Singing on Stage: An Actor's Guide: RADA Guides
Autor Jane Streeton, Philip Raymonden Limba Engleză Paperback – 8 mai 2014
Singing on Stage: An Actor's Guide gives an insight for the first time into the vocal techniques and practical approaches that have been developed over generations as an integral part of the training at the Royal Academy of Dramatic Art. Jane Streeton and Philip Raymond are highly experienced performers and teachers; their book encourages each actor to explore their own authentic voice as opposed to offering a 'one-size-fits-all' or 'quick-fix' approach.
Written in an accessible, friendly and enabling style, Singing on Stage: An Actor's Guide is packed with exercises to develop the actor's skills and gives an overview of:
. elements of technique
. how to work on a song
. the process of singing theatrically
. how to choose the best songs for you
Featuring inspirational listening suggestions and the observations of successful performers and practitioners, Singing on Stage: An Actor's Guide is the must-have companion for complete beginners as well as for experienced actors who wish to develop their understanding of singing on stage.
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Specificații
ISBN-13: 9781408145470
ISBN-10: 1408145472
Pagini: 176
Ilustrații: 25 halftone illus
Dimensiuni: 186 x 244 x 12 mm
Greutate: 0.39 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria RADA Guides
Locul publicării:London, United Kingdom
ISBN-10: 1408145472
Pagini: 176
Ilustrații: 25 halftone illus
Dimensiuni: 186 x 244 x 12 mm
Greutate: 0.39 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria RADA Guides
Locul publicării:London, United Kingdom
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Cuprins
Dedication
Prelude
Introduction
Chapter 1 A Short History of Singing at RADA
Chapter 2 The Actor's Way In
Chapter 3 Bel Canto in Perspective
Chapter 4 The Role of the Singing Teacher
Chapter 5 The Role of the Student
Chapter 6 Making a Plan - The Contract
Chapter 7 Fundamental Principles - Posture and Breathing
Chapter 8 Ways we Work with Actors - Exercises
Chapter 9 The Role of the Coach and the Accompanist
Chapter 10 The Actor's Solar System
Chapter 11 Acting Through Song
Chapter 12 Musical Form and Storytelling
Chapter 13 Listening and the Voice as a Musical Instrument
Chapter 14 An Approach to Vocal and Theatrical Styles
Chapter 15 Some Stylistic Influences
Chapter 16 Thoughts on Repertoire
Chapter 17 Unaccompanied Singing
Chapter 18 Practising and Taking the Reins
Chapter 19 The Next Step - Workshops, Masterclasses, Cabarets, Small Roles
Chapter 20 Preparation for Auditions
Chapter 21 Rehearsals and Performances
Chapter 22 Troubleshooting
Chapter 23 Miscellany
Conclusion
Coda
Bibliography
Index of Listening Suggestions
Photograph and Illustration Credits
Prelude
Introduction
Chapter 1 A Short History of Singing at RADA
Chapter 2 The Actor's Way In
Chapter 3 Bel Canto in Perspective
Chapter 4 The Role of the Singing Teacher
Chapter 5 The Role of the Student
Chapter 6 Making a Plan - The Contract
Chapter 7 Fundamental Principles - Posture and Breathing
Chapter 8 Ways we Work with Actors - Exercises
Chapter 9 The Role of the Coach and the Accompanist
Chapter 10 The Actor's Solar System
Chapter 11 Acting Through Song
Chapter 12 Musical Form and Storytelling
Chapter 13 Listening and the Voice as a Musical Instrument
Chapter 14 An Approach to Vocal and Theatrical Styles
Chapter 15 Some Stylistic Influences
Chapter 16 Thoughts on Repertoire
Chapter 17 Unaccompanied Singing
Chapter 18 Practising and Taking the Reins
Chapter 19 The Next Step - Workshops, Masterclasses, Cabarets, Small Roles
Chapter 20 Preparation for Auditions
Chapter 21 Rehearsals and Performances
Chapter 22 Troubleshooting
Chapter 23 Miscellany
Conclusion
Coda
Bibliography
Index of Listening Suggestions
Photograph and Illustration Credits
Recenzii
The authors of this book explain the excellent singing techniques taught at RADA, which are vital for any actor or serious drama student. My singing training at RADA has seen me through musicals and Shakespeare from Miss Saigon to King Lear.
Everything an actor needs to know about singing is here. Jane and Philip are true experts and their book should be on every actor's bookshelf!
The philosophy and rigor of the [RADA] program has been distilled into this highly practical book . Singing on Stage: An Actor's Guide is an excellent guide for an acting student beginning their singing training. Additionally, as a voice teacher who works with actors and dancers making the transformation from single discipline to multidisciplinary performers, I found it to be an extremely useful resource in understanding and developing strategies for working with actors and in the importance of drawing out each individual actor/singer's strengths.
Everything an actor needs to know about singing is here. Jane and Philip are true experts and their book should be on every actor's bookshelf!
The philosophy and rigor of the [RADA] program has been distilled into this highly practical book . Singing on Stage: An Actor's Guide is an excellent guide for an acting student beginning their singing training. Additionally, as a voice teacher who works with actors and dancers making the transformation from single discipline to multidisciplinary performers, I found it to be an extremely useful resource in understanding and developing strategies for working with actors and in the importance of drawing out each individual actor/singer's strengths.