Spider-Man
Autor Charlie Michaelen Limba Engleză Paperback – 26 dec 2025
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 191.62 lei 6-8 săpt. | |
| Taylor & Francis Ltd (Sales) – 26 dec 2025 | 191.62 lei 6-8 săpt. | |
| Hardback (1) | 432.59 lei 6-8 săpt. | +19.25 lei 7-13 zile |
| Taylor & Francis – 28 iun 2024 | 432.59 lei 6-8 săpt. | +19.25 lei 7-13 zile |
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Specificații
ISBN-13: 9780367764524
ISBN-10: 0367764520
Pagini: 122
Dimensiuni: 140 x 216 x 7 mm
Greutate: 0.16 kg
Editura: Taylor & Francis Ltd (Sales)
ISBN-10: 0367764520
Pagini: 122
Dimensiuni: 140 x 216 x 7 mm
Greutate: 0.16 kg
Editura: Taylor & Francis Ltd (Sales)
Recenzii
"Michael marries the worlds of film theory and larger popular culture critique in a way that is both deeply analytical and approachable for anyone interested in the majesty of Spider-Man: Into the Spider-Verse. His gradual unfolding of Miles Morales's debut film covers the vast complexities of its narrative and construction, from the animation to the racial politics at play, that offer a way for future superhero films to appeal to a youthful demographic that sees Miles Morales as "our Spider-Man". Michael takes a leap of faith with this work, and it is one that pays off handsomely by the volume's end."
- Marcus Haynes, PhD, Georgia Gwinnett College, Author of YA novel The Orange Scepter
- Marcus Haynes, PhD, Georgia Gwinnett College, Author of YA novel The Orange Scepter
Cuprins
Introduction: ‘My name is Miles Morales’ 1. Into a Spider-Verse of References: ‘I’m pretty sure you know the rest’ 2. Animating the Spider-Verse:‘This literally could not get any weirder’ 3. Racializing the Spider-Verse:‘You gotta choose a side’ Conclusion: ‘Which one pointed first?’
Notă biografică
Charlie Michael is Assistant Professor in the Department of Film and Media at Emory University. His research focuses on popular culture and media industries in a global context. He is the author of French Blockbusters: Cultural Politics of a Transnational Cinema (2019) and the co-editor of the Directory of World Cinema: France (2013), and his work has also appeared in journals such as SubStance, Transnational Screens, and The Velvet Light Trap.