Directing the Story
Autor Francis Glebasen Limba Engleză Paperback – 28 noi 2025
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| Taylor & Francis Ltd. – 28 noi 2025 | 420.98 lei 3-5 săpt. | +63.09 lei 6-12 zile |
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Specificații
ISBN-13: 9781032753065
ISBN-10: 1032753064
Pagini: 408
Dimensiuni: 219 x 276 x 24 mm
Greutate: 1.38 kg
Ediția:2. Auflage
Editura: Taylor & Francis Ltd.
ISBN-10: 1032753064
Pagini: 408
Dimensiuni: 219 x 276 x 24 mm
Greutate: 1.38 kg
Ediția:2. Auflage
Editura: Taylor & Francis Ltd.
Recenzii
Francis Glebas has put together a really comprehensive and thought-provoking look at the art and craft of film making, specifically directing. His approach, which is to ask a lot of seemingly innocent questions, has much the same effect as the good storytelling he is trying to teach us.it draws us in and makes us think. I can't imagine anyone, in or out of our business, who won't find any number of helpful ideas as they work their way through the filmmaking jungles!!
- Roy Disney, Director Emeritus and consultant for The Walt Disney Company
Francis Glebas has put together a really comprehensive and thought-provoking look at the art and craft of film making, specifically directing. His approach, which is to ask a lot of seemingly innocent questions, has much the same effect as the good storytelling he is trying to teach us.it draws us in and makes us think. I can't imagine anyone, in or out of our business, who won't find any number of helpful ideas as they work their way through the filmmaking jungles!!
- Roy Disney, Director Emeritus and consultant for The Walt Disney Company
Francis Glebas was one of our most talented storyboard artists at Disney, and it was our great fortune to have him on the story team. He has a wealth of experience to share.
- Jeffrey Katzenberg, CEO, Dreamworks Animation
- Roy Disney, Director Emeritus and consultant for The Walt Disney Company
Francis Glebas has put together a really comprehensive and thought-provoking look at the art and craft of film making, specifically directing. His approach, which is to ask a lot of seemingly innocent questions, has much the same effect as the good storytelling he is trying to teach us.it draws us in and makes us think. I can't imagine anyone, in or out of our business, who won't find any number of helpful ideas as they work their way through the filmmaking jungles!!
- Roy Disney, Director Emeritus and consultant for The Walt Disney Company
Francis Glebas was one of our most talented storyboard artists at Disney, and it was our great fortune to have him on the story team. He has a wealth of experience to share.
- Jeffrey Katzenberg, CEO, Dreamworks Animation
Notă biografică
Francis Glebas worked as a story artist for Disney Feature Animation on Aladdin, Lion King, Pocahontas, Hunchback of Notre Dame, Dinosaur, Treasure Planet and Hercules. He also directed Pomp and Circumstance starring Donald Duck in Fantasia 2000 and Piglet's BIG Movie. Francis is also an award-winning independent live action movie maker with almost 40 years' experience.
He currently teaches storyboarding at Gnomon School of Visual Effects. Francis also works as a creative consultant, having worked with the Irish Government, Korean Government, General Motors, Los Alamos Labs, Walt Disney Imagineering and other film studios.
He currently teaches storyboarding at Gnomon School of Visual Effects. Francis also works as a creative consultant, having worked with the Irish Government, Korean Government, General Motors, Los Alamos Labs, Walt Disney Imagineering and other film studios.
Cuprins
PART ONE
INTRODUCTION:
The Goal
Audiences watch movies and animations to be entertained through an emotionally satisfying and meaningful experience. This book shows how to entertain, by structuring the elements of film thematically. You can work with images, words and sounds.
THE PROBLEM
Beginners work is often boring and confusing- unemotional.
What do directors direct? Attention -clearly and dramatically to tell an emotional story.
THE BEGINNING BASICS
History and uses of storyboarding
How to tell a story using images.
How to storyboard a scene
How to draw for storyboarding
PART TWO
STRUCTURAL TACTICS TO REACH THE GOAL
How direct attention
How to direct the eye
How to use images
How to convey and suggest meaning
Aiming for the heart. Emotional response
SUMMARY
Chart and recapitulation of all of the concepts
ANALYSIS AND EVOLUTION OF THE SCHEHERAZADE PROJECT
SCHEHERAZADE and her story will be woven through out, demonstrating 'HOW TO' for each of the concepts being discussed.
INTRODUCTION:
The Goal
Audiences watch movies and animations to be entertained through an emotionally satisfying and meaningful experience. This book shows how to entertain, by structuring the elements of film thematically. You can work with images, words and sounds.
THE PROBLEM
Beginners work is often boring and confusing- unemotional.
What do directors direct? Attention -clearly and dramatically to tell an emotional story.
THE BEGINNING BASICS
History and uses of storyboarding
How to tell a story using images.
How to storyboard a scene
How to draw for storyboarding
PART TWO
STRUCTURAL TACTICS TO REACH THE GOAL
How direct attention
How to direct the eye
How to use images
How to convey and suggest meaning
Aiming for the heart. Emotional response
SUMMARY
Chart and recapitulation of all of the concepts
ANALYSIS AND EVOLUTION OF THE SCHEHERAZADE PROJECT
SCHEHERAZADE and her story will be woven through out, demonstrating 'HOW TO' for each of the concepts being discussed.