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Impressionism: A Feminist Reading: The Gendering Of Art, Science, And Nature In The Nineteenth Century de Norma Broude

Impressionism: A Feminist Reading: The Gendering Of Art, Science, And Nature In The Nineteenth Century

Autor Norma Broude
en Limba Engleză Paperback – 31 oct 2022
An original interpretation of Impressionism and nineteenth-century art and culture by a noted feminist art historian. This book is a pioneering reading of Impressionism from a feminist perspective by a noted art historian. Norma Broude analyzes the philosophical underpinnings of landscape painting in the late nineteenth century discussing the crit
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Specificații

ISBN-13: 9780367152680
ISBN-10: 0367152681
Pagini: 192
Dimensiuni: 203 x 282 mm
Greutate: 0.35 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Notă biografică

Norma Broude is a professor of art history at the American University in Washington, D.C., and is a leading scholar in the field of feminist art history. Broude is the author of The Macchiaioli: Italian Painters of the Nineteenth Century (1987), Impressionism, A Feminist Reading: The Gendering of Art, Science, and Nature in the Nineteenth Century (1991), and Georges Seurat (1992).

Cuprins

Preface -- Introduction -- Impressionism and Romanticism -- Thematic Continuities -- Effect and Emotion in Romantic and Impressionist Painting -- Effect and Finish: The Evolution of the Impressionist Style -- Impressionism and Science -- Romantic versus Normal Science in the Eighteenth and Nineteenth Centuries -- Science and the Arts -- The Optical as a Path to the Personal: The Writings of Duranty, Martelli, and Laforgue -- The Gendering of Impressionism -- The Gendering of Art, Science, and Nature in the Nineteenth Century -- Impressionism and Symbolism -- The Republican Defense of Science and The Regendering of Impressionism -- Impressionism and Modernism

Descriere

This book is a pioneering reading of Impressionism from a feminist perspective by a noted art historian. Norma Broude analyzes the philosophical underpinnings of landscape painting in the late nineteenth century discussing the critical misconceptions attached to Impressionism, in particular the work of Monet.