Dissensus
Autor Jacques Rancièreen Limba Engleză Paperback – 30 iul 2015
In this fascinating collection, Rancière engages in a radical critique of some of his major contemporaries on questions of art and politics: Gilles Deleuze, Antonio Negri, Giorgio Agamben, Alain Badiou and Jacques Derrida. The essays show how Rancière's ideas can be used to analyse contemporary trends in both art and politics, including the events surrounding 9/11, war in the contemporary consensual age, and the ethical turn of aesthetics and politics. Rancière elaborates new directions for the concepts of politics and communism, as well as the notion of what a 'politics of art' might be.
This important collection includes several essays that have never previously been published in English, as well as a brand new afterword. Together these essays serve as a superb introduction to the work of one of the world's most influential contemporary thinkers.
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Specificații
ISBN-13: 9781472583550
ISBN-10: 1472583558
Pagini: 248
Dimensiuni: 126 x 196 x 16 mm
Greutate: 0.27 kg
Editura: BLOOMSBURY 3PL
Locul publicării:London, United Kingdom
ISBN-10: 1472583558
Pagini: 248
Dimensiuni: 126 x 196 x 16 mm
Greutate: 0.27 kg
Editura: BLOOMSBURY 3PL
Locul publicării:London, United Kingdom
Cuprins
Acknowledgements
Editor's Introduction
Part I: The Aesthetics of Politics
1. Ten Theses on Politics
2. Does Democracy Mean Something?
3. Who is the Subject of the Rights of Man?
4. Communism: From Actuality to Inactuality
5. The People or the Multitudes?
6. Biopolitics or Politics?
7. September 11 and Afterwards: A Rupture in the Symbolic Order?
8. Of War as the Supreme Form of Advanced Plutocratic Consensus
Part II: The Politics of Aesthetics
9. The Aesthetic Revolution and its Outcomes
10. The Paradoxes of Political Art
11. The Politics of Literature
12. The Monument and its Confidences; or Deleuze and Art's Capacity of 'Resistance'
13. The Ethical Turn of Aesthetics and Politics
Part III: Response to Critics
14. The Use of Distinctions
Notes
Index
Editor's Introduction
Part I: The Aesthetics of Politics
1. Ten Theses on Politics
2. Does Democracy Mean Something?
3. Who is the Subject of the Rights of Man?
4. Communism: From Actuality to Inactuality
5. The People or the Multitudes?
6. Biopolitics or Politics?
7. September 11 and Afterwards: A Rupture in the Symbolic Order?
8. Of War as the Supreme Form of Advanced Plutocratic Consensus
Part II: The Politics of Aesthetics
9. The Aesthetic Revolution and its Outcomes
10. The Paradoxes of Political Art
11. The Politics of Literature
12. The Monument and its Confidences; or Deleuze and Art's Capacity of 'Resistance'
13. The Ethical Turn of Aesthetics and Politics
Part III: Response to Critics
14. The Use of Distinctions
Notes
Index
Recenzii
Rewarding in its scholarly engagement with Derrida, Arendt, Lyotard et al ... [Rancière] has a certain sardonic precision.
An accessible introduction to Rancière's thought and an essential collection of his essays.
Steven Corcoran has provided a timely and coherently organized collection of Rancière's short writings, one that can stand as a solid introduction to the author's thought...There is a distinct shift of emphasis that occurs in Rancière's writings around the late 1990's, however, and the task of a good collection would be to capture both periods and the thematic interaction between them. The writings gathered here, which date from 1996 to 2004, perform both tasks admirably...For those who seek to get a sense of both the richness and the breadth of the work of one of the most significant thinkers of our time, Dissensus provides a valuable resource. I can think of no better starting point than this collection.
Title mention in Times Higher Education, January 2010
An accessible introduction to Rancière's thought and an essential collection of his essays.
Steven Corcoran has provided a timely and coherently organized collection of Rancière's short writings, one that can stand as a solid introduction to the author's thought...There is a distinct shift of emphasis that occurs in Rancière's writings around the late 1990's, however, and the task of a good collection would be to capture both periods and the thematic interaction between them. The writings gathered here, which date from 1996 to 2004, perform both tasks admirably...For those who seek to get a sense of both the richness and the breadth of the work of one of the most significant thinkers of our time, Dissensus provides a valuable resource. I can think of no better starting point than this collection.
Title mention in Times Higher Education, January 2010