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The Film Studio: Film Production in the Global Economy de Ben Goldsmith

The Film Studio: Film Production in the Global Economy: Critical Media Studies: Institutions, Politics, and Culture

Autor Ben Goldsmith, Tom O'Regan
en Limba Engleză Hardback – 5 mai 2005
The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, alleging that global competition is best understood as an unequal and unstable partnership between the 'design interest' of footloose producers and the 'location interest' of local actors. Ben Goldsmith and Tom O'Regan identify various types of film studios and investigate the consequences for Hollywood, international film production, and the studio locations.
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Specificații

ISBN-13: 9780742536807
ISBN-10: 0742536807
Pagini: 231
Dimensiuni: 148 x 226 x 18 mm
Greutate: 0.43 kg
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield
Seria Critical Media Studies: Institutions, Politics, and Culture

Locul publicării:New York, United States

Cuprins

Chapter 1 Acknowledgments
Chapter 2 Introduction
Chapter 3 1 International Production and Globalization
Chapter 4 2 Types of Studio
Chapter 5 3 Studios, the "Location Interest," and Policy
Chapter 6 4 Studios, Stargates, and Urban Reimagining
Chapter 7 5 Extreme Dreams in Satellite Locations: The Rise of the Greenfields Studio
Chapter 8 6 From National to International Film Studios
Chapter 9 7 Still Exceptional? London's Film Studios
Chapter 10 8 "The Same but Different!": Canadian Studios and International Production
Chapter 11 9 Still the Center: Studios and the United States
Chapter 12 Bibliography
Chapter 13 Index
Chapter 14 About the Authors

Recenzii

The book's strategy-positioning the studio at the centre of current international production-permits a very persuasive and useful analysis of where the industry (in the largest sense) is now and how it got here.
The global film industry is evidently on the verge of a major sea-change as more and more shooting activities decentralize from traditional centers of production-above all Hollywood-to other locations, all over the world. Goldsmith and O'Regan provide us with the first systematic in-depth assessment of this trend and its implications for the future of the global landscape of film-making activities.