Cantitate/Preț
Produs

Experiencing Hektor: Character in the Iliad

Autor Lynn Kozak
en Limba Engleză Hardback – dec 2016
At the Iliad's climax, the great Trojan hero Hektor falls at the hands of Achilles. But who is Hektor? He has resonated with audiences as a tragic hero, great warrior, loyal husband and father, protector of a doomed city. Yet never has a major work sought to discover how these different aspects of Hektor's character accumulate over the course of the narrative to create the devastating effect of his death.

This open access book documents the experience of Hektor through the Iliad's serial narrative. Drawing on diverse tools from narratology, to cognitive science, but with a special focus on film character, television poetics, and performance practice, it examines how the mechanics of serial narrative construct the character of Hektor. How do we experience Hektor as the performer makes his way through the epic? How does the juxtaposition of scenes in multiple storylines contribute to character? How does the narrative work to manipulate our emotional response? How does our relationship to Hektor change over the course of the performance?

Lynn Kozak demonstrates this novel approach through a careful scene-by-scene breakdown and analysis of the Iliad, focusing especially on Hektor. In doing so, she challenges and destabilises popular and scholarly assumptions about both ancient epic and the Iliad's 'other' hero.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Knowledge Unlatched programme.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 24589 lei  6-8 săpt.
  Bloomsbury Publishing – 28 iun 2018 24589 lei  6-8 săpt.
Hardback (1) 85607 lei  6-8 săpt.
  Bloomsbury Publishing – dec 2016 85607 lei  6-8 săpt.

Preț: 85607 lei

Preț vechi: 129665 lei
-34%

Puncte Express: 1284

Preț estimativ în valută:
15161 17706$ 13170£

Carte tipărită la comandă

Livrare economică 21 februarie-07 martie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781474245449
ISBN-10: 1474245447
Pagini: 328
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.64 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Cuprins

List of Illustrations
Acknowledgments
Preface
Introduction: Binge-Watching the Iliad
1. Enter Hektor
In Media Res
Diegetic Introduction: 1.233-44
Thetis: 1.350-611
Achaians Assemble: 2.1-394
Hektor on the Horizon: 2.394-473
Catalogue: 2.474-785
Reveal: 2.786-810
Trojan Catalogue: 2.811-3.14
Enter Paris: 3.15-37
Hektor and Paris 3.38-75
Setting Terms: 3.76-120
Troy-time: 3.121-260
Trusted Oaths (untrustworthy sons): 3.261-302
Duel: 3.303-448
Missing In Action: 3.448-61
Gods: 4.1-72
Broken Oaths: 4.73-222
Ready to Rumble: 4.220-421
Battle: 4.422-543
Overhaul: 5.1-453
Returns: 5.454-532
Battle: 5.533-589
Overhaul: 5.590-627
Sarpedon: 5.628-78
Hektor: 5.679-710
Silent Type: 5.711-909
Achaians Kill: 6.1-36
Even the Unborn: 6.37-72
Mission: 6.73-118
Face-off: 6.119-236
Troy-time: 6.237-85
Mission continued (Hekabe): 6.242-85
Mission Impossible: 6.286-311
Mission (Paris and Helen): 6.312-68
Mission (Andromache): 6.369-502
2. Killing Time
Maybe Next Time: 6.503-7.16
Callback: 7.17-91
Achaians: 7.92-213
Fight/Night: 7.214-312
Wall Alignment: 7.313-44
Troy-time: 7.345-80
Death All Round: 7.380-8.51
Battle: 8.52-197
Hera/Zeus: 8.198-252
Battle: 8.253-334
Overhaul-ish: 8.335-437
Hera/Zeus: 8.438-84
Die Another Day: 8.485-9.88
Embassy: 9.89-713
Spy vs. Spy: 10.1-579
All Day Permanent Red: 11.1-162
Hektor Rising: 11.163-368
Injuries: 11.369-488
Hektor Returns: 11.489-594
Mission, Achilles: 11.595-848
Wall Alignment: 12.1-39
Hektor, Whirlwind: 12.40-83
Mission Crew: 12.84-109
Wall Fight!: 12.110-194
Hektor/Wall: 12.195-290
Wall Fight!: 12.290-12.431
Hektor/Wall: 12.432-71
Zeus/Poseidon: 13.1-82
Mission Crew: 13.83-129
Hektor Again: 13.130-205
Idomeneus/Meriones: 13.206-333
Zeus/Poseidon: 13.334-60
Idomeneus/Meriones: 13.361-580
Menelaos: 13.581-673
Hektor/Panic: 13.674-837
Achaians Assemble (Injury Edition): 14.1-152
Hera: 14.153-360
Hektor/Aias: 14.361-439
Battle: 14.440-508
When Zeus Wakes: 14.508-15.86
Other Gods: 15.87-149
Apollo/Hektor: 15.150-270
Battle Again: 15.271-389
Patroklos:15.390-405
Hektor/Aias: 15.406-591
Overhaul: 15.592-746
Stuck in the Middle With You
3. Ends
Achilles/Patroklos: 16.1-100
Hektor: 16.101-23
Achilles/Patroklos: 16.124-256
Battle: 16.257-357
Aias/Hektor: 16.358-418
Sarpedon: 16.419-507
Mission/Hektor: 16.508-53
Patroklos/Counter-Mission: 16.554-683
Patroklos/Hektor: 16.684-867
Bad News Travels Slow (Menelaos): 17.1-112
Aias/Hektor: 17.113-39
Glaukos/Hektor: 17.140-82
Death Suits You: 17.183-209
Overhaul-ish: 17.210-236
Aias/Menelaos: 17.237-61
Battle: 17.262-369
Bad News Travels Slow: 17.370-411
Horses: 17.412-542
Patroklos: 17.543-625
Bad News Travels Slow: 17.626-18.21
Black Cloud of Grief: 18.22-146
Saving Patroklos: 18.147-238
Hektor: 18.239-314
Black Cloud of Grief: 18.314-55
Gods: 18.356-616
Make Up: 19.1-281
Black Cloud of Grief: 19.282-356
Armour and Horses: 19.357-503
Battle (Achilles)
Gods Take Sides: 20.1-75
Achilles/Aineias: 20.75-352
Hektor/Achilles: 20.353-454
Kill, Kill, Kill: 20.455-21.33
Sleeping With the Fishes: 21.34-210
When Rivers Attack: 21.211-382
Godfight: 21.382-525
Defender of Troy: 21.526-22.6
Achilles: 22.6-24
Cheap Seats: 22.25-89
Hektor: 22.90-130
The Great Escape: 22.131-65
Gods: 22.165-247
Hektor versus Achilles: 22.247-369
Bodies: 22.369-404
Bad News Travels Fast: 22.405-36
Bad New Travels Slow: 22.437-515
Achaians: 23.1-257
Games: 23.257-897
Misery Never Sleeps: 24.1-22
Missions from Gods: 24.23-188
Priam and Hekabe: 24.189-227
Curtains for Curses: 24.228-321
Hermes: 24.322-467
Supplication: 24.468-571
Promises, Promises: 24.572-95
Eat, drink, plan a funeral: 24.572-676
Midnight Run: 24.676-91
Troy-time: 24.691-722
Eulogies: 24.723-76
Funeral: 24.777-804
Conclusion: Reruns
Bibliography
Notes
Index

