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Red Milk: Winner of the Swedish Academy's Nordic Prize 2023

Autor Sjón Traducere de Victoria Cribb
en Limba Engleză Paperback – 3 feb 2022
WINNER OF THE SWEDISH ACADEMY'S NORDIC PRIZE 2023

'A book like a blade of light, searching out and illuminating the darkest corners of history . . . It's vivid, unputdownable, alive, and written with unerring artfulness and subtlety.' Neel Mukherjee

Gunnar Kampen grows up in Reykjavík during the Second World War in a household fiercely opposed to Hitler and Nazism. A caring brother and son, at nineteen he seems set to lead a conventional life. Yet in the spring of 1958, he founds a covert, anti-Semitic nationalist party with ties to a burgeoning international network of neo-Nazis - a cause that will take him on a clandestine mission to England from which he never returns.

In this striking novel, inspired by one of the ringleaders of an Icelandic neo-Nazi group formed in the late 1950s, Sjón masterfully constructs the portrait of an ordinary young man who becomes a right-wing zealot. Exposing the roots of the far-right movements of today, Red Milk is a timely reminder that the seeds of extremism can be hard to detect and the allure of fascism remains dangerously potent.
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  Hodder & Stoughton – 3 feb 2022 4305 lei  22-36 zile +2270 lei  5-11 zile
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  Hodder & Stoughton – 27 mai 2021 7324 lei  22-36 zile +4052 lei  5-11 zile

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Specificații

ISBN-13: 9781529355925
ISBN-10: 1529355923
Pagini: 144
Dimensiuni: 126 x 196 x 14 mm
Greutate: 0.11 kg
Editura: Hodder & Stoughton
Colecția Sceptre
Locul publicării:London, United Kingdom

Recenzii

Sjón's policy of omission-of drama, psychology, violence, grandeur of any kind-results in a delicious tension. He tempts us to expect so much of the novel, and though he never provides the relief of clean culminations, he manages to keep the reader wanting.
A slim forensic novel to strike a chill.
Sjón's prose is appropriately sharp and precise, illuminating the murky corners of his topic.
This is a landscape proper to a child's imagination, dreamlike but solid, with all the pronounced lucidity and wild agency that objects and colors assume . . . Sjón makes us think again about what empathy can - and frequently enough simply can't - achieve.
Like Iceland itself, Sjón's books are simultaneously tiny and huge, weird and normal, ancient and modern. Reading them feels like listening to that story of the beached whale: a wild invention that is actually a straight-faced confession. His books dance - with light, quick steps, never breaking eye contact - all over the line between the mythic and the mundane.
What Sjón leaves out of his work is as powerful as what he puts in. His fiction never seems to break into a sweat, yet it takes you a long, long way.
The chapters move like the prose equivalent of flip-book images, quick and evocative . . . Sjón's story, based on research into a real-life band of Icelandic neo-Nazis, dovetails nicely with current preoccupations about the resurgence of fascism . . . By tarrying for a while with the everyday - the ultimate site of real politics - Sjón gets at how endlessly interesting it can be, and how much it can contain and conceal.