Circulating Fear
Autor Lindsay Nelsonen Limba Engleză Paperback – 22 aug 2023
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|---|---|---|
| Paperback (1) | 264.36 lei 6-8 săpt. | |
| Lexington Books – 22 aug 2023 | 264.36 lei 6-8 săpt. | |
| Hardback (1) | 559.76 lei 6-8 săpt. | |
| Rowman & Littlefield – 10 oct 2021 | 559.76 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781793613691
ISBN-10: 1793613699
Pagini: 148
Dimensiuni: 152 x 229 x 8 mm
Greutate: 0.23 kg
Editura: Lexington Books
ISBN-10: 1793613699
Pagini: 148
Dimensiuni: 152 x 229 x 8 mm
Greutate: 0.23 kg
Editura: Lexington Books
Cuprins
Acknowledgments
List of Figures
Introduction
Chapter One: Circulating Urban Legends: From 2channel to Toshimaen: The Movie
Chapter Two: Idols, Japanese Horror, and Fractured Realities: Shirome
Chapter Three: The Haunted Forest: Circulating Aokigahara
Chapter Four: From Ringu to Rings: Porous Screens and Virtual Windows in the Later Ringu Films
Conclusion: Living in Virtual Windows
Bibliography
About the Author
List of Figures
Introduction
Chapter One: Circulating Urban Legends: From 2channel to Toshimaen: The Movie
Chapter Two: Idols, Japanese Horror, and Fractured Realities: Shirome
Chapter Three: The Haunted Forest: Circulating Aokigahara
Chapter Four: From Ringu to Rings: Porous Screens and Virtual Windows in the Later Ringu Films
Conclusion: Living in Virtual Windows
Bibliography
About the Author
Notă biografică
Lindsay Nelson is assistant professor in the Department of Political Science and Economics at Meiji University.
Descriere
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This book examines Japanese horror films released from the 2010s to present day, analyzing the function of computers, smartphones, and social media in the narratives, dissemination, and consumption of these films. Lindsay Nelson argues that the multitude of screens creates a sense of fractured reality in contemporary Japanese horror.
This book examines Japanese horror films released from the 2010s to present day, analyzing the function of computers, smartphones, and social media in the narratives, dissemination, and consumption of these films. Lindsay Nelson argues that the multitude of screens creates a sense of fractured reality in contemporary Japanese horror.