Red Milk: Winner of the Swedish Academy's Nordic Prize 2023
Autor Sjón Traducere de Victoria Cribben Limba Engleză Hardback – 27 mai 2021
'A book like a blade of light, searching out and illuminating the darkest corners of history . . . It's vivid, unputdownable, alive, and written with unerring artfulness and subtlety.' Neel Mukherjee
Gunnar Kampen grows up in Iceland during the Second World War in a household fiercely opposed to Hitler and Nazism. At nineteen he seems set for a conventional, dutiful life. And yet in the spring of 1958, he founds a covert, anti-Semitic nationalist party, a cause that will take him on a clandestine mission to England from which he never returns.
Inspired by one of the ringleaders of a little-known neo-Nazi group that was formed in Iceland in the 1950s, Sjón's portrait of an ardent fascist is as thought-provoking as it is disturbing. As this taut and fascinating novel suggests, the seeds of extremism can be hard to detect - and the ideology of the far-right remains dangerously potent.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 42.93 lei 3-5 săpt. | +22.83 lei 4-10 zile |
| Hodder & Stoughton – 3 feb 2022 | 42.93 lei 3-5 săpt. | +22.83 lei 4-10 zile |
| Pan Macmillan – 17 ian 2023 | 101.01 lei 3-5 săpt. | +5.25 lei 4-10 zile |
| Hardback (1) | 73.07 lei 3-5 săpt. | +40.70 lei 4-10 zile |
| Hodder & Stoughton – 27 mai 2021 | 73.07 lei 3-5 săpt. | +40.70 lei 4-10 zile |
Preț: 73.07 lei
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Specificații
ISBN-13: 9781529355895
ISBN-10: 1529355893
Pagini: 144
Dimensiuni: 138 x 218 x 22 mm
Greutate: 0.26 kg
Editura: Hodder & Stoughton
Colecția Sceptre
Locul publicării:London, United Kingdom
ISBN-10: 1529355893
Pagini: 144
Dimensiuni: 138 x 218 x 22 mm
Greutate: 0.26 kg
Editura: Hodder & Stoughton
Colecția Sceptre
Locul publicării:London, United Kingdom
Recenzii
Sjón's policy of omission-of drama, psychology, violence, grandeur of any kind-results in a delicious tension. He tempts us to expect so much of the novel, and though he never provides the relief of clean culminations, he manages to keep the reader wanting.
A slim forensic novel to strike a chill.
Sjón's prose is appropriately sharp and precise, illuminating the murky corners of his topic.
This is a landscape proper to a child's imagination, dreamlike but solid, with all the pronounced lucidity and wild agency that objects and colors assume . . . Sjón makes us think again about what empathy can - and frequently enough simply can't - achieve.
Like Iceland itself, Sjón's books are simultaneously tiny and huge, weird and normal, ancient and modern. Reading them feels like listening to that story of the beached whale: a wild invention that is actually a straight-faced confession. His books dance - with light, quick steps, never breaking eye contact - all over the line between the mythic and the mundane.
What Sjón leaves out of his work is as powerful as what he puts in. His fiction never seems to break into a sweat, yet it takes you a long, long way.
The chapters move like the prose equivalent of flip-book images, quick and evocative . . . Sjón's story, based on research into a real-life band of Icelandic neo-Nazis, dovetails nicely with current preoccupations about the resurgence of fascism . . . By tarrying for a while with the everyday - the ultimate site of real politics - Sjón gets at how endlessly interesting it can be, and how much it can contain and conceal.
A slim forensic novel to strike a chill.
Sjón's prose is appropriately sharp and precise, illuminating the murky corners of his topic.
This is a landscape proper to a child's imagination, dreamlike but solid, with all the pronounced lucidity and wild agency that objects and colors assume . . . Sjón makes us think again about what empathy can - and frequently enough simply can't - achieve.
Like Iceland itself, Sjón's books are simultaneously tiny and huge, weird and normal, ancient and modern. Reading them feels like listening to that story of the beached whale: a wild invention that is actually a straight-faced confession. His books dance - with light, quick steps, never breaking eye contact - all over the line between the mythic and the mundane.
What Sjón leaves out of his work is as powerful as what he puts in. His fiction never seems to break into a sweat, yet it takes you a long, long way.
The chapters move like the prose equivalent of flip-book images, quick and evocative . . . Sjón's story, based on research into a real-life band of Icelandic neo-Nazis, dovetails nicely with current preoccupations about the resurgence of fascism . . . By tarrying for a while with the everyday - the ultimate site of real politics - Sjón gets at how endlessly interesting it can be, and how much it can contain and conceal.