Making Dystopia: The Strange Rise and Survival of Architectural Barbarism
Autor James Stevens Curlen Limba Engleză Paperback – 22 aug 2019
Deschizând paginile volumului Making Dystopia, cititorul descoperă o perspectivă asupra mediului construit care a fost mult timp marginalizată în discursul academic oficial: ideea că Modernismul nu a fost o evoluție firească, ci o ruptură violentă și dogmatică. Apreciem curajul cu care James Stevens Curl deconstruiește mitul „progresului” arhitectural, oferind o analiză riguroasă a modului în care eliminarea ornamentului a dus la ceea ce el numește „barbarism arhitectural”. Experiența lecturii este una intensă, susținută de cele peste 100 de ilustrații și figuri care transformă argumentele teoretice în dovezi vizuale incontestabile ale alienării urbane.
Considerăm că această lucrare reprezintă un punct de cotitură în istoriografia recentă. Complementar volumului Modernism and the Spirit of the City, care încearcă să recupereze imperativele sociale din spatele suprafețelor albe și netede, James Stevens Curl adoptă o poziție diametral opusă, condamnând tocmai acea estetică pentru eșecul său de a răspunde aspirațiilor umane fundamentale. În timp ce alte lucrări similare, precum A Critical History of Contemporary Architecture, oferă o privire de ansamblu asupra mișcărilor post-1960, lucrarea de față funcționează ca o rechizitoriu pasionat împotriva întregului proiect modernist.
Această abordare critică este profund ancorată în opera anterioară a autorului. Dacă în Classical Architecture acesta celebra o tradiție de 2500 de ani de continuitate, iar în English Victorian Churches – Architecture, Faith, & Revival explora calitatea detaliului și a semnificației teologice, în Making Dystopia asistăm la analiza momentului în care aceste valori au fost abandonate în favoarea unor forme dictate de finanțe și ego-uri artistice.
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Specificații
ISBN-10: 0198820860
Pagini: 592
Ilustrații: 72 black & white illustrations and 39 figures
Dimensiuni: 156 x 234 x 29 mm
Greutate: 1.23 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
De ce să citești această carte
Această carte este esențială pentru cei care simt o disonanță între arhitectura „iconică” premiată și disconfortul peisajelor urbane contemporane. Cititorul va câștiga o înțelegere istorică a mecanismelor care au impus estetica minimalistă și va descoperi argumente solide pentru recuperarea umanismului în construcții. Este o lectură provocatoare pentru studenți, urbaniști și orice cetățean preocupat de estetica și funcționalitatea orașului său.
Despre autor
Profesorul James Stevens Curl este unul dintre cei mai respectați istorici de arhitectură din Marea Britanie, recunoscut pentru erudiția sa și pentru apărarea valorilor tradiționale. Opera sa vastă include titluri de referință precum The Oxford Dictionary of Architecture și studii aprofundate despre estetica victoriană și simbolismul funerar. Prin Making Dystopia, autorul își consolidează poziția de critic acerb al rupturilor radicale din istoria artei, pledând pentru o arhitectură care respectă contextul istoric și nevoile psihologice ale comunității.
Descriere
Recenzii
Curl's Making Dystopia is a wake-up call to architects and urbanists to reexamine what we hold true in light of the dystopias we claim as our heritage in the making. Every committed architect and urbanist interested in the roots of their profession needs to read Curl's book now.
Almost perfect analysis of how modernism in Western cities ended in a huge flop.
An important and necessary book... Professor Curl has dug behind and chiseled away at the details of a history veneered over by decades of received modernist mythmaking.
Curl's magnum opus... a polemical, but deeply scholarly, history of architectural modernism, its antecedents and its results.
A book that will stimulate and provoke, and also inform through its awe-inspiring scholarship... It has all the punch and immediacy of the best of campaigning eighteenth-century pamphlets and at the same time is an intellectually forceful work of scholarship.
Excellent book... Prof. Curl traces the history of dystopian modernism from its origins in the early 20th century up to the present day, giving numerous examples of its horrendous consequences. But Curl's book is not merely a lament... he makes some important suggestions for reforming the syllabus in schools of architecture so as to lay the basis for a better built environment in the future. It is to be hoped that his message will be heeded, as much is at stake here for the future of our civilisation.
