King Richard III
Autor William Shakespeare Editat de 1stworld Libraryen Limba Engleză Paperback – 11 noi 2005
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Puncte Express: 105
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Specificații
ISBN-13: 9781421813653
ISBN-10: 1421813653
Pagini: 148
Dimensiuni: 140 x 216 x 9 mm
Greutate: 0.2 kg
Editura: 1st World Publishing
Colecția 1st World Publishing
Locul publicării:United States
ISBN-10: 1421813653
Pagini: 148
Dimensiuni: 140 x 216 x 9 mm
Greutate: 0.2 kg
Editura: 1st World Publishing
Colecția 1st World Publishing
Locul publicării:United States
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Cuprins
Introduction
List of Illustrations
General Editors' Preface
How to Use This Edition
Acknowledgements
- Where to Start? The "Richard III Effect" and Its Discontents
- The Dig: Richard and Disability
- The Rib: Lady Anne and Female Agency (I)
- The Hag: Richard's Witches and Female Agency (II)
- The Hog: Richard as Tacitean and Pauline Anti-Type
- The Hype: Readying Richard III for the Court of Elizabeth I
- The (Bare) Bones: Shakespeare's Direct Sources, or, What the 'Lost' Richard III May Have Looked Like
- Dating the (Textual) Remains: A Timeline for Richard III
- Analysing the (Textual) Remains: The Provenance of Q1 and F Richard III
- Afterlife: Or, The bloody dog is (not) dead
King Richard III
Bibliography
Index
List of Illustrations
General Editors' Preface
How to Use This Edition
Acknowledgements
- Where to Start? The "Richard III Effect" and Its Discontents
- The Dig: Richard and Disability
- The Rib: Lady Anne and Female Agency (I)
- The Hag: Richard's Witches and Female Agency (II)
- The Hog: Richard as Tacitean and Pauline Anti-Type
- The Hype: Readying Richard III for the Court of Elizabeth I
- The (Bare) Bones: Shakespeare's Direct Sources, or, What the 'Lost' Richard III May Have Looked Like
- Dating the (Textual) Remains: A Timeline for Richard III
- Analysing the (Textual) Remains: The Provenance of Q1 and F Richard III
- Afterlife: Or, The bloody dog is (not) dead
King Richard III
Bibliography
Index
Descriere
Descriere de la o altă ediție sau format:
King Richard III provides a portrait of Shakespeare's most enduring arch-villain, a man who plots against his brothers, nephews, friends and the powerful women in his life, including Lady Anne, Queen Margaret and Queen Elizabeth.
This influential history play almost displaces the original historical figure it represents as it traces Richard's rise to the throne in 15th century England. Disability and masculine villainy characterise nearly all performances of Richard III, spotlighting early modern and contemporary prejudice about their equivalence. This edition challenges the centrality of Richard as absolute villain who casts all others in his shadow, making space for the formidable women who oppose him.
Exploring overlooked sources of influence, from Tacitus to St Paul, witchcraft to racialisation, and the possibility of Queen Elizabeth I watching a courtly performance of Richard III, this edition highlights what endures and what transforms in a play about the ruthlessness of narcissistic despotism.
The Arden Shakespeare Fourth Series King Richard III provides:
- A critical introduction to the play's textual, cultural and performance history
- An edition that reassesses the complex textual history of the Quarto and Folio texts
- Detailed on-the-page notes explaining language, character and performance
- A clear page layout with an easy-to-read font and single-column notes
- Images of relevant productions, paintings and texts
The Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker and performer of Shakespeare's works today.
King Richard III provides a portrait of Shakespeare's most enduring arch-villain, a man who plots against his brothers, nephews, friends and the powerful women in his life, including Lady Anne, Queen Margaret and Queen Elizabeth.
This influential history play almost displaces the original historical figure it represents as it traces Richard's rise to the throne in 15th century England. Disability and masculine villainy characterise nearly all performances of Richard III, spotlighting early modern and contemporary prejudice about their equivalence. This edition challenges the centrality of Richard as absolute villain who casts all others in his shadow, making space for the formidable women who oppose him.
Exploring overlooked sources of influence, from Tacitus to St Paul, witchcraft to racialisation, and the possibility of Queen Elizabeth I watching a courtly performance of Richard III, this edition highlights what endures and what transforms in a play about the ruthlessness of narcissistic despotism.
The Arden Shakespeare Fourth Series King Richard III provides:
- A critical introduction to the play's textual, cultural and performance history
- An edition that reassesses the complex textual history of the Quarto and Folio texts
- Detailed on-the-page notes explaining language, character and performance
- A clear page layout with an easy-to-read font and single-column notes
- Images of relevant productions, paintings and texts
The Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker and performer of Shakespeare's works today.
Recenzii
There is much to admire about Siemon's labours here, and taken in its own edition is a fine resource for those wanting to read a well annotated text of the play or to go deeply into the performance and textual histories of the play...
'James R. Siemon, aided by a crack team of general editors (Richard Proudfoot, George Walton Williams and David Scott Kastan), has produced a nearly perfect edition of the play...(a) supremely engaging edition.'
'James R. Siemon, aided by a crack team of general editors (Richard Proudfoot, George Walton Williams and David Scott Kastan), has produced a nearly perfect edition of the play...(a) supremely engaging edition.'