Sound: A Reader in Theatre Practice

en Limba Engleză Hardback – 29 noi 2009

Brown explores relationships between sound and theatre, focusing on sound's interdependence and interaction with human performance and drama. Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.

Citește tot Restrânge

Toate formatele și edițiile

	Preț	Express
Paperback (1)	231^.65 lei 43-57 zile
Bloomsbury Publishing – 26 noi 2009	231^.65 lei 43-57 zile
Hardback (1)	616^.14 lei 43-57 zile
Bloomsbury Publishing – 29 noi 2009	616^.14 lei 43-57 zile

Preț: 616^.14 lei

Preț vechi: 716^.44 lei
-14% Nou

Puncte Express: 924

:
109^.04€ • 127^.88$ • 95^.61£

Carte tipărită la comandă

Livrare economică 26 ianuarie-09 februarie 26

Adaugă în coș

Wish list
Gift list
Am citit!

Adaugă în listă

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780230551879
ISBN-10: 0230551874
Pagini: 264
Ilustrații: 3 figures, 9 b/w photos
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.52 kg
Ediția:2009
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom

Caracteristici

Contains previously unpublished material by and new interviews with leading contemporary innovators of theatre sound, including John Collins (Wooster Group) and Scott Gibbons (Socìetas Raffaello Sanzio)

Notă biografică

ROSS BROWN is Dean of Studies and Reader in Sound at the Central School of Speech and Drama, University of London, UK. He is Convenor of the International Theatre Sound Colloquium His professional career as a theatre composer, musician and sound designer includes productions for BBC Radio Drama, Shared Experience, RSC, The Almeida, BAC, The Gate, The Royal Court, The Shadow Syndicate, Glasgow Citizens', Lancaster Duke's, Derby Playhouse, Red Shift and many other prestigious companies in the commercial and subsidised sectors.

Cuprins

Series Editor's Preface Introduction: The Theatre of Sound PART I: DRAMATURGICALLY ORGANISED NOISE Defining Theatre Sound Design What the Textbooks Say The Pre-History of Sound Design Alternative Takes Five Sound Designers in their Own Words PART II: THEATRICALLY ORGANISED HEARING Problems with Sound as Scenography Live Listening: The Aural Phenomenology of Theatre Resounding Theatres Alternative Realities John Levack Drever on Sound Effect-Object-Event Conclusion Bibliography.

Papetărie, jocuri, reviste