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Doctor Faustus: With The English Faust Book

Autor Christopher Marlowe Editat de David Wootton
en Limba Engleză Paperback – 15 mar 2005
This edition of Doctor Faustus features annotated versions, with modernized spelling and punctuation, of the 1604 A-text and the 1592 text of Marlowe's source, the English Faust Book--a translation of the best-selling Historia von Johann Fausten published in Frankfurt in 1587, which recounts the strange story of Doctor John Faustus and his pact with the spirit Mephistopheles.
David Wootton's Introduction charts Marlowe's brief, meteoric career; the delicate social and political climate in which Doctor Faustus was staged and the vexed question of the religious sensibilities to which it may have catered; the interpretive significance of variations between the A and B texts; and the shrewd and subversive uses to which Marlowe put the English Faust Book in crafting, according to Wootton, a drama in which orthodox Christian teaching triumphed, but in which Faustus has all the best lines.
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Specificații

ISBN-13: 9780872207295
ISBN-10: 0872207293
Pagini: 192
Ilustrații: none
Dimensiuni: 140 x 216 x 13 mm
Greutate: 0.2 kg
Editura: Hackett Publishing Company,Inc
Colecția Hackett Publishing Company, Inc.
Locul publicării:United States

Recenzii

This is an excellent edition; I really appreciate the clear Introduction and the exceptionally useful notes. I look forward to using this text with a freshman literature class who will really benefit from the helpful textual apparatus. --Charlotte England, Department of English, Salisbury University

The inexpensive paperback will allow this student-friendly text to be added to the reading list of a variety of high-school and college courses. Teachers as well as students will find the Introduction here very useful. --Bibliotheque d'Humanisme et Renaissance

"The decision to embed much of the B-text (1616) into the full A-text (1604) of the play was a creative ‘compromise’ (as Lynch admits) in order to offer students as much of Marlowe’s full intention about the story as possible. The gray highlighting of the incorporated “B” textual material allows the reader access to the later textual material but also does not so intrude that the original “A” text cannot be read independently.... The meshing of the two versions can be very informative especially for teachers of theater and performance/ drama and teachers of writing, as well as for instructors in literature. I can imagine a theater instructor, for example, discussing with students what was/is lost/gained/ changed moving from the 1604 to the 1616 version of the play and how those changes might impact not just the themes but the actual performances of the play. An instructor in writing clearly could do much with the Lynch edition, especially in discussions about revision/ rewrites and the process of play writing." --June-Ann Greeley, Professor of Languages and Literature, Sacred Heart University

Notă biografică

Christopher Marlowe (1564-1593) was born in Canterbury the year of Shakespeare’s birth. Like Shakespeare, he was of a prosperous middle-class family, but unlike Shakespeare he went to a university, Corpus Christi College, Cambridge, where he received the bachelor’s degree in 1584 and the master’s degree in 1587. The terms of his scholarship implied that he was preparing for the clergy but he did not become a clergyman. Shortly before he received his M.A. the University seems to have wished to withhold it, apparently suspecting him of conversion to Roman Catholicism, but the Queen’s Privy Council intervened on his behalf, stating that he “had done her majesty good service” and had been employed “in matters touching the benefit of the country.” His precise service is unknown. After Cambridge, Marlowe went to London, where he apparently lived a turbulent life (he had two brushes with the law and was said to be disreputable) while pursuing a career as a dramatist. He wrote seven plays--the dates of which are uncertain--before he was yet again in legal difficulties: he was arrested in 1593, accused of atheism. He was not imprisoned, and before his case could be decided he was dead, having been stabbed in a tavern while quarreling over the bill.

