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Homo Irrealis

Autor Andre Aciman
en Limba Engleză Hardback – 18 ian 2021
The New York Times-bestselling author of Find Me and Call Me by Your Name returns to the essay form with his collection of thoughts on time, the creative mind, and great lives and works
Irrealis moods are a category of verbal moods that indicate that certain events have not happened, may never happen, or should or must or are indeed desired to happen, but for which there is no indication that they will ever happen. Irrealis moods are also known as counterfactual moods and include the conditional, the subjunctive, the optative, and the imperative--all best expressed in this book as the might-be and the might-have-been. One of the great prose stylists of his generation, Andr Aciman returns to the essay form in Homo Irrealis to explore what time means to artists who cannot grasp life in the present. Irrealis moods are not about the present or the past or the future; they are about what might have been but never was but could in theory still happen. From meditations on subway poetry and the temporal resonances of an empty Italian street to considerations of the lives and work of Sigmund Freud, C. P. Cavafy, W. G. Sebald, John Sloan, ric Rohmer, Marcel Proust, and Fernando Pessoa and portraits of cities such as Alexandria and St. Petersburg, Homo Irrealis is a deep reflection on the imagination's power to forge a zone outside of time's intractable hold.
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Specificații

ISBN-13: 9780374171872
ISBN-10: 0374171874
Pagini: 256
Dimensiuni: 147 x 212 x 30 mm
Greutate: 0.39 kg
Editura: Farrar, Straus and Giroux

Notă biografică

André Aciman

Descriere

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The bestselling author of Find Me and Call Me by Your Name returns to the essay form with this collection of thoughts on time, the creative mind, and great lives and works.

The irrealis mood knows no boundaries between what is and what isn't, between what happened and what won't. In more ways than one, the essay about the artists, writers, and great minds gathered in this volume have nothing to do with who I am, or who they were, and my reading of them may be entirely erroneous. But I misread them the better to read myself.

From meditations on subway poetry and the temporal resonances of an empty Italian street, to considerations of the lives and work of Sigmund Freud, Constantine Cavafy, W. G. Sebald, John Sloan, Éric Rohmer, Marcel Proust, and Fernando Pessoa, and portraits of cities such as Alexandria and St. Petersburg, Homo Irrealis is a deep reflection of the imagination's power to shape our memories under time's seemingly intractable hold.