Table of contents - Series Editor's Introduction; Introduction, Sara L. Spurgeon; Part I- All the Pretty Horses (1991); Introduction, Sara L. Spurgeon; 1. 'This is Another Country'- The Complex Feminine Presence in All the Pretty Horses, Linda Woodson; 2. Hang and Rattle- John Grady Cole's Horsebreaking in Typescript, Novel, and Film, Stacey Peebles; 3. McCarthy's Multitude(s)- All the Pretty Horses and Los Hombres del País, Andrew Husband; Part II- No Country for Old Men (2005); Introduction, Sara L. Spurgeon; 4. 'Mercantile Ethics'- No Country for Old Men and the Narcocorrido, Stephen Tatum; 5. 'Do you see?' Elliptic Levels in No Country for Old Men, Jay Ellis; 6. Evil, Mood, and Reflection in the Coen Brothers' No Country for Old Men, Dan Flory; Part III- The Road (2006); Introduction, Sara L. Spurgeon; 7. 'Everything uncoupled from its shoring'- Quandaries of Epistemology and Ethics in The Road, Donovan Gwinner; 8. 'Barren, silent, godless'- Ecodisaster and the Post-Abundant Landscape in The Road, Susan Kollin; 9. He Ought Not Have Done It- McCarthy and Apocalypse, Dana Phillips; Further Reading; Works Cited; Notes on Contributors; Index.