Some Recollections of St. Ives: A Novel
Autor David Mameten Limba Engleză Hardback – 25 sep 2025
Written in the final years of Hollis’s life, Some Recollections of St. Ives traces his forty years within the institution, providing portraits of the people, politics, and parables that shaped both the man and the school. Within Hollis’s allegorical ruminations, David Mamet delivers a sharp, incisive examination of an isolated world—the St. Ives School—and its place in the wider culture.
Witty, elegant, and profoundly insightful, Some Recollections of St. Ives proves once again that Mamet is a master of language and character. Intimate yet expansive, this novel is an astute exploration of tradition and legacy—how we shape them and, in turn, how they shape us.
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Specificații
ISBN-13: 9781648211409
ISBN-10: 1648211402
Pagini: 216
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.41 kg
Editura: ARCADE
Colecția Arcade
ISBN-10: 1648211402
Pagini: 216
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.41 kg
Editura: ARCADE
Colecția Arcade
Notă biografică
David Mamet is America's foremost playwright. His numerous plays include Oleanna, Glengarry Glen Ross (winner of the Pulitzer Prize and the New York Drama Critics' Circle Award), American Buffalo, Speed-the-Plow, and Race, among many others. He has twice been nominated for an Academy Award and has written and directed ten films, including Homicide, The Spanish Prisoner, and State and Main. In addition, he wrote the novels The Village, The Old Religion, Wilson, and Chicago as well as many books of nonfiction, including the New York Times bestseller The Secret Knowledge: On the Dismantling of American Culture and The Disenlightenment: Politics, Horror, and Entertainment. His HBO film Phil Spector aired in 2013 and earned him two Emmy Award nominations for Outstanding Writing and Outstanding Directing. He was co-creator and executive producer of the CBS television show The Unit and is a founding member of the Atlantic Theater Company. His newest film, Henry Johnson, is now available at HenryJohnsonMovie.com.
Recenzii
PRAISE FOR DAVID MAMET
“The finest American writer of his generation.” —Sunday Mail
“A pure writer, and the synthesis he appears to be making, with echoes from voices as diverse as Beckett, Pinter and Hemingway, is unique and exciting.” —Newsweek
“Mamet’s ear is uncanny. Nobody today has a more flawless gift for reproducing overheard colloquial speech.” —Robert Brustein
“Mamet deserves recognition for his careful, gorgeous, loving sense of language. He has the most acute ear for dialogue of any American writer since J. D. Salinger.” —The Village Voice
“Mamet is a true and exciting original . . . a blaze of talent.” —WCBS-TV
“Pinter. Albee. Miller. They’re all looking over Mamet’s shoulders.” —New York
PRAISE FOR SOME RECOLLECTIONS OF ST. IVES
“Mamet offers a refreshingly intimate, meditative, and elegiac novel . . . [showcasing] Mamet’s skill as a miniature portraitist, sketching people and events with poignant insight and dry wit. Still present is Mamet’s nimble facility with language, but here it is in the service of a richly textured, impressionistic diary that is fragmented, elliptical, and spare. . . The whole work bears the indelible marks of Mamet’s penetrating character studies, but in a more understated manner.”—Booklist
“The finest American writer of his generation.” —Sunday Mail
“A pure writer, and the synthesis he appears to be making, with echoes from voices as diverse as Beckett, Pinter and Hemingway, is unique and exciting.” —Newsweek
“Mamet’s ear is uncanny. Nobody today has a more flawless gift for reproducing overheard colloquial speech.” —Robert Brustein
“Mamet deserves recognition for his careful, gorgeous, loving sense of language. He has the most acute ear for dialogue of any American writer since J. D. Salinger.” —The Village Voice
“Mamet is a true and exciting original . . . a blaze of talent.” —WCBS-TV
“Pinter. Albee. Miller. They’re all looking over Mamet’s shoulders.” —New York
PRAISE FOR SOME RECOLLECTIONS OF ST. IVES
“Mamet offers a refreshingly intimate, meditative, and elegiac novel . . . [showcasing] Mamet’s skill as a miniature portraitist, sketching people and events with poignant insight and dry wit. Still present is Mamet’s nimble facility with language, but here it is in the service of a richly textured, impressionistic diary that is fragmented, elliptical, and spare. . . The whole work bears the indelible marks of Mamet’s penetrating character studies, but in a more understated manner.”—Booklist