Fog: Modern Plays
Autor Tash Fairbanks, Toby Whartonen Limba Engleză Paperback – 5 sep 2013
Fog is about two families: one white and dysfunctional, the other black and aspiring.
Fog and Lou were put into care as young children by their soldier father, Cannon, following the untimely death of their mother. Ten years later, Cannon returns, expecting to reassemble his family around him. But he feels a stranger in this 'new' England of broken promises. And nothing could prepare him for the damage that abandonment and an inadequate care system has wreaked on his kids. He desperately tries to repair what has been broken, but is it all too little too late?
Fog is a stunningly powerful and gritty play which confronts important social themes with a clear-eyed lack of sentimentality. The play looks at the care system and the effects on the children placed there. It explores the difficulties we face in trying to reconnect with people who have been absent throughout childhood, and the inadequacy of communication: words are used as loose sticking plasters to try and patch up and hide the exposed wounds of fractured relationships.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 80.51 lei 6-8 săpt. | |
| Bloomsbury Publishing – 2 ian 2012 | 80.51 lei 6-8 săpt. | |
| Paperback (1) | 80.48 lei 6-8 săpt. | |
| Bloomsbury Publishing – 5 sep 2013 | 80.48 lei 6-8 săpt. |
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14.24€ • 16.65$ • 12.37£
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Specificații
ISBN-13: 9781472523488
ISBN-10: 1472523482
Pagini: 80
Dimensiuni: 129 x 198 x 8 mm
Greutate: 0.09 kg
Ediția:2nd edition
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1472523482
Pagini: 80
Dimensiuni: 129 x 198 x 8 mm
Greutate: 0.09 kg
Ediția:2nd edition
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Recenzii
The dialogue is exquisite. It does more than simply jump off the page, it leaps out grabs you by the throat and smacks you around. A truly original well-written piece that succeeds in doing what I always want from a good play. To learn. To think. To laugh. To cry. To feel.
Beautifully pared down, the rhythms of life are really there. The writers have given a voice to those who have none.
A play like this helps to dash the misconceptions that children get into the care system because of something they have done wrong. A moving experience to watch as the story unfolds and one that needs to be put there for the public to see.
Uncompromising depiction of urban life..this is a raw punchy piece.
Powerful new play ... The dialogue continually bubbles with unpredictable comic life ... Agonising and funny at the same time.
A raw edgy piece.
Punchy dialogue..a sharp understanding of displaced people.
The play's portrait of a social system that offers care but no protection leaves an uneasy aftertaste.
A gripping new chamber play.
A disturbing portrait of a feckless white youth.
The storyline's fragmented glimpses are intriguing.
A bruising sad play.
Very good on the painful relationship between father and son.
A painful, promising play..it ends wisely and movingly.
The dialogue is always lean and accurate.
Absorbing, unflinching.
A play written - rather exceptionally - by a writer/performer in her sixties and an actor in his twenties.
Clarity of intention..that thoroughly grips.
Unique as a piece of new writing.
Fog has a tenderness and subtlety.
A subtle study of lives adrift.
Hard-hitting and devastatingly pointed writing.
A fierce heart breaking snapshot of the concrete horizons and posturing demotics of inner-city London estates.
Effortlessly captures the under-siege mentality of inner-city culture..in a play you wish was twice as long.
There is real craft in this writing collaboration.
A bruising lyrical short about teenagers in London whose quality and impact suggests that 2012 in London's only wine bar theatre, will be as impressive as it was in 2011.
A thumping, emotionally fraught and brilliantly written play.
Emotionally devastating.
At its best, the language of the play feels like it's been inhaled through a water pipe and then exhaled to the beat of drum 'n' bass. It burns, it stings, it makes your blood tingle...there's an intensity and a rush to the dialogue that gives the work its emotional punch...Fired up by this linguistic energy, Fog is sometimes frightening in its anger and desperation. It rushes along like a roach flushed down a plughole. A story that leaves you stunned by its violence, and its terrible sadness...Fierce and terrifying.
Funny, powerful and very, very real, it is also mesmerisingly sad..masterful writing put(s) Britain's care system on trial in courageous new play.
A painful, promising play, raising the thorny issue of fatherless boys and of young care leavers and their difficulties.
The dialogue continually bubbles with unpredictable comic life.
A collaboration made in the vicinity of heaven.
'Fog' is unique as a piece of new writing. Tash Fairbanks and Toby Wharton's (play) benefits richly from the verve and faux-yardie argot of youth and the poignant wisdom of experience.
Aching and explosive.
Funny, powerful and very, very real, it is also mesmerisingly sad.
Beautifully pared down, the rhythms of life are really there. The writers have given a voice to those who have none.
A play like this helps to dash the misconceptions that children get into the care system because of something they have done wrong. A moving experience to watch as the story unfolds and one that needs to be put there for the public to see.
Uncompromising depiction of urban life..this is a raw punchy piece.
Powerful new play ... The dialogue continually bubbles with unpredictable comic life ... Agonising and funny at the same time.
A raw edgy piece.
Punchy dialogue..a sharp understanding of displaced people.
The play's portrait of a social system that offers care but no protection leaves an uneasy aftertaste.
A gripping new chamber play.
A disturbing portrait of a feckless white youth.
The storyline's fragmented glimpses are intriguing.
A bruising sad play.
Very good on the painful relationship between father and son.
A painful, promising play..it ends wisely and movingly.
The dialogue is always lean and accurate.
Absorbing, unflinching.
A play written - rather exceptionally - by a writer/performer in her sixties and an actor in his twenties.
Clarity of intention..that thoroughly grips.
Unique as a piece of new writing.
Fog has a tenderness and subtlety.
A subtle study of lives adrift.
Hard-hitting and devastatingly pointed writing.
A fierce heart breaking snapshot of the concrete horizons and posturing demotics of inner-city London estates.
Effortlessly captures the under-siege mentality of inner-city culture..in a play you wish was twice as long.
There is real craft in this writing collaboration.
A bruising lyrical short about teenagers in London whose quality and impact suggests that 2012 in London's only wine bar theatre, will be as impressive as it was in 2011.
A thumping, emotionally fraught and brilliantly written play.
Emotionally devastating.
At its best, the language of the play feels like it's been inhaled through a water pipe and then exhaled to the beat of drum 'n' bass. It burns, it stings, it makes your blood tingle...there's an intensity and a rush to the dialogue that gives the work its emotional punch...Fired up by this linguistic energy, Fog is sometimes frightening in its anger and desperation. It rushes along like a roach flushed down a plughole. A story that leaves you stunned by its violence, and its terrible sadness...Fierce and terrifying.
Funny, powerful and very, very real, it is also mesmerisingly sad..masterful writing put(s) Britain's care system on trial in courageous new play.
A painful, promising play, raising the thorny issue of fatherless boys and of young care leavers and their difficulties.
The dialogue continually bubbles with unpredictable comic life.
A collaboration made in the vicinity of heaven.
'Fog' is unique as a piece of new writing. Tash Fairbanks and Toby Wharton's (play) benefits richly from the verve and faux-yardie argot of youth and the poignant wisdom of experience.
Aching and explosive.
Funny, powerful and very, very real, it is also mesmerisingly sad.