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Broadway Nation: How Immigrant, Jewish, Queer, and Black Artists invented the Broadway Musical

Autor David Armstrong
en Limba Engleză Paperback – 24 iul 2025
A groundbreaking exploration that reveals the powerful impact of marginalized groups on the evolution of the Broadway Musical.

At the turn of the 20th century, immigrants, Jews, Queers, and African Americans faced exclusion from mainstream American society, with limited employment opportunities. They found their calling in the emerging field of "Show Business", particularly the burgeoning Broadway Musical. Their pioneering spirit not only seized this opportunity but also continued to shape and dominate the Broadway Musical for over a century, creating an art form that has deeply influenced American culture.

Throughout its history, the Broadway Musical has subtly and at times boldly championed human rights and liberal values, reflecting its creators' and performers' diverse backgrounds. Unlike previous works on musical theatre history, this book weaves these diverse threads into a comprehensive narrative, repositioning Black, Queer, and Women artists at the heart of the story, acknowledging their long-standing contributions often overlooked.

Broadway Nation is a valuable resource for both students and anyone seeking a deeper understanding of this beloved American art form. Readers will gain profound insights into the history and transformation of the Broadway Musical over a span of more than a century. Additionally, the book celebrates the remarkable artistry and craftsmanship of key figures, from George M. Cohan to Lin Manuel-Miranda, who have left an indelible mark on this extraordinary cultural phenomenon.
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Specificații

ISBN-13: 9781350428317
ISBN-10: 1350428310
Pagini: 384
Ilustrații: 53 bw illus
Dimensiuni: 156 x 234 x 36 mm
Greutate: 0.7 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom

Cuprins

Table Of Contents
Foreword
Introduction
Overture: What Is A Broadway Musical?
Prologue: Before Broadway
Act I: The Genesis Era
Chapter 1: Yearning To Breathe Free -The Immigrants Who Invented The Broadway Musical
Chapter 2: Forgotten Forefathers (and Foremothers) - The Black Artists Who Invented the Broadway Musical
Chapter 3: The Queer Artists Who Invented Broadway
Chapter 4: Anything You Can Do, I Can Do Better - The Founding Mothers of Broadway
Act II: The Silver Age Of Broadway
Chapter 5: All That Jazz - The Silver Age of Broadway, part 1: The 1920s
Chapter 6: Old Man Trouble, I Don't Mind Him - The Silver Age of the Broadway Musical, part 2: The 1930s
Act III: The Golden Age Of Broadway
Chapter 7: By Your Pupils You'll Be Taught: A Broadway Legacy Chain From Harbach, to Hammerstein, to Sondheim, to Miranda
Chapter 8: Something's Coming, Something Good - The Golden Age of Broadway, part 1
Chapter 9: Another Openin' of Another Show!: The Golden Age of Broadway, part 2: the 1940s
Chapter 10: Open A New Window - The Golden Age of Broadway, part 3
Part IV: The Modern Era of Broadway
Chapter 11: Let The Sunshine In - The Modern Era of Broadway, part 1: The Multiple Revolutions of the 1970s
Chapter 12: Do You Hear The People Sing?: Cameron Mackintosh & The British Invasion (or Sondheim vs the Poperetta) - The Modern Era of Broadway, part 2
Act V: The Principal Themes of the Broadway Musical
Chapter 13: Principal Themes of The Broadway Musical #1 - Anything You Can Do I Can Do Better: The Trials and Triumphs of Transgressive Women
Chapter 14: Principal Themes of The Broadway Musical #2 - Make Them Hear You: Equity, Social Justice, and Inclusion.
Chapter 15: Principal Themes Of The Broadway Musical #3 - We Know We Belong To The Land: The Vital Importance of Community
Chapter 16: Defying Gravity: Broadway in the Twenty-first Century - The Modern Era, part 3.
Selected Bibliography

Recenzii

Armstrong's contribution earns its place, offering both a reminder of the rich, multivocal traditions that shaped the Broadway musical and an invitation to continue interrogating the stories we tell about its creation.
Every musical fan will love this absolutely tip-top, toe-tapping, tome . Broadway Nation is one of the best books I have read on musical theatre: timely, honest, lively, and full of love in paying tribute to those who created the musical as we understand it today.
"David Armstrong's Broadway Nation is a lively, engaging, and fascinating journey through the vibrant history of the Broadway musical. With thoughtful, insightful readings of numerous productions, Armstrong uncovers the ground-breaking contributions of immigrant, Jewish, queer, and Black artists-many of whom were marginalized yet shaped one of America's most enduring art forms. Through rich anecdotes and keen insights, this compelling book reclaims their legacies, offering a fresh perspective on theater history. Whether you're a historian, a theatermaker, or a passionate fan, Broadway Nation is an important and impossible-to-put-down tribute to the diverse voices behind the Great White Way."
"A fascinating, comprehensive, and timely gem of a book that more than lives up to its promise of delivering no less than five books in one. Kudos to David Armstrong for his masterful exploration of the origins, continuities, and connections among five indispensable groups of artists that made the American musical and the musical American: Immigrants, Jews, Queers, Blacks, and Women (I, J, Q, B, and W)."
"Through his passion and intellect, David sheds a light on the communities that collectively crafted the Broadway musical. His experience as a writer, director, producer, and educator comes together in a refreshing examination of the histories that make up the art form."
"David Armstrong's insightful history of the evolution of the Broadway Musical and its creators is captivating and comprehensive as well as indispensable."
"Everyone interested in musical theatre - students, working professionals, and passionate fans - will be entirely captivated by this comprehensive history of the Broadway musical and its story of the Black, Gay, Jewish, and Immigrant men and women who invented it. I said it when I first worked with him in 1982, and I say it again now in 2025, 'David Armstrong is a genius!'"