Postwar Hollywood Adaptations: Adapting the Middlebrow, 1946-1959: Bloomsbury Adaptation Histories
Autor Professor Imelda Whelehanen Limba Engleză Paperback – 15 apr 2027
This instalment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of US history and shatters the myth that only bad books make good films. Exploring films including It's A Wonderful Life (1946), Mr Blandings Builds his Dream House (1948), The Night of the Hunter (1955), Rebel Without a Cause (1955), The Searchers, (1956), Written on the Wind (1956), Peyton Place (1957) and The Fly (1958), it argues that middlebrow fiction and film thrived in a symbiotic relationship, exploring pressing social issues of the day and articulating the experience of living in a fast-changing world riven by political, social and material uncertainties.
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Specificații
ISBN-13: 9781628924756
ISBN-10: 1628924756
Pagini: 240
Ilustrații: 45 bw illus
Dimensiuni: 152 x 229 mm
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Adaptation Histories
Locul publicării:New York, United States
ISBN-10: 1628924756
Pagini: 240
Ilustrații: 45 bw illus
Dimensiuni: 152 x 229 mm
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Adaptation Histories
Locul publicării:New York, United States
Cuprins
Acknowledgements
List of Figures
Introduction
1. Postwar Culture: A Snapshot of 1946
2. The Western
3. Noirish Tendencies
4. The 1950s: Postwar/Cold War
5. Romance,Melodramaandthe'Women'sFilm'
6. (Dys)functional Families
7. Social Problems, Moral Panics
Conclusion
Bibliography
Index
List of Figures
Introduction
1. Postwar Culture: A Snapshot of 1946
2. The Western
3. Noirish Tendencies
4. The 1950s: Postwar/Cold War
5. Romance,Melodramaandthe'Women'sFilm'
6. (Dys)functional Families
7. Social Problems, Moral Panics
Conclusion
Bibliography
Index
Recenzii
Focusing on Hollywood adaptations of the 1940s and 1950s, prominent film scholar Imelda Whelehan incisively demonstrates the ability of adaptation studies to offer fresh and often brilliant readings of classic American cinema, as she rigorously opens up canonical films through the lens of the literature that is their critical foundation.