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The Choephori

Autor Aeschylus Traducere de E. D. a. Morshead
en Limba Engleză Paperback
The Choephori - The Libation Bearers - Aeschylus The Libation Bearers is the second play of the Oresteia. It deals with the reunion of Agamemnon's children, Electra and Orestes, and their revenge. Orestes kills Clytemnestra to avenge the death of Agamemnon, Orestes' father. Storyline Orestes arrives at the grave of his father, accompanied by his cousin Pylades, the son of the king of Phocis, where he has grown up in exile; he places two locks of his hair on the tomb. Orestes and Pylades hide as Electra, Orestes' sister, arrives at the grave accompanied by a chorus of elderly slave women (the libation bearers of the title) to pour libations on Agamemnon's grave; they have been sent by Clytemnestra in an effort "to ward off harm" (l.42). Just as the ritual ends, Electra spots a lock of hair on the tomb which she recognizes as similar to her own; subsequently she sees two sets of footprints, one of which has proportions similar to hers. At this point Orestes and Pylades emerge from their hiding place and Orestes gradually convinces her of his identity. Now, in the longest and most structurally complex lyric passage in extant Greek tragedy, the chorus, Orestes, and Electra, attempt to conjure the departed spirit of Agamemnon to aid them in revenging his murder. Orestes then asks "why she sent libations, what calculation led her to offer too late atonement for a hurt past cure" (l.515
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  Clarendon Press – 11 aug 1988 26650 lei  42-47 zile

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Specificații

ISBN-13: 9781534673533
ISBN-10: 1534673539
Pagini: 46
Dimensiuni: 178 x 254 x 3 mm
Greutate: 0.1 kg

Descriere

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Produced in 458 BC, Aeschylus' Choephori stands as the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreiadae.This edition (first published in hardback in 1986) takes into account the large amount of recent research on the play and tackles the problems presented by an unusually corrupt text. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature (from Homer to Pindar) and art (representations on vases and reliefs), as well as the place of Choephori within the Oresteia, its imagery and dramatic structure, the questions of staging the play, and the manuscript tradition. Much of the commentary looks at problems of style, dramatic technique, and interpretation of the play, and before each scene is discussed an analysis of its contribution to the drama as a whole is supplied. The text and critical apparatus reproduced are those of D. L. Page (Oxford Classical Texts).

Recenzii

'Meticulous and profound scholarship, wide familiarity with relevant work, painstaking attention to detail: all these are to be seen in profusion ... this work of genuine scholarship can only be welcomed as an outstanding, and outstandingly produced, long-needed edition from the Clarendon Press.' J. H. C. Leach, Times Literary Supplement
'[Garvie's] commentary is immensely thorough, open-minded and sober.' Greece and Rome
'Particularly valuable is the treatment of the myth before Aeschylus ... the combination of literary and archaeological evidence fills a serious gap left by previous commentators, and will be useful also to those reading or teaching the other plays of the trilogy.' R. A. S. Seaford, JACT Bulletin
'The need for a detailed, up-to-date commentary on the play was clear, and it is fully met by this solid and substantial work...a fine and valuable commentary.' Martin L. West Gnomon