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The Contemporary Guitar: The New Instrumentation Series

Autor John Schneider
en Limba Engleză Paperback – 20 aug 2015
The Contemporary Guitar traces the extraordinary rise of the instrument in concert music over the past century. Though recognized worldwide as a popular music icon, the all-to-recent time when the guitar was looked down upon as a second-class citizen in the world of "serious" music is finally past, and it can now be found in the scores of the most important composers. The guitar's rightful place in chamber music, orchestral music, or as a solo instrument is now without question, whether in the classic acoustic form or the more recent electric version.

While the guitar has stood in the vanguard of musical experimentation, its many new techniques and notations remain a mystery for many composers and players. In The Contemporary Guitar, musician and scholar, John Schneider explains each class of technique and illustrates them with examples. Moreover, because the guitar is easily refretted, it has also become a leading instrument in the exploration of the relatively new musical language of microtonality. In this revised and enlarged edition from the original work of three decades ago, Schneider adds a broad-ranging, entirely new chapter on the instruments, notation and repertoire with insights into the interpretation of historical works through the application of accurate contemporary tunings and temperaments.

The guitar's unique timbre-its tone color-is one of the most versatile among modern instruments, both acoustic and electric. Most players who intuitively explore the subtleties of tone color will find outlined in The Contemporary Guitar the specific principles of physics that determine these subtleties which, once mastered, permit guitarists to control more completely the expressive palette of their instrument. Designated the Rational Method of Tone Production by its author, Schneider defines in great detail the timbral characteristics of acoustic and electric instruments from theoretical, physical, and musical viewpoints.

Players in search of new repertoire will find an historical survey of the literature, an exhaustive list of new music, and a multitude of techniques for bringing such music to life. The Contemporary Guitar provides audio examples online for those seeking to discover new sounds and includes the notation to perform them.
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Specificații

ISBN-13: 9781442237896
ISBN-10: 1442237899
Pagini: 360
Dimensiuni: 216 x 278 x 24 mm
Greutate: 1 kg
Ediția:Revised and Enl
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield
Seria The New Instrumentation Series

Locul publicării:New York, United States

Cuprins

Preface to the Second Edition

Section I HISTORICAL BACKGROUND
Chapter 1Overview: 1800 to the Present

Section II THE INSTRUMENTS
Chapter 2The Acoustic Guitar
Chapter 3The Electric Guitar
Chapter 4New Developments

Section III THE MUSIC
Chapter 5Timbre and Notation
Chapter 6Pitched Sounds
Chapter 7Microtones
Chapter 8Unpitched Sounds
Chapter 9Electronics
Chapter 10Conclusion

Appendix IRepertoire: Select Chronology Since 1900
Appendix IITriadographs
Recorded Examples
Bibliography
Index

Recenzii

The new edition of John Schneider's The Contemporary Guitar celebrates the author's encyclopedic knowledge of the modern guitar landscape with an information-packed journey through the far regions of musical creativity by leading composers and guitarists of the past fifty years. Using dozens of audio examples and hundreds of illustrations, The Contemporary Guitar explores the physics of sound production and the development of a wild array of guitar designs, from the traditional through the radical. Schneider's brilliant book is mandatory reading for anyone who cares about the explosion of music and ideas that has characterized the guitar in our time.
I wish that I were a poet so that I could in a few short words say eloquently all the good things
there are to say about John Schneider's The Contemporary Guitar. This book is a marvel:
encyclopedic in scope, inter-disciplinary in a way far too little of our standard literature is, and
yet always enlivened by his passion for an immense subject he knows more about than any
of the rest of us. I love opening the doors of this cathedral and wandering about in it! His
lifetime labor of love (now in its most welcome second edition) has given us all a sanctuary of
enlightenment and wisdom.