Horror Film: A Critical Introduction: Film Genres
Autor Murray Leederen Limba Engleză Hardback – 25 ian 2018
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Specificații
ISBN-13: 9781501314421
ISBN-10: 1501314424
Pagini: 288
Ilustrații: 37 bw illus
Dimensiuni: 140 x 216 mm
Greutate: 0.48 kg
Ediția:HPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Film Genres
Locul publicării:New York, United States
ISBN-10: 1501314424
Pagini: 288
Ilustrații: 37 bw illus
Dimensiuni: 140 x 216 mm
Greutate: 0.48 kg
Ediția:HPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Film Genres
Locul publicării:New York, United States
Cuprins
Acknowledgements
List of Images
Introduction
1: Horror's Process of Genrification, 1895-1938
2: 1939-1973: Horror and the Crisis of Rationality
3: 1974-Present: High and Low
4: What Is Horror?
5: Mind and Body: The 'Why?' of Horror
6: Horror's Audiences, Critics and Censors
7: Shocking and Spooky Sounds
8: Colours of Fear
9: Digital Horrors
Works Cited
Index
List of Images
Introduction
1: Horror's Process of Genrification, 1895-1938
2: 1939-1973: Horror and the Crisis of Rationality
3: 1974-Present: High and Low
4: What Is Horror?
5: Mind and Body: The 'Why?' of Horror
6: Horror's Audiences, Critics and Censors
7: Shocking and Spooky Sounds
8: Colours of Fear
9: Digital Horrors
Works Cited
Index
Recenzii
Concise yet also comprehensive, Leeder's study examines the horror film from its prehistory to its digital future(s), tackling its history, reception contexts, and shifting forms. A delight to read, the book will satisfy newcomers to the horror genre as well as advanced scholars and die-hard fans.
Leeder maps the glorious dark continent of Horror, guiding us through its high metaphic mounatins and low slasher riverbeds, along the way uncovering the hidden treasures of a true art form that, at its most potent, is poetic, emotionally resonant, and quintessentially cinematic.
Horror Film: A Critical Introduction is an excellent, engagingly written book. It is both an indispensable introduction to one of the most consistently popular and culturally resonant film genres, and a work that brings new and imaginative perspectives, and previously neglected films and case studies, to the centre of debate and discussion within the field of horror film studies. Highly recommended for students, teachers, scholars and fans alike.
Ambitious and wide-ranging, Horror Film is a welcome, accessible overview of this most disreputable and delightful of genres. Leeder's focus is the reader new to studying horror: the fan, the student, the film practitioner looking to 'gen up' on genre. With clear, jargon free language, Leeder expertly guides the reader through horror standards including Dracula and Night of the Living Dead, while also making space to explore lesser known gems such as Eyes Without a Face and Ginger Snaps, smart indie films designed to provoke shock, disgust and dark pleasures.
Leeder maps the glorious dark continent of Horror, guiding us through its high metaphic mounatins and low slasher riverbeds, along the way uncovering the hidden treasures of a true art form that, at its most potent, is poetic, emotionally resonant, and quintessentially cinematic.
Horror Film: A Critical Introduction is an excellent, engagingly written book. It is both an indispensable introduction to one of the most consistently popular and culturally resonant film genres, and a work that brings new and imaginative perspectives, and previously neglected films and case studies, to the centre of debate and discussion within the field of horror film studies. Highly recommended for students, teachers, scholars and fans alike.
Ambitious and wide-ranging, Horror Film is a welcome, accessible overview of this most disreputable and delightful of genres. Leeder's focus is the reader new to studying horror: the fan, the student, the film practitioner looking to 'gen up' on genre. With clear, jargon free language, Leeder expertly guides the reader through horror standards including Dracula and Night of the Living Dead, while also making space to explore lesser known gems such as Eyes Without a Face and Ginger Snaps, smart indie films designed to provoke shock, disgust and dark pleasures.