Mexican Canto Nuevo: Music, Politics, and Resistance: Currents in Latin American and Iberian Music
Autor Claudio Palomares-Salasen Limba Engleză Hardback – 22 iul 2025
Din seria Currents in Latin American and Iberian Music
- 30%
Preț: 489.07 lei - 30%
Preț: 388.52 lei - 31%
Preț: 478.45 lei - 23%
Preț: 252.30 lei - 14%
Preț: 503.81 lei -
Preț: 271.36 lei - 5%
Preț: 549.37 lei - 26%
Preț: 139.58 lei - 11%
Preț: 392.61 lei - 11%
Preț: 486.90 lei - 22%
Preț: 349.15 lei - 9%
Preț: 240.63 lei - 5%
Preț: 274.04 lei - 5%
Preț: 289.98 lei -
Preț: 333.63 lei - 23%
Preț: 333.67 lei - 8%
Preț: 326.02 lei -
Preț: 369.17 lei - 14%
Preț: 230.03 lei - 11%
Preț: 268.00 lei - 14%
Preț: 634.01 lei - 11%
Preț: 420.49 lei - 13%
Preț: 275.27 lei - 33%
Preț: 562.48 lei - 11%
Preț: 401.63 lei - 11%
Preț: 373.38 lei - 11%
Preț: 458.23 lei - 24%
Preț: 375.20 lei - 10%
Preț: 450.34 lei - 34%
Preț: 575.22 lei - 18%
Preț: 170.70 lei - 33%
Preț: 512.38 lei -
Preț: 313.90 lei - 22%
Preț: 329.36 lei - 14%
Preț: 240.29 lei - 9%
Preț: 275.75 lei - 11%
Preț: 382.26 lei
Preț: 536.66 lei
Preț vechi: 802.52 lei
-33%
Puncte Express: 805
Carte disponibilă
Livrare economică 15-26 mai
Specificații
ISBN-13: 9780197772706
ISBN-10: 0197772706
Pagini: 334
Ilustrații: 55 figures
Dimensiuni: 167 x 241 x 30 mm
Greutate: 0.64 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Currents in Latin American and Iberian Music
Locul publicării:New York, United States
ISBN-10: 0197772706
Pagini: 334
Ilustrații: 55 figures
Dimensiuni: 167 x 241 x 30 mm
Greutate: 0.64 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Currents in Latin American and Iberian Music
Locul publicării:New York, United States
Recenzii
A much-needed contribution to existing scholarship on political song in Latin America. In accessible prose, Palomares-Salas provides a comprehensive overview of the aesthetics, origins, and heyday of the Mexican Nueva Canción movement as well as the music of its most acclaimed performers.
From the vantage point of an insider (he is the son of a fundamental figure of the Movement), but with the skills of an excellent social scientist, Palomares-Salas has written an indispensable book on Mexican Canto Nuevo. Filling an inexcusable gap in the literature (much is known about the Chilean and Argentine militant song movement, but almost nothing about the Mexican one), Palomares-Salas's book offers us an engaging and thorough account of one of the most critical 'music of identitarian use' in Mexican cultural history.
Mexican Canto Nuevo firmly situates Mexico within the wider pantheon of Latin American protest song that emerged out of the tumultuous politics of the 1960s. By exploring the intertwining of government policies, left-wing politics, and music from the 1968 student movement to the fall of the Berlin Wall, Palomares-Salas reveals how Mexico emerged as a platform for protest song's Latin Americanization at the height of military rule across the region.
From the vantage point of an insider (he is the son of a fundamental figure of the Movement), but with the skills of an excellent social scientist, Palomares-Salas has written an indispensable book on Mexican Canto Nuevo. Filling an inexcusable gap in the literature (much is known about the Chilean and Argentine militant song movement, but almost nothing about the Mexican one), Palomares-Salas's book offers us an engaging and thorough account of one of the most critical 'music of identitarian use' in Mexican cultural history.
Mexican Canto Nuevo firmly situates Mexico within the wider pantheon of Latin American protest song that emerged out of the tumultuous politics of the 1960s. By exploring the intertwining of government policies, left-wing politics, and music from the 1968 student movement to the fall of the Berlin Wall, Palomares-Salas reveals how Mexico emerged as a platform for protest song's Latin Americanization at the height of military rule across the region.
Notă biografică
Claudio Palomares-Salas is Associate Professor of Latin American Studies at Queen's University. He holds a Ph.D. in Hispanic Studies from the University of Toronto. He is the author of The Spatiality of the Hispanic Avant-Garde, the novel El lugar más triste para soñar (The Saddest Place to Dream), and of numerous academic articles. His areas of specialization are the Hispanic avant-garde movements (1910-1927), twentieth-century Spanish and Latin American literature and music, and the Nueva Canción movements in Latin America (1960-1990), particularly Mexico. An active drummer, he has toured and recorded with various artists in Mexico, Canada and abroad.