On War
Autor Carl von Clausewitzen Limba Engleză Paperback – 31 oct 2011
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Specificații
ISBN-13: 9783842441569
ISBN-10: 3842441568
Pagini: 332
Dimensiuni: 133 x 203 x 19 mm
Greutate: 0.38 kg
Editura: TREDITION CLASSICS
ISBN-10: 3842441568
Pagini: 332
Dimensiuni: 133 x 203 x 19 mm
Greutate: 0.38 kg
Editura: TREDITION CLASSICS
Notă biografică
Carl von Clausewitz (1780-1831) was a Prussian military officer and military theorist. Born to a family of nobles from Upper Silesia, Clausewitz followed his father¿s footsteps by entering military service as a lance-corporal at a young age. He served in several major conflicts throughout his life, including the Rhine Campaigns and the Napoleonic Wars, and eventually reached the rank of general. In 1801, he went to Berlin to enter the Kriegsakademie, where he studied philosophy and the history and tactics of warfare, research which would lead to his work On War (1832), a treatise on the moral, political, and social aspects of warfare. In 1810, he married the aristocrat and socialite Countess Marie von Brühl, a highly educated and driven woman who would oversee the posthumous publication of his most important work, On War, editing Clausewitz¿s manuscript and writing the introduction. Clausewitz was a decorated and ambitious soldier and leader, serving both the Prussian and Imperial Russian Armies in campaigns throughout Europe, as well as spearheading efforts to contain the cholera outbreak that would eventually take his life. His theory of war is still studied by scholars and military officials today, and is noted for its philosophical outlook and definition of war as an extension of political policy.
Cuprins
On WarPreface to the Pelican Edition
Introduction by Anatol Rapoport
On War
Introduction by Col. F. N. Maude
Introduction of the Author
Brief Memoir of General Clausewitz by the Translator
Book One: On The Nature Of War
I. What is War?
II. End and Means in War
III. The Genius for War
IV. Of Danger in War
V. Of Bodily Exertion in War
VI. Information in War
VII. Friction in War
VIII. Concluding Remarks
Book Two: On The Theory Of War
I. Branches of the Art of War
II. On the Theory of War
III. Art or Science of War
IV. Methodicism
V. Criticism
VI. On Examples
Book Three: Of Strategy In General
I. Strategy
II. Elements of Strategy
III. Moral Forces
IV. The Chief Moral Powers
V. Military Virtue of an Army
VI. Boldness
VII. Perseverance
VIII. Superiority of Numbers
IX. The Surprise
X. Stratagem
XI. Assembly of Forces in Space
XII. Assembly of Forces in Time
XIII. Strategic Reserve
XIV. Economy of Forces
XV. Geometrical Element
XVI. On the Suspension of the Act in War
XVII. On the Character of Modern War
XVIII. Tension and Rest
Book Four: The Combat
I. Introductory
II. Character of the Modern Battle
III. The Combat in General
IV. The Combat in General (continuation)
V. On the Signification of the Combat
VI. Duration of the Combat
VII. Decision of the Combat
VIII. Mutual Understanding as to a Battle
IX. The Battle
X. Effects of Victory
XI. The Use of the Battle
XII. Strategic Means of Utilizing Victory
XIII. Retreat After a Lost Battle
Sketches For Book Eight: Plan Of War
I. Introduction
II. Absolute and Real War
III. (A) Interdependence of the Parts in War
(B) Of the Magnitude of the Object of the War, and the Efforts to be Made
IV. Ends in War More Precisely Defined—Overthrow of the Enemy
V. Ends in War More Precisely Defined (continued)—Limited Object
VI. (A) Influence of the Political Object on the Military Object
(B) War as an Instrument of Policy
Concluding Remarks by Anatol Rapoport
Notes
References
Glossary
Index
Introduction by Anatol Rapoport
On War
Introduction by Col. F. N. Maude
Introduction of the Author
Brief Memoir of General Clausewitz by the Translator
Book One: On The Nature Of War
I. What is War?
II. End and Means in War
III. The Genius for War
IV. Of Danger in War
V. Of Bodily Exertion in War
VI. Information in War
VII. Friction in War
VIII. Concluding Remarks
Book Two: On The Theory Of War
I. Branches of the Art of War
II. On the Theory of War
III. Art or Science of War
IV. Methodicism
V. Criticism
VI. On Examples
Book Three: Of Strategy In General
I. Strategy
II. Elements of Strategy
III. Moral Forces
IV. The Chief Moral Powers
V. Military Virtue of an Army
VI. Boldness
VII. Perseverance
VIII. Superiority of Numbers
IX. The Surprise
X. Stratagem
XI. Assembly of Forces in Space
XII. Assembly of Forces in Time
XIII. Strategic Reserve
XIV. Economy of Forces
XV. Geometrical Element
XVI. On the Suspension of the Act in War
XVII. On the Character of Modern War
XVIII. Tension and Rest
Book Four: The Combat
I. Introductory
II. Character of the Modern Battle
III. The Combat in General
IV. The Combat in General (continuation)
V. On the Signification of the Combat
VI. Duration of the Combat
VII. Decision of the Combat
VIII. Mutual Understanding as to a Battle
IX. The Battle
X. Effects of Victory
XI. The Use of the Battle
XII. Strategic Means of Utilizing Victory
XIII. Retreat After a Lost Battle
Sketches For Book Eight: Plan Of War
I. Introduction
II. Absolute and Real War
III. (A) Interdependence of the Parts in War
(B) Of the Magnitude of the Object of the War, and the Efforts to be Made
IV. Ends in War More Precisely Defined—Overthrow of the Enemy
V. Ends in War More Precisely Defined (continued)—Limited Object
VI. (A) Influence of the Political Object on the Military Object
(B) War as an Instrument of Policy
Concluding Remarks by Anatol Rapoport
Notes
References
Glossary
Index
Descriere
Descriere de la o altă ediție sau format:
Clausewitz, who fought in the Napoleonic wars, sought to understand and analyze the phenomenon of war so that future leaders could win conflicts more effectively. This abridged edition selects the books in which the nature and theory of war are developed and explains the originality his ideas.
Clausewitz, who fought in the Napoleonic wars, sought to understand and analyze the phenomenon of war so that future leaders could win conflicts more effectively. This abridged edition selects the books in which the nature and theory of war are developed and explains the originality his ideas.