Reframing the Musical: Race, Culture and Identity
Editat de Sarah K. Whitfielden Limba Engleză Hardback – 8 mar 2019
Timely and engaging, this is required reading for undergraduate and postgraduate students of musical theatre. It offers an intersectional approach which will also be invaluable for theatre practitioners.
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Specificații
ISBN-13: 9781352005325
ISBN-10: 1352005328
Pagini: 274
Dimensiuni: 148 x 210 x 17 mm
Greutate: 0.49 kg
Ediția:1st ed. 2019
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
ISBN-10: 1352005328
Pagini: 274
Dimensiuni: 148 x 210 x 17 mm
Greutate: 0.49 kg
Ediția:1st ed. 2019
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
Cuprins
Superman/Sidekick': White Storytellers and Black Lives in The Fortress of Solitude (2012)
Hamilton (2015): Restaging a Revolution at the Expense of Black Revolt
Rebuilding Posterity: Savion Glover's Choreography of Shuffle Along, Or The Making of the Musical Sensation of 1921 And All That Followed (2015)
Black Conductors Make History on the Great 'White' Way: The Lost Labours of the Musical Director in Musical Theatre
Creating a Theatrical Legacy: Examining Oscar Hammerstein II's British Legacy
Beyond Rue Pigalle: Ada 'Bricktop' Smith as Muse, Mentor, and Maker of Transatlantic Musical Theatre
'Dedicated to the Proposition...', Raising Cultural Consciousness in the Musical, Hair (1967)
'Till We Find Our Place': Understanding The Lion King (1997) as a Vital Trope of Civic and Racial Presence in the New Millennium
The Evolution of Musical Theatre in Spain Throughout the 20th and 21st Centuries
Philippine Theatricality and the Aestheticization of Politics in David Byrne and Fatboy Slim's Here Lies Love
'Am I Just Like You?' Musematic Relationships in Jeanine Tesori's Score for Fun Home (2015)
'What about love?': Claiming and Re-Claiming LGBTQ+ Spaces in 21st Century Musical Theatre.
Hamilton (2015): Restaging a Revolution at the Expense of Black Revolt
Rebuilding Posterity: Savion Glover's Choreography of Shuffle Along, Or The Making of the Musical Sensation of 1921 And All That Followed (2015)
Black Conductors Make History on the Great 'White' Way: The Lost Labours of the Musical Director in Musical Theatre
Creating a Theatrical Legacy: Examining Oscar Hammerstein II's British Legacy
Beyond Rue Pigalle: Ada 'Bricktop' Smith as Muse, Mentor, and Maker of Transatlantic Musical Theatre
'Dedicated to the Proposition...', Raising Cultural Consciousness in the Musical, Hair (1967)
'Till We Find Our Place': Understanding The Lion King (1997) as a Vital Trope of Civic and Racial Presence in the New Millennium
The Evolution of Musical Theatre in Spain Throughout the 20th and 21st Centuries
Philippine Theatricality and the Aestheticization of Politics in David Byrne and Fatboy Slim's Here Lies Love
'Am I Just Like You?' Musematic Relationships in Jeanine Tesori's Score for Fun Home (2015)
'What about love?': Claiming and Re-Claiming LGBTQ+ Spaces in 21st Century Musical Theatre.
Recenzii
Multiple authors come from diverse backgrounds and bring fresh perspectives on popular musicals as well as shows which had limited runs . testifies to the centrality of this form of popular theatre in America, while raising important questions for scholars, for artists and for audiences.
An exquisite anthology which covers musical theatre from South Pacific to Hamilton and Fun Home, featuring thought-provoking contributions from new, passionate and politically active musical theatre academics.
A pathbreaking volume, as compelling as it is captivating. This volume gathers emerging and established voices in the interdisciplinary field of musical theatre studies to activate new routes of critical conversation and inquiry. Accessible to both the academic specialist and the interested enthusiast, this volume promises to be a relevant resource for teachers, scholars, students and fans of musical theatre for years to come.
An exquisite anthology which covers musical theatre from South Pacific to Hamilton and Fun Home, featuring thought-provoking contributions from new, passionate and politically active musical theatre academics.
A pathbreaking volume, as compelling as it is captivating. This volume gathers emerging and established voices in the interdisciplinary field of musical theatre studies to activate new routes of critical conversation and inquiry. Accessible to both the academic specialist and the interested enthusiast, this volume promises to be a relevant resource for teachers, scholars, students and fans of musical theatre for years to come.