: As Insurgents,” Nineteenth Century (October 1891)
- Mona Caird, “A Defense of the So-Called ‘Wild Women’,” Nineteenth Century (May 1891)
- From “Character Note: The New Woman” Cornhill Magazine (October 1894)
- Nat Arling, “What is the Role of the ‘New Woman?’” Westminster Review (November 1898)
- Charlotte Brontë, from Shirley (1849)
- From “The Disputed Question,” English Woman’s Journal (August 1858)
- Evelyn March Phillips, from “The Working Lady in London,” Fortnightly Review (August 1892)
- Clara Collet, from “The Employment of Women,” Report to the Royal Commission on Labour (1893)
- Frances H. Low, from “How Poor Ladies Live,” Nineteenth Century (March 1897)
- Eliza Orme, from “How Poor Ladies Live: A Reply,” Nineteenth Century (April 1897)
- James Fitzjames Stephen, from “Gentlemen” Cornhill Magazine (March 1862)
- B.O. Orchard, from The Clerks of Liverpool (1871)
- Charles Edward Parsons, from Clerks: their Position and Advancement (1876)
- Thomas Sutherst, from Death and Disease Behind the Counter (1884)
- H.G. Wells, from Kipps (1905)
- H.G. Wells, from Experiment in Autobiography (1934)
Selected Bibliography
Notă biografică
George Gissing (1857-1903) was an English novelist. Born in Yorkshire, he excelled as a student from a young age, earning a scholarship to Owens College where he won prizes for his poetry and academic writing. Expelled and arrested for a series of thefts in 1876, Gissing was forced to leave England for the United States, teaching classics and working as a short story writer in Massachusetts and Chicago. The following year, he returned to England and embarked on a career as a professional novelist, publishing works of naturalism inspired by his experience of poverty and the works of Charles Dickens. After going through an acrimonious divorce, Gissing remarried in 1891 and entered a turbulent relationship with Edith Alice Underwood, with whom he raised two children before separating in 1897. During this time, after writing several unpublished novels, Gissing found success with New Grub Street (1891), Born in Exile (1892), and The Odd Women (1893). In the last years of his life, Gissing befriended H.G. Wells and travelled throughout Italy, Germany, and France, where he died after falling ill during a winter walk.