Le Morte d'Arthur
Autor Thomas Maloryen Limba Engleză Paperback – 2 feb 2010
In a time when there were damsels in distress to save and mythical dragons to slay, King Arthur and his knights were there to render justice in the face of any danger.
Keith Baine's splendid rendition of Le Morte d'Arthur faithfully preserves the original flavor of Malory's masterpiece—that of banners and bloodshed, knights and ladies, Christians and sorcerers, sentiment and savagery. It remains a vivid medieval tapestry woven about a central figure who symbolizes the birth of an age of chivalry.
Includes an Introduction by Robert Graves
and an Afterword by Christopher Cannon
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Specificații
ISBN-13: 9780451531490
ISBN-10: 0451531493
Pagini: 576
Dimensiuni: 105 x 169 x 28 mm
Greutate: 0.26 kg
Editura: Penguin Publishing Group
ISBN-10: 0451531493
Pagini: 576
Dimensiuni: 105 x 169 x 28 mm
Greutate: 0.26 kg
Editura: Penguin Publishing Group
Notă biografică
Sir Thomas Malory was born in approximately 1410 and is believed to have been a knight serving under the Earl of Warwick. For a few years he was a member of Parliament but ultimately spent several long terms in prison for a variety of crimes, including robbery and assault. He completed Le Morte d’Arthur, the first great English prose epic, in Newgate Prison around 1469-70, shortly before his death. The book was eventually published in 1485 by William Caxton, the first English printer.
Keith Baines was born in London, England. He studied at private schools in London and Hampshire, at the Royal Academy of Music, and at University College, London. He fought in World War II, and after his discharge, he turned to his main interest, poetry. Mr. Baines’s poems appeared in periodicals both in the United States and the United Kingdom. He died in 1986.
Keith Baines was born in London, England. He studied at private schools in London and Hampshire, at the Royal Academy of Music, and at University College, London. He fought in World War II, and after his discharge, he turned to his main interest, poetry. Mr. Baines’s poems appeared in periodicals both in the United States and the United Kingdom. He died in 1986.
Descriere
From the incredible wizardry of Merlin to the passion of Sir Lancelot, these tales of Arthur and his knights offer epic adventures with the supernatural as well as timeless battles with our own humanity. Features a new Afterword. Revised reissue.
Recenzii
"I've just finished reading Joseph Glaser's Le Morte D'Arthur. I'm very pleased with it: the introduction is helpful without becoming an extended essay, the suggested reading seems solid and diverse, and the index is VERY useful, even for someone who has read Malory before. At last, a reader can keep all the knights and ladies straight! A fine entry point to a grand text, and when I next have an occasion to teach a course involving chivalry, I'll plan to use this very affordable edition."
—Craig Caldwell, Department of History, Appalachian State University
—Craig Caldwell, Department of History, Appalachian State University
"A highly readable, reduced, and modernized Malory. . . . The effective condensation of a seemingly uncontainable network of narratives is an impressive feat. . . . Glaser's storylines are distinct, not dense, his dialogue is concise, not digressive, and his language is unassuming, not luxuriant. While these features do not match most readers' impressions of Malory's style, his Arthurian tales of adventure, love, death, and betrayal are all here for a new readership to relish.
"[T]his new narrative brings the intersections of plot lines to the fore, helping readers to see the larger structural connections between seemingly disparate episodes and themes. With some of the density removed, readers can more readily see storylines that often get submerged, such as the ongoing feud between the families of King Pellinor and King Lot that starts, stops, and reignites across multiple books. Glaser even appends a detailed index of characters and important objects that includes short descriptions of their appearances in sequence throughout the text. This index is exceedingly helpful because it highlights unifying themes and character development as well as clearly demonstrates that the main character of the Morte is Lancelot, not Arthur. Whereas Arthur's index entry is approximately a page and a half long, Tristram's is two pages, and Lancelot's is close to three. The index also reveals amusing repetitions and contradictions, including two dead Colgrevaunces and five Elaines."
—Alex Mueller, University of Massachusetts, Boston, in The Medieval Review
"[T]his new narrative brings the intersections of plot lines to the fore, helping readers to see the larger structural connections between seemingly disparate episodes and themes. With some of the density removed, readers can more readily see storylines that often get submerged, such as the ongoing feud between the families of King Pellinor and King Lot that starts, stops, and reignites across multiple books. Glaser even appends a detailed index of characters and important objects that includes short descriptions of their appearances in sequence throughout the text. This index is exceedingly helpful because it highlights unifying themes and character development as well as clearly demonstrates that the main character of the Morte is Lancelot, not Arthur. Whereas Arthur's index entry is approximately a page and a half long, Tristram's is two pages, and Lancelot's is close to three. The index also reveals amusing repetitions and contradictions, including two dead Colgrevaunces and five Elaines."
—Alex Mueller, University of Massachusetts, Boston, in The Medieval Review
"Glaser's project of modernizing and condensing Malory's Le Morte D'Arthur is refreshingly successful. Both an extremely accessible introduction to the text for beginners and a handy reference tool for experts, the compact volume can easily be enjoyed by all modern readers."
—Rachel Levinson-Emley, University of California, Santa Barbara, in Comitatus
—Rachel Levinson-Emley, University of California, Santa Barbara, in Comitatus
"Preserves most of the original and provides a simplified reduction for the bewildering array of plot lines and characters who wind in, and out, and often back in again to the narrative thread. Hackett Publishing Company and Joseph Glaser have provided an aesthetically appealing, serviceable, and inexpensive addition to the Malory shelf.”
—Katherine Haynes, Aquinas College Nashville, in Sixteenth Century Journal
—Katherine Haynes, Aquinas College Nashville, in Sixteenth Century Journal