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Fate of the Flesh – Secularization and Resurrection in the Seventeenth Century de Daniel Juan Gil

Fate of the Flesh – Secularization and Resurrection in the Seventeenth Century

Autor Daniel Juan Gil
en Limba Engleză Hardback – 4 ian 2021
This book argues that in the seventeenth century the ancient hope for the physical resurrection of the body and its flesh began an unexpected second life as critical theory, challenging the notion of an autonomous self and driving early modern avant-garde poetry.
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Specificații

ISBN-13: 9780823290048
ISBN-10: 0823290042
Pagini: 256
Dimensiuni: 178 x 235 x 22 mm
Greutate: 0.49 kg
Editura: ME – Fordham University Press

Cuprins

Preface: Christianity as Critical Theory | vii
Introduction: Secularization and the Resurrection of the Flesh | 1
1. Secularization, Countersecularization, and the Fate of the Flesh in Donne | 29
2. Wanting to Be Another Person: Resurrection and Avant-Garde Poetics in George Herbert | 64
3. Luminous Stuff: The Resurrection of the Flesh in Vaughan¿s Religious Verse | 101
4. The Feeling of Being a Body: Resurrection and Habitus in Vaughan¿s Medical Writings | 124
5. Resurrection, Dualism, and Legal Personhood: Bodily Presence in Ben Jonson | 148
Epilogue: Resurrection and Zombies | 181
Acknowledgments | 191
Notes | 193
Index | 219

Notă biografică

Daniel Juan Gil is the author of Shakespeare¿s Anti-Politics: Sovereign Power and the Life of the Flesh (Palgrave, 2013), Before Intimacy: Asocial Sexuality in Early Modern England (Minnesota, 2006), and many articles on topics including sexuality, the body, sovereign power, communitarianism, literary autonomy, and the sociology of religion. His work has appeared in Shakespeare Quarterly, Common Knowledge, ELH, SEL, Borrowers and Lenders, Literature and Theology, and a variety of edited collections.

Descriere

This book argues that in the seventeenth century the ancient hope for the physical resurrection of the body and its flesh began an unexpected second life as critical theory, challenging the notion of an autonomous self and driving early modern avant-garde poetry.