Museums and Difference: 21st Century Studies
Autor Daniel J. Shermanen Limba Engleză Paperback – 25 dec 2007
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Specificații
ISBN-13: 9780253219350
ISBN-10: 0253219353
Pagini: 400
Ilustrații: 58 b&w photos
Dimensiuni: 156 x 233 x 26 mm
Greutate: 0.57 kg
Editura: MH – Indiana University Press
Seria 21st Century Studies
Locul publicării:United States
ISBN-10: 0253219353
Pagini: 400
Ilustrații: 58 b&w photos
Dimensiuni: 156 x 233 x 26 mm
Greutate: 0.57 kg
Editura: MH – Indiana University Press
Seria 21st Century Studies
Locul publicării:United States
Cuprins
Introduction, Daniel J. ShermanPart 1. Representing Difference 1. Art Museums and Commonality: A History of High Ideals, Andrew McClellan; 2. "The Last Wild Indian in North America": Changing Museum Representations of Ishi, Ira Jacknis; 3. National Museums and Other Cultures in Modern Japan, Angus Lockyer; 4. Cultural Difference and Cultural Diversity: The Case of the Musée du Quai Branly, Nélia Dias; 5. Gunther von Hagens's Body Worlds: Exhibitionary Practice, German History, and Difference, Peter M. McIsaacPart 2. Representing Differently 6. Meta Warrick's 1907 "Negro Tableaux" and (Re)Presenting African American Historical Memory, W. Fitzhugh Brundage; 7. Skulls on Display: The Science of Race in Paris' Musée de l'Homme, 1928-1950, Alice L. Conklin; 8. Dossier: "Inventing Race" in Los Angeles, Ilona Katzew and Daniel J. Sherman; 9. Living and Dying: Ethnography, Class, and Aesthetics in the British Museum, Lissant Bolton; 10. Museums and Historical Amnesia, William H. Truettner
Recenzii
Demonstrates both the centrality and rapidly changing significance of difference in museum practice and poses a number of critical questions for future scholarship, such as, for example, whether or not aesthetic distinctions can ever be employed in museums in a manner that does not privilege the identity of one or another social group. David O'Brien, University of Illinois at Urbana-Champaign
Notă biografică
edited by Daniel J. Sherman
Descriere
How museums construct themselves, their collections, and their publics