Cuprins

Acknowledgements
Introduction
Christopher Marlowe: A Brief Chronology of His Life and Times
A Note on the Text
The Tragical History of the Life and Death of Doctor Faustus
Appendix A: Variant Passages from the 1604 and 1663 Quartos
  1. From the 1604 Quarto
    1. Scene 4
    2. Chorus 3
    3. Scene 7
    4. Scene 8
    5. Scene 9
  2. Act 3 Scene 1 from the 1663 Quarto (B7)
Appendix B: Excerpts from The History of the Damnable Life and Deserved Death of Doctor John Faustus(1592), translated by P.F.
  1. Of his parentage and birth
  2. How Doctor Faustus began to practice his devilish art and how he conjured the devil, making him to appear and meet him on the morrow at his own house
  3. The conference of Doctor Faustus with the spirit Mephostophiles the morning following at his own house
  4. The second time of the spirit’s appearing to Faustus in his house and of their parley
  5. The third parley between Doctor Faustus and Mephostophiles about a conclusion
  6. How Doctor Faustus set his blood in a saucer on warm ashes and writ as followeth
  7. Questions put forth by Doctor Faustus unto his spirit Mephostophiles
  8. How Doctor Faustus dreamed that he had seen hell in his sleep and how he questioned with his spirit of matters as concerning hell, with the spirit’s answer
  9. Another question put forth by Doctor Faustus to his spirit concerning his lord Lucifer, with the sorrow that Faustus fell afterwards into
  10. Another disputation betwixt Doctor Faustus and his spirit, of the power of the devil and of his envy to mankind
  11. How Doctor Faustus desired again of his spirit to know the secrets and pains of hell and whether those damned devilsand their company might ever come into the favour of God again or not
  12. Another question put forth by Doctor Faustus to his spirit Mephostophiles of his own estate
  13. How Doctor Faustus fell into despair with himself, for, having put forth a question unto his spirit, they fell at variance, whereupon the whole rout of devils appeared unto him, threatening him sharply
  14. How Doctor Faustus desired to see hell and of the manner how he was used therein
  15. How Doctor Faustus was carried though the air up to the heavens to see the world and how the sky and planets ruled, after the which he wrote one letter to his friend of the same to Leipzig, how he went about the world in eight days
  16. How Doctor Faustus made his journey through the principal and most famous lands in the world
  17. How the Emperor Carolus Quintus requested of Faustus to see some of his cunning, whereunto he agreed
  18. How Doctor Faustus in the sight of the Emperor conjured a pair of hart’s horns upon a knight’s head that slept out of a casement
  19. How the above-mentioned knight went about to be revenged of Doctor Faustus
  20. How Doctor Faustus deceived a horse-courser
  21. How Doctor Faustus ate a load of hay
  22. How Faustus served the drunken clowns
  23. How Doctor Faustus played a merry jest with the Duke of Anholt in his court
  24. How Doctor Faustus through his charms made a great castle in presence of the Duke of Anholt
  25. How Doctor Faustus showed the fair Helena unto the students upon the Sunday following
  26. How four jugglers cut one another’s head off and set them on again and how Doctor Faustus deceived them
  27. How an old man and neighbour of Faustus sought to persuade him to amend his evil life and to fall unto repentance
  28. How Doctor Faustus wrote the second time with his own blood and gave it to the devil
  29. How Doctor Faustus made the spirit of fair Helena of Greece his own paramour and bedfellow in his twentythird year
  30. An oration of Faustus to the students
Appendix C: Predestination
  1. From Jean Calvin, The Institution of Christian Religion (1578), translated by Thomas North
    1. Book 3 Chapter 21, “Of the eternal election whereby God hath predestinate some to salvation and other some to destruction”
    2. Book 3 Chapter 23, “A confutation of the slanders wherewith this doctrine hath always been wrongfully burdened”
    3. Book 3 Chapter 24, “That election is established by the calling of God but that the reprobate do bring upon themselves the just destruction whereunto they are appointed”
  2. From the Geneva Bible, “Certain questions and answers touching the doctrine of predestination, the use of God’s word, and sacraments” (1599)
  3. From Articles whereupon it was agreed by the archbishops and bishops of both provinces and the whole clergy in the convocation holden at London in the year of our Lord God 1562 according to the computation of the Church of England, for the avoiding of the diversities of opinions and for the establishing of consent touching true religion (1593)
    1. Article 9, “Of original birth or sin”
    2. Article 10, “Of free will”
    3. Article 11, “Of the justification of man”
    4. Article 12, “Of good works”
    5. Article 13, “Of works before justification”
    6. Article 14, “Of the works of supererogation”
    7. Article 15, “Of Christ alone without sin”
    8. Article 16, “Of sin after baptism”
    9. Article 17, “Of predestination and election”
    10. Article 18, “Of obtaining eternal salvation only by the name of Christ”
  4. From William Perkins, A Golden Chain or The Description of Theology Containing the Order of the Causes of Salvation and Damnation According to God’s Word (1592)
    1. “To the Christian Reader”
    2. Chapter 53, “Concerning the execution of the decree of reprobation”
Appendix D: The Renaissance Magus
  1. From Reginald Scot, The Discovery of Witchcraft (1584)
    1. From Book 1 Chapter 3, “Who they be that are called witches, with a manifest declaration of the cause that moveth men so commonly to think, and witches themselves to believe, that they can hurt children, cattle, etc. with words and imaginations; and of cozening witches”
    2. From Book 3 Chapter 1, “The witch’s bargain with the devil, according to M. Mal. Bodin, Nider, Danaeus, Pseellus, Erastus, Hemingius, Cumanus, Aquinas, Bartholomaeus Spineus, &c.”
    3. From Book 13 Chapter 3, “What secrets do lie hidden, and what is taught in natural magic, how God’s glory is magnified therein, and that it is nothing but the work of nature”
  2. From Henry Cornelius Agrippa, Three Books of Occult Philosophy (1651), translated by J.F.
    1. From Book I Chapter I, “How magicians collect virtues from the three-fold world is declared in these three books”
    2. From Book I Chapter LXX, “Of the virtue of proper names”
    3. From Book III Chapter XX, “Of the annoyance of evil spirits and the preservation we have by good spirits”
    4. From “The censure or retraction of Henry Cornelius Agrippa concerning magic, after his declamation of thevanity of sciences and the excellency of the Word of God”
  3. From James VI and I, Daemonology (1603)
    1. Book 1 Chapter 2, “What kind of sin the practisers of these unlawful arts commits. The division of these arts. And what are the means that allures any to practise them”
    2. From Book 1 Chapter 3, “The signification and etymologies of the words of magic and necromancy. The difference betwixt necromancy and witchcraft. What are the entrances and beginnings that brings any to the knowledge thereof”
    3. From Book 1 Chapter 6, “The devil’s contract with the magicians. The division thereof into two parts. What is the difference betwixt God’s miracles and the devil’s”
    Appendix E: Marlowe’s Reputation
    1. From Robert Greene, Perimedes the Blacksmith (1588) and A Groatsworth of Wit (1592)
      1. From Perimedes the Blacksmith (1588)
      2. From A Groatsworth of Wit (1592)
    2. Thomas Kyd’s letters to Sir John Puckering about Marlowe
    3. Richard Baines, “A note containing the opinion of Christopher Marlowe concerning his damnable Judgment of religionand scorn of God’s word”
    4. From Thomas Beard, The Theatre of God’s Judgements (1597)
Works Cited and Further Reading