'She Stoops to Conquer, ' by Oliver Goldsmith, is a rollicking satire on the British caste system, seen through the mischief, mayhem, and mistaken identities of the characters in the book. In view of its satirizing the slavish devotion to French fashions, Goldsmith's plot is very similar to Marivaux's 'The Game of love and chance': two fathers arrange a marriage for their children; this paternal decree is severely shaken by disguises, misrecognitions and counter-plots. In summary, the play consists of characters staging dramas to get their way, which are spoiled by other dramas, e.g. Mr. Hardcastle decides his daughter will marry a man she never met and arranges their meeting; Tony tells this prospective husband, Marlow, and his friend Hastings, that the gentleman's house they seek is a tavern; Kate disguises herself as a barmaid to woo the diffident Marlow. The best comedy here comes from characters mistaking the social context, as when Marlow treats his host and future father-in-law as a pesky inn-keeper. Significantly, in this over-cultured milieu, most of the spanners in the works are thrown by the illiterate Tony. Goldsmith's benevolently cynical view of his century encompasses all its familiar tropes - the carousing squire rake; the social mobility; the marketplace of marriage; the refined bawdiness; the hints at the incipient decline of the aristocracy, the wars turned into legend from a safe distance