Dada and Its Later Manifestations in the Geographic Margins: Routledge Research in Art History

Introduction Part I: Transcending Disciplinary Boundaries 1. Marcel Janco Architect in Romania  2. The Delirious Specter of Dada: Baroness Elsa von Freytag-Loringhoven and Her Costumes Using the Lenses of Collage, Assemblage, and Montage  3. Through the Eyes of an Architect, the Soul of an Artist: Marcel Janco and Ein Hod Artist Colony  Part II: Reception in Eastern Europe and the Middle East 4. Dada in Romania: How Romanian Avant-Garde Magazines Celebrated Dada  5. Authenticity after Duchamp: On the Reception of the Readymade Legacy in Israel in the 1970s  Part III: Disputing Matter and Materiality 6. Acoustic Ecologies: John Cage and Robert Smithson After Hugo Ball’s Unrestrained Nature  7. “Junk Impresario” or The Creaking Jew  Part IV: Language and Syntax  8. “Language Dissection” as a Rhetoric of Healing: Yael Bartana and the Spirit of Dada  9. The Alphabet of Forms: Initial Data for a Bottom-up Approach to Architectural Morphogenesis Part V: The Center-Margins Trajectory  10. Interview with Marcel Janco: The Years in Zurich 1914-1919  11. Marcel Janco, Dada and its reverberation and avatars in the 20th century  Epilogue: dada after Dada

Ronit Milano is a senior lecturer at the Department of the Arts, Ben-Gurion University of the Negev, Israel.
Raya Zommer-Tal is the Director and Chief Curator of the Janco-Dada Museum, Ein Hod, Israel.
Noam Gonnen is an associate lecturer at the Department of the Arts, Ben-Gurion University of the Negev, Israel.