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The Arthurian World de Victoria Coldham-Fussell

The Arthurian World: Routledge Worlds

Editat de Victoria Coldham-Fussell, Miriam Edlich-Muth, Renée Ward
en Limba Engleză Paperback – 14 apr 2025
This collection provides an innovative and wide-ranging introduction to the world of Arthur by looking beyond the canonical texts and themes to explore a global perspective on the Arthurian narrative. It explores how the variety of adaptations have made the Arthurian story popular in different times and places.
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Specificații

ISBN-13: 9781032186320
ISBN-10: 1032186321
Pagini: 580
Dimensiuni: 174 x 246 x 31 mm
Greutate: 0.98 kg
Editura: Taylor & Francis Ltd (Sales)
Seria Routledge Worlds

Cuprins

Introduction PART I: The World of Arthur in the British Isles 1. King Arthur: Hero or Legend? 2. The Invention of Arthurian Britain: Arthur in the Early Welsh Literary Tradition 3. Arthur Among the Nine Worthies 4. Prophecy and Place in the Arthurian Tradition 5. Spenser, Malory, and Regionalism in Arthurian Literature 6. The Post-medieval Arthur at War 7. The Arthurian Legends in the Sixteenth Century: The Misfortunes of Arthur and The Faerie Queene 8. "what’s past is prologue" – Early Modern Explorations of Arthurian Romance and Shakespeare’s The Tempest 9. Victorian Medievalisms: Rehabilitating Arthur in E. L. Hervey’s The Feasts of Camelot 10. Staging Guenevere’s Maternity in Richard Hovey’s The Marriage of Guenevere and The Birth of Galahad PART II: The European World of Arthur 11. The Byelorussian Tristan 12. Continuity and Discontinuity in the Irish Arthurian Romances 13. No Country for Young Men: The Challenge of the Medieval Greek Old Knight 14. A Not-So-Unique Text: Melekh Artus and Medieval Jewish Arthurian Romance 15. Viduvilt: The Yiddish World of Arthur 16. No Knights, No England, No Arthur: Arthurian Theater in Fifteenth- and Sixteenth-Century Germany 17. Guiron le Courtois Across Borders: The Life of a Prose Narrative Cycle 18. Optical Illusion, Illusory Objects, and the Quest of the Holy Grail in the Vulgate Queste del Saint Graal and Perlesvaus PART III: The Material World of Arthur 19. Making and Illustrating Arthurian Manuscripts 20. Sir Palamedes the Indelibly "Saracen" Knight: Heraldry, Monstrosity, and Race in Fifteenth-Century Arthurian Romance Manuscripts 21. Minding the Gaps: Topology and Gender in the Remediation of Medieval German Arthurian Romance 22. Arthurian Imagination in Eighteenth- and Nineteenth-Century British Art 23. Finding Arthur in the Percy Folio 24. A History of Malory’s Morte Darthur in Print 25. A Grave Discovery? Guinevere’s Death and Burial at Amesbury in Medieval and Early Modern Tradition PART IV: The Transversal World of Arthur 26. The Arthurian Legends in America 27. In the Ancient Days of Sagas: Astrid Lindgren and the Legacy of Arthurian Romance 28. "Hail to the king[s], baby": Arthur vs Army of Darkness 29. Arthur in Modern Fantasy Literature 30. Cinema Arthuriana and the Knights of the Not-So-Round Table 31. The Grail is in Another Castle: The World of Arthur in Digital Games 32. Desire and the Flexible Grail: The Japanese Fate Franchise and Evolving Notions of Arthurian Power 33. "Moor" and "Saracen" in Medieval and Contemporary Arthurian Texts 34. Guy Ritchie, King Arthur, and the Great Conspiracy

Notă biografică

Victoria Coldham-Fussell is a Research Ethics Adviser for Victoria University of Wellington—Te Herenga Waka. Her research focuses on renaissance humor and the work of Edmund Spenser. She is the author of Comic Spenser: Faith, Folly, and The Faerie Queene (2020), co-author of the Oxford Bibliographies article 'Edmund Spenser' (2017), and contributor to Conversātiō—In the Company of Bees (2021).
Miriam Edlich-Muth holds the Chair of Medieval English and Historical Linguistics at the University of Düsseldorf, Germany.
Renée Ward is Senior Lecturer in Medieval Literature at the University of Lincoln, UK, and co-editor of The Year’s Work in Medievalism.