La Ronde
Autor Arthur Schnitzler Editat de Eric Bentleyen Limba Engleză Paperback – 28 feb 2011
Characters: 5 male, 5 female
By the author of the classic romantic romp The Loves of Anatol, Schnitzler's popular roundelay of love in old Vienna is told in ten interwoven scenes: two characters appear in each and one of these moves into the next. The soldier of the first scene leaves a prostitute to appear in the next scene with a parlor maid. The maid then departs to be with her wealthy employer. He, in turn, receives his mistress, a certain married lady. The next scene is reveals the married lady and her husband and then the husband meets a street girl at a private cafe. This girl and her poet lover, the poet and the actress, the actress and the count, and finally the count and the prostitute bring the evening full circle.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (5) | 34.61 lei 22-36 zile | |
| Theatre Communications Group – apr 2008 | 34.61 lei 22-36 zile | |
| CreateSpace Independent Publishing Platform – | 40.79 lei 22-36 zile | |
| Bloomsbury Publishing – 16 ian 2010 | 55.70 lei 43-57 zile | |
| Bloomsbury Publishing – 12 ian 2004 | 81.13 lei 43-57 zile | |
| Samuel French, Inc. – 28 feb 2011 | 88.78 lei 22-36 zile |
Preț: 88.78 lei
Puncte Express: 133
Preț estimativ în valută:
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15.72€ • 18.25$ • 13.62£
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Specificații
ISBN-13: 9780573611926
ISBN-10: 0573611920
Pagini: 84
Dimensiuni: 127 x 203 x 4 mm
Greutate: 0.09 kg
Editura: Samuel French, Inc.
Locul publicării:United Kingdom
ISBN-10: 0573611920
Pagini: 84
Dimensiuni: 127 x 203 x 4 mm
Greutate: 0.09 kg
Editura: Samuel French, Inc.
Locul publicării:United Kingdom
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Notă biografică
Arthur Schnitzler (1862-1930), the Austrian author and doctor, is probably best known for his plays 'La Ronde' and 'Liebelei'. His early years were marked by a particular interest in the emergent science of psychology and his writings anticipate Freud's psychopathological theories. Stephen Unwin founded the English Touring Theatre in 1993.
Descriere
Descriere de la o altă ediție sau format:
First published for private circulation in Vienna in 1900, Arthur Schnitzler's famous play looks at the sexual morality and class ideology of his day through a series of sexual encounters between pairs of characters. When published publicly in 1903, it became an immediate best-seller, scandalized Viennese society, and a year later was censored. Schnitzler was accused of pornography and worse. In 1922 Freud wrote to him that "you have learned through intuition-though actually as a result of sensitive introspection-everything that I have had to unearth by laborious work on other persons." By choosing characters across the social spectrum, La Ronde offers a powerful view of how sexual contact transgresses boundaries of class. Nicholas Rudall's new translation sensitively captures the language distinctions of the representative characters in the play while providing a remarkably playable script. New in the Plays for Performance series.
First published for private circulation in Vienna in 1900, Arthur Schnitzler's famous play looks at the sexual morality and class ideology of his day through a series of sexual encounters between pairs of characters. When published publicly in 1903, it became an immediate best-seller, scandalized Viennese society, and a year later was censored. Schnitzler was accused of pornography and worse. In 1922 Freud wrote to him that "you have learned through intuition-though actually as a result of sensitive introspection-everything that I have had to unearth by laborious work on other persons." By choosing characters across the social spectrum, La Ronde offers a powerful view of how sexual contact transgresses boundaries of class. Nicholas Rudall's new translation sensitively captures the language distinctions of the representative characters in the play while providing a remarkably playable script. New in the Plays for Performance series.
Recenzii
The characters of Schnitzler's play talk endlessly of love, but it's sex they are after, and in the end, it is their search for it that spins them off a life-long dance. The moment he finishes with the young maid, the soldier returns to the dance hall. The young wife returns to her husband after her dalliance with the young man. The Count surely is reunited with his friend Louis, uncertain whether or not anything happened with the sleepy prostitute, who reminds him of someone he has met long ago. Was he once the young soldier of the first scene, completing the circle? In the end, Schnitzler's world is not so much an immoral one as it is a society of dissatisfied beings.