Narrative Theory and Adaptation.: Film Theory in Practice
Autor Professor Jason Mittellen Limba Engleză Paperback – 20 apr 2017
Understanding narrative theory is crucial to make sense of the award-winning film Adaptation. The book explicates, in clear prose for beginners, four key facets important to the narrative theory of film: the distinction between practical vs. critical theory, the role of adaptation, the process of narrative comprehension, and notions of authorship. It then works to unlock Adaptation using these four keys in succession, considering how the film demands a theoretical understanding of the storytelling process. In using this unusual case study of a film, the author makes the case for the importance of narrative theory as a general perspective for filmmakers, critics, and viewers alike.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 134.62 lei 6-8 săpt. | |
| Bloomsbury Publishing – 20 apr 2017 | 134.62 lei 6-8 săpt. | |
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| Bloomsbury Publishing – 20 apr 2017 | 476.21 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781501308406
ISBN-10: 1501308408
Pagini: 152
Dimensiuni: 124 x 198 x 12 mm
Greutate: 0.18 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Film Theory in Practice
Locul publicării:New York, United States
ISBN-10: 1501308408
Pagini: 152
Dimensiuni: 124 x 198 x 12 mm
Greutate: 0.18 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Film Theory in Practice
Locul publicării:New York, United States
Cuprins
Introduction
Chapter 1: Narrative Theory
Chapter 2: Narrative Theory and Adaptation
Conclusion
Further Reading
Chapter 1: Narrative Theory
Chapter 2: Narrative Theory and Adaptation
Conclusion
Further Reading
Recenzii
Everything you always wanted to know about narrative theory, refracted through the ground-breaking, rule-breaking movie Adaptation. In Jason Mittell's hands, Spike Jonze's filming of Charlie (and his fictional brother Donald) Kaufman's screenplay of Susan Orlean's The Orchid Thief becomes a one-stop shopping mall that illuminates the relations between adaptation and authorship, the differences between performances and dramatizations of real people, the results of filmmakers sending up the very models and conventions they rely on, and the reasons why budding students of adaptation will be happily occupied even if no one ever makes another movie.
Jason Mittell digs expertly into how and why cinematic stories are made, showing us the multiple relationships between narrative theory and artistic practice. The book illuminates character, structure, authorship, and the interpretive experience of film, using Adaptation. as an ideal test case. Mittell succeeds admirably in connecting the nitty-gritty to the conceptual, revealing that they are as intimately and provocatively intertwined as Charlie and Donald Kaufman. Anyone interested in the ecosystems of storytelling will find elucidation and intellectual rewards here.
Jason Mittell digs expertly into how and why cinematic stories are made, showing us the multiple relationships between narrative theory and artistic practice. The book illuminates character, structure, authorship, and the interpretive experience of film, using Adaptation. as an ideal test case. Mittell succeeds admirably in connecting the nitty-gritty to the conceptual, revealing that they are as intimately and provocatively intertwined as Charlie and Donald Kaufman. Anyone interested in the ecosystems of storytelling will find elucidation and intellectual rewards here.