Anyone interested in the ideological foundations, as well as effects, of architectural modernism should read James Stevens Curl's recently published Making Dystopia... a magisterial and to me unanswerable account of one of the greatest aesthetic disasters to have befallen Europe in all its history
Stevens Curl gets his teeth into "the disaster that has been post-1945 British architecture and town planning", tackling the thorny subject with verve, wit and tremendous erudition... This great book, in showing categorically, and cogently, what went wrong, makes an unarguable case for the conservation of the little that remains.
... an essential, uncompromising, learned ... critique of one of the worst and most significant legacies of the 20th century
Written with passion and eloquence, Making Dystopia is a work of rare intellectual magnitude, to be recognized as an important ... contribution to the culture of our times. It promises to become essential reading to students of architecture...
An impassioned but informed case... meticulously researched and convincingly argued: it is an undoubtedly controversial book that empties out the contents of modernism for all to see and holds them up to the light for judgement... This book is a must-read for students of architecture: a contentious, highly thought-provoking study...
Curl, a veteran architectural historian with a string of big books to his name, certainly tells us what he thinks...
Whatever you may think of its argument, this book's scholarship is precise.
A storm is brewing in the world of architecture thanks to James Stevens Curl's lightning bolt of a book ... although Curl's polemic is fierce, and well-written to boot, it is far from a blinkered rant.
... a scholarly, encyclopaedic, meaningful, and exceptionally frank book that is lucidly written, meticulously researched... it pulls forcefully on our own relationship with buildings and design, and raises our consciousness as to whether modern architecture lacks empathy and fails to respect its surroundings. It is much more than the age-old pilaster vs pilotis debate, and as such it should be mandatory reading for all students of architecture or design. [It] lets a thousand cats out of a thousand bags. Of that there can be no doubt.
Polemic, impassioned plea or potent sting of an angry wasp with an interest in architectural history - describe it how you will but this is a book to be read, discussed and debated by anyone with an interest in our built environment... This is a full-blooded, no-holds-barred, scholarly treatise stemming from a lifetime of study and experience... a passionate argument meticulously backed up by detailed notes and a vast range of source material much of which is new...
Can a text on architectural history, however thoroughly researched and brilliantly written, trigger an architectural revolution? For a discipline in ferment, this might just provide the jolt to set off an avalanche... This iconoclastic landmark book might change the way we build from now on. Its an outstanding work of scholarship that needs to be read by every architect and architecture student who still possesses a conscience.
Making Dystopia, the most gripping and complete account of how architecture and urban planning were corrupted in the 20th and 21st century leading to a catastrophic deterioration of the built environment, is a brilliant, thoroughly researched, and completely novel book... This book, surely the greatest of the many written by Professor Stevens Curl, should be read by staff and students in all schools of architecture who are still pursuing destructive, irrelevant, outdated paths, as well as by everyone concerned about the erosion of civilisation itself.
This is a book to be read, discussed and debated by anyone with an interest in our built environment... This is a full-blooded, no-holds-barred, scholarly treatise stemming from a lifetime of study and experience and an unwillingness to bow down to popular but often unsubstantiated opinion. [He] ramps up the debate with a passionate argument meticulously backed up by detailed notes and a vast range of source material much of which is new... This scholarly and challenging book deserves to be widely read.
One of the strengths of this book is reflected in the fact that a traditional review format is not a fitting one to communicate either the scale of the authority on offer here or the challenges laid down ... [The] author forensically dissects [his] target and mercilessly promotes [his position] across a raft of informed, erudite and insightful historically led deconstructions of the dominant architectural languages of [his] day. His position is boldly stated and argued in depth. The scale of scholarship is easily recognisable.
This brilliant text is a timely marvel... Making Dystopia is unquestionably a major contribution to the history of architecture and quite possibly the most important publication in Stevens Curl's enormously prodigious oeuvre.
A coruscating, driven, and passionately committed book which should be read by anyone who believes that a house is more than a machine for living.
I just finished reading Making Dystopia and I want to thank you for an excellent book. I've often wondered why dreadful architecture became so popular and influential. Your explanations of the history of the Modern Movement, especially of its spread to America and its bullying attitude, were very helpful. I applaud your frankness and willingness to confront many sacred cows.