Recenzii

Though Kozak focuses on Hector, her study persuasively suggests that it is the characters-major, minor and "red shirts" alike- that make the experience of the Iliad one that remains compelling
A stimulating book . Kozak's approach is refreshing and exemplary. Although she does not specifically frame her work in this way, Kozak's investigation is a species of Homeric reception that helps us address the perennial question, "Why Homer?" By comparing Homeric techniques to those of modern narrative art forms, Kozak has provided us another way to think about artistic and cultural continuities (and discontinuities).
In considering the narrative properties of the Iliad, scholars have often used the novel and its practices for comparison. In her lively exploration of the Iliad's techniques of characterization, Lynn Kozak instead uses serial television as a comparandum . Kozak's presentation of examples is extremely lucid. Even though I am unfamiliar with most of the series she uses to illustrate her points, I was able to understand her analogies easily and found many of them stimulating . Such comparisons may also be helpful in the classroom in illustrating how the Iliad engages interest in character to students who may know and understand serial television better than literature.
Experiencing Hektor has much to offer both scholars and students.
Kozak analyzes the Iliad as serial narrative, showing how its story (consisting of beats, episodes, and arcs) can create rich and complex characters, like Hektor. Kozak's book is a must-read for fans of Homer and TV dramas alike.
A bright and engaging approach to Homer's Iliad, by a Homerist and self-confessed
TV addict. Following the epic as though a TV serial, Kozak throws new light on
Homeric composition.

Experiencing Hector's approach to the Iliad as a serial narrative not so unlike
Game of Thrones or Breaking Bad is enjoyably defamiliarizing. It shows how
frequently the poem shifts our sympathies, and although its own focus is on Hector,
it contributes to a richer understanding of the entire narrative.

Enjoyable . The main strength of Kozak's treatment is its insistence on taking the Iliad as a work to be performed and received sequentially . Her work stands apart for carrying the exercise through to an unusual extent.
An interesting and useful "lens" through which to view ancient epic. What is formative and makes Kozak's book especially worth reading is her constant reminder of narrative time on almost every page, and her determination to try to "see" Homeric performance from the "viewers'" vantage point.