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Museums and the Public Trust: Critical Education and Civic Engagement in a Time of Censorship: Cultural Studies/Pedagogy/Activism

Autor Anya Russian
en Limba Engleză Hardback – 11 dec 2026
As teaching and discussion about race and other critical topics is increasingly being censored in the United States, Anya Russian argues that museums can provide vital civic hubs for concerned citizens, educators, and community organizations to share knowledge, develop skills, and access resources needed to address ongoing social justice concerns within their communities.


Two forward-thinking North Carolina museums demonstrate that when museums align their public missions around socially accountable and civically responsive education, they can play important roles in local and national peacebuilding, expand opportunities for informed community engagement, and sustain the momentum of social justice movements beyond the most visible episodes of organized protest. Blending social theory from peace and conflict studies and critical education with compelling examples of participatory museum practices and digital initiatives, this book is a resource for all museums and cultural institutions to purposefully examine their social impact.
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Specificații

ISBN-13: 9781666961393
ISBN-10: 1666961396
Pagini: 224
Ilustrații: 15 b/w photos
Dimensiuni: 152 x 229 mm
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Cultural Studies/Pedagogy/Activism

Locul publicării:New York, United States

Cuprins

Dedication
Preface
Acknowledgements
Introduction
1. Race, Public Education, and the Evolving Museum
2. A Time of Socio-political Challenges and Opportunities
3. Peace Foundations for Museums
4. Greensboro History Museum
5. Levine Museum of the New South
6. Bridging the Education Gap: Community Museums and Critical Education
7. Gathering Grounds: Community Museums and Peacebuilding
Conclusion
References
Index

Recenzii

Anya Russian's Museums and the Public Trust: Critical Education and Civic Engagement in a Time of Censorship examines how local history museums in the US have been addressing the legacies and present conditions of racism and oppression. It argues that these efforts reflect a process, even if insufficient, of institutional self-reckoning and a means of public institutional accountability. This work is timely and contributes to the scholarship on the role of public institutions in promoting critical education about racism in the US. It expands the discourse on the intersections of museum practice, peace education, critical literacy, digital culture, and public conversation.
Anya Russian uses the Levine Museum of the New South, and the Greensboro History Museum to illustrate how community museums are important gathering grounds for local grassroots communities to come together and explore the complex and critical issues of our times. Ms. Russian points out that these American museums provide inclusive spaces for critical public education that fosters meaningful cross-cultural education that contributes to critical and emancipatory peacebuilding. Those pracademics interested in museums, local community activism, peace education, and peacebuilding will find this book an intriguing and insightful read.