Nazi Chic: Fashioning Women in the Third Reich: Dress, Body, Culture
Autor Professor Irene Guentheren Limba Engleză Hardback – 6 mai 2004
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 273.49 lei 6-8 săpt. | |
| Bloomsbury Publishing – 6 mai 2004 | 273.49 lei 6-8 săpt. | |
| Hardback (1) | 801.61 lei 6-8 săpt. | |
| Bloomsbury Publishing – 6 mai 2004 | 801.61 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781859734001
ISBN-10: 1859734006
Pagini: 544
Ilustrații: 45 b&w illustrations, bibliography, index
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.93 kg
Editura: Bloomsbury Publishing
Colecția Berg Publishers
Seria Dress, Body, Culture
Locul publicării:London, United Kingdom
ISBN-10: 1859734006
Pagini: 544
Ilustrații: 45 b&w illustrations, bibliography, index
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.93 kg
Editura: Bloomsbury Publishing
Colecția Berg Publishers
Seria Dress, Body, Culture
Locul publicării:London, United Kingdom
Cuprins
Part One
Introduction
The Fashion Debate in World War One
The 'New' Woman
Part Two
Fashioning Women in the Third Reich
'Purifying' the German Clothing Industry
The German Fashion Institute
The War Years: The Home Front, the Ghettos and the Concentration Camps of the Third Reich
Conclusion
Bibliography
Introduction
The Fashion Debate in World War One
The 'New' Woman
Part Two
Fashioning Women in the Third Reich
'Purifying' the German Clothing Industry
The German Fashion Institute
The War Years: The Home Front, the Ghettos and the Concentration Camps of the Third Reich
Conclusion
Bibliography
Recenzii
Winner, Millia Davenport Award 2005, Costume Society of America
Winner, Sierra Book Prize 2005, Western Association of Women Historians
This is a marvellous example of how the seemingly peripheral or mundane can shed light on the contradictions and tensions of the worst kind of totalatarian regime. It's also a susprisingly good read, excised as it is of the usual jargon that sometimes mars academic writing. Well illustrated, too.
The fascinating-chilling--aspect of ... Irene Guenther's detailed account of the postwar evolution of German women, is just how central a part of Nazi ideology fashion--and everything to do with appearance--became.
'Nazi chic?' is a remarkable and welcome document, a careful look at familiar terrain from a fresh perspective.
Guenther's thoroughly researched study takes the seemingly trivial subject of female fashion during the Third Reich and makes a convincing case for its significance....and makes powerfully apparent how fashion was often of greater concern to ordinary Germans (and to their leaders) that the trajectory of high politics.
A serious and deeply researched study of a subject that is too often dismissed as frivolous and shallow.
An exhaustively researched, well-written, and highly original book. This study of how the Nazi leaders attempted to shape female appearance is a wonderfully creative work.
Irene Guenther has written a brilliant and chilling analysis of the politics of fashion in the Third Reich. Although fashion is often dismissed as a frivolous topic, Guenther demonstrates that for the Nazis it was an important and deeply contested ideological field, involving antisemitism, cultural nationalism, and gender ideology. Susan Sontag explored the dark glamour of the SS uniform in her famous essay, Fascinating Fascism. Now Guenther investigates how the Nazi dictatorship attempted to police the image of German women.
Stylishly written, and without jargon, this is a rare work of cultural history. With its delightful vignettes and intelligent argumentation, it takes one on a delightful tour through the world of Nazi fashion. While one would expect to find only dirndls and sensible shoes, as Nazi fashion sounds like an oxymoron, Guenther uncovers a parallel world of Nazi style full of high heels, makeup, and slick ladies in French-inspired dresses (perhaps especially among the wives and consorts of top Nazi leaders).
Well-written, engrossing and exhaustive... By exploring this previously unstudied realm of a much-studied era, "Nazi Chic?" provides an original and absorbing glimpse into the absurdity and exactitude of the National Socialist enterprise.
Irene Guenther's well-researched, richly detailed and thought-provoking study shows how fashion illuminates crucial issues in the history of the Third Reich. Drawing from an impressive array of archives, fashion magazines and newspapers, as well as interviews and correspondence, Guenther provides a comprehensive social and institutional study of fashion in the Third Reich. Guenther has written a significant book that deserves a wide readership. In addition to confronting some of the most important questions regarding Nazi Germany, it asks for serious thinking about the relationship between consumerism and violence.
[T]he details [in the book] -- such as the fact the Hermann Goring liked to wear rogue and violet kimono, or that deep into the war, hausfraus out of necessity unraveled burlap sacks and reknitted them into panties -- become mesmerizing.
From now on, every historian who is interested in this period has to read this brilliant book.
Winner, Sierra Book Prize 2005, Western Association of Women Historians
This is a marvellous example of how the seemingly peripheral or mundane can shed light on the contradictions and tensions of the worst kind of totalatarian regime. It's also a susprisingly good read, excised as it is of the usual jargon that sometimes mars academic writing. Well illustrated, too.
The fascinating-chilling--aspect of ... Irene Guenther's detailed account of the postwar evolution of German women, is just how central a part of Nazi ideology fashion--and everything to do with appearance--became.
'Nazi chic?' is a remarkable and welcome document, a careful look at familiar terrain from a fresh perspective.
Guenther's thoroughly researched study takes the seemingly trivial subject of female fashion during the Third Reich and makes a convincing case for its significance....and makes powerfully apparent how fashion was often of greater concern to ordinary Germans (and to their leaders) that the trajectory of high politics.
A serious and deeply researched study of a subject that is too often dismissed as frivolous and shallow.
An exhaustively researched, well-written, and highly original book. This study of how the Nazi leaders attempted to shape female appearance is a wonderfully creative work.
Irene Guenther has written a brilliant and chilling analysis of the politics of fashion in the Third Reich. Although fashion is often dismissed as a frivolous topic, Guenther demonstrates that for the Nazis it was an important and deeply contested ideological field, involving antisemitism, cultural nationalism, and gender ideology. Susan Sontag explored the dark glamour of the SS uniform in her famous essay, Fascinating Fascism. Now Guenther investigates how the Nazi dictatorship attempted to police the image of German women.
Stylishly written, and without jargon, this is a rare work of cultural history. With its delightful vignettes and intelligent argumentation, it takes one on a delightful tour through the world of Nazi fashion. While one would expect to find only dirndls and sensible shoes, as Nazi fashion sounds like an oxymoron, Guenther uncovers a parallel world of Nazi style full of high heels, makeup, and slick ladies in French-inspired dresses (perhaps especially among the wives and consorts of top Nazi leaders).
Well-written, engrossing and exhaustive... By exploring this previously unstudied realm of a much-studied era, "Nazi Chic?" provides an original and absorbing glimpse into the absurdity and exactitude of the National Socialist enterprise.
Irene Guenther's well-researched, richly detailed and thought-provoking study shows how fashion illuminates crucial issues in the history of the Third Reich. Drawing from an impressive array of archives, fashion magazines and newspapers, as well as interviews and correspondence, Guenther provides a comprehensive social and institutional study of fashion in the Third Reich. Guenther has written a significant book that deserves a wide readership. In addition to confronting some of the most important questions regarding Nazi Germany, it asks for serious thinking about the relationship between consumerism and violence.
[T]he details [in the book] -- such as the fact the Hermann Goring liked to wear rogue and violet kimono, or that deep into the war, hausfraus out of necessity unraveled burlap sacks and reknitted them into panties -- become mesmerizing.
From now on, every historian who is interested in this period has to read this brilliant book.