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Race

Autor David Mamet
en Limba Engleză Paperback – 23 aug 2010
Drama / Characters: 3 males, 1 female / Interior set / Multiple Award-winning playwright/director David Mamet tackles America's most controversial topic in a provocative new tale of sex, guilt and bold accusations. Two lawyers find themselves defending a wealthy white executive charged with raping a black woman. When a new legal assistant gets involved in the case, the opinions that boil beneath explode to the surface. When David Mamet turns the spotlight on what we think but can't say, dangerous truths are revealed, and no punches are spared. "Scapel-edged intelligence " -New York Times "Provocative and profane " -NY-1 "Mamet is most concerned with the power and treachery of language: a line of dialogue vital to the prosecution case is cynically rewritten by the defense. Mamet's larger contention is that attempts to create a more equal and tolerant society have made race an unsayable word...brilliantly contrives here a moment in which the single most taboo sexual expletive is ignored by an audience which then gasps at the word "black..".Mamet remains American theatre's most urgent five-letter word." -The Guardian Intellectually salacious...Gripping...rapid-fire Mametian style...Mamet's new play argues, everything in America - and this play throws sex, rape, the law, employment and relationships into its 90 minutes of stage wrangling - is still about race." -Chcago Tribune "There is intrigue within intrigue, showing how personal prejudice and individual missteps govern the course of things...Mamet adroitly mixes comic darts with tragic arrows." -Bloomberg News
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  Bloomsbury Publishing – 7 iun 2013 8022 lei  6-8 săpt.

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Specificații

ISBN-13: 9780573698361
ISBN-10: 0573698368
Pagini: 80
Dimensiuni: 127 x 202 x 10 mm
Greutate: 0.1 kg
Editura: Concord Theatricals

Descriere

Descriere de la o altă ediție sau format:
There is nothing. A white person. Can say to a black person. About Race . . . Race. Is the most incendiary topic in our history. And the moment it comes out, you cannot close the lid on that box.

Sparks fly when three lawyers and a defendant clash over the issue of race and the American judicial system. As they prepare for a court case, they must face the fundamental questions that everyone fears to ask. What is race? What is guilt? What happens when the crimes of the past collide with the transgressions of the present?

Drawing on one of the most highly-charged issues of American history, David Mamet forces us to confront deep-seated prejudices and barely-healed wounds in this unflinching examination of the lies we tell ourselves and the truths we unwillingly reveal to others.

Race was first seen in New York at the Ethel Barrymore Theatre on December 6, 2009, directed by David Mamet. It receives its UK premiere at the Hampstead Theatre on 23 May 2013.

Recenzii

Scalpel-edged intelligence
Intellectually salacious . . . Gripping . . . rapid-fire Mametian style . . . Deep in its gut, Mamet's new play argues, everything in America - and this play throws sex, rape, the law, employment and relationships into its 90 minutes of stage wrangling - is still about race.
[Mamet's] exhilarating epigrammatic style broadcasts the will to prevail.
Mamet lets us see the way sensitivity to the most incendiary topic in our history, as Jack describes race, can breed better liars.
Race is wholly watchable. Gripping, actually. Don't believe anyone who argues otherwise.
It's black against white, man versus woman in a typically blunt David Mamet straight-talker about the law and discrimination ... David Mamet doesn't mince his words in Race ... an engaging brew of wit, rage, and shifting sympathies
During a typically provocative 90 minutes Mamet probes the self-conscious, slippery, hostile and patronising ways in which we so often discuss issues connected to race and racial politics.
An offbeat courtroom drama ... This twin-investigation structure is ingenious. And both inquiries are niftily calibrated to pivot on the issues of skin colour, sex and exploitation ... Mamet's taut, fraught, nervy dialogue bristles with shocking and hilarious truths about the legal process.