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Pan-African Resonance: Music, Migration, and Everyday Practice in London and Accra: New African Histories

Autor Alison Okuda
en Limba Engleză Paperback – 25 aug 2026
As African and Caribbean nations gained independence from Britain in the 1950s and 1960s, many young musicians, students, and professionals crossed the Atlantic in search of new opportunities and built vibrant communities. Pan-African Resonance: Music, Migration, and Everyday Practice in London and Accra traces these journeys from Ghana, Trinidad and Tobago, Jamaica, Saint Lucia, Barbados, and Guyana, exploring how migrants practiced pan-Africanism through music across continents and generations. Drawing on musical recordings, newspapers, oral histories, and government documents from six countries, Alison Okuda demonstrates that pan-African solidarity thrived through the everyday creation and enjoyment of popular music. The book unfolds in two parts. Starting in the 1950s, it examines how Ghanaian highlife and Trinidadian calypso brought together musicians and young members of the independence generation, first in London and later in Accra. Even amid cultural tensions, Ghanaian and Caribbean communities expressed aspirations for freedom and unity in nightclubs, recording studios, private homes, and public streets. Before Ghana’s 1966 coup d’état, Ghanaians and diasporic Africans collaborated to shape an independent African-Atlantic world. Although the coup disrupted formal Pan-Africanist organizing, in the second part of the book Okuda shows that in the 1970s a new generation sustained dynamic networks of solidarity through highlife, reggae, and other popular styles—heard in recordings, radio broadcasts, live performances, and community events. Influenced by generational change and musical fluidity, African diasporic unity has remained central to popular music, migration, and politics in Ghana and the wider African-Atlantic world into the twenty-first century. Offering a rich interdisciplinary approach, Pan-African Resonance will appeal to readers interested in popular culture, transnational history, diaspora studies, and modern African history.
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Specificații

ISBN-13: 9780821427019
ISBN-10: 0821427016
Pagini: 264
Ilustrații: 13 figures; 3 maps
Greutate: 0.37 kg
Editura: Ohio University Press
Colecția Ohio University Press
Seria New African Histories


Notă biografică

Alison Okuda is an associate professor of history at Worcester State University. She has published in Ghana Studies,African and Black Diaspora, and the African Studies Review, where her article “Black Power, Raw Soul, and Race in Ghana” won the Outstanding Article Prize from the Association for the Study of the Worldwide African Diaspora.

Cuprins

List of Illustrations xi
Acknowledgments xiii
Introduction 1
PART 1
Chapter 1 Migration and Music in African-Atlantic London, 1946–1962 19
Chapter 2 Nation Building, Homecoming, and Musical Reverberation in Accra, 1940s–1966 49
Chapter 3 Highlife and Calypso: Pan-African Music-Making in Accra, 1950s–1966 76
PART 2
Chapter 4 Making New Music for a New Generation: Black London, 1962–1980 101
Chapter 5 Nation, Gender, and Music in Post-Nkrumah Accra, 1966–1980 136
Chapter 6 “African Music on African Land”: Reggae and Accra’s Pan-African Music, 1966–1980 159
Conclusion 189
Notes 197
Bibliography 245
Index 257

Descriere

Pan-African Resonance traces how Ghanaian and Caribbean migrants forged solidarity through music in London and Accra from the independence era to the 1970s. Drawing on recordings, oral histories, and archives, it shows how highlife, calypso, and reggae sustained everyday Pan-Africanism across